Bipentatonic scale
A bipentatonic or dipentatonic scale is a 10-note octave-equivalent scale where every other note gives a fixed choice of pentatonic scale; hence a bipentatonic scale is a type of flought scale. Following from this, bipentatonic scales based on a MOS pentatonic scale have a maximum of two sizes for intervals that are an even number of steps. Many bipentatonic scales are generated by a diatonic-sized fifth (between the 7edo fifth and the 5edo fifth) of a fixed size. Some bipentatonic scales are MOSes, such as the Erlich decatonic in 22edo. Modulating by fifths is easy in bipentatonic scales where the interleaved pentatonics are generated by a fifth (i.e. 2L 3s and 3L 2s, depending on tuning).
The first part of this article classifies abstract bipentatonic scales by the pentatonics they interleave and by their rank (whether they are mosses or rank-3). The second part of this article surveys bipentatonic scales in JI. Bipentatonic scales also exist in regular temperaments of course, but exploration of such scales is not included in the article for now at least.
Abstract bipentatonic scales
Bipentatonic mosses
Every 10 note mos except 5L 5s is bipentatonic. The degenerate case of a bipentatonic mos is 5L 5s, where the interleaved pentatonic is 5edo. The nondegenerate cases are:
- 1L 9s: Lsssssssss (pentatonic 1L 4s)
- 2L 8s: LssssLssss (pentatonic 2L 3s)
- 3L 7s: LssLssLsss (pentatonic 3L 2s)
- 4L 6s: LsLssLsLss (pentatonic 4L 1s)
- 6L 4s: LLsLsLLsLs (pentatonic 1L 4s)
- 7L 3s: LLLsLLsLLs (pentatonic 2L 3s)
- 8L 2s: LLLLsLLLLs (pentatonic 3L 2s)
- 9L 1s: LLLLLLLLLs (pentatonic 4L 1s)
Bipentatonic ternary scale patterns
A ternary bipentatonic scale with step sizes 5x ay (5-a)z has the form xYxYxYxYxY where the Y's are replaced with y and z steps arranged in the MOS pattern ay (5-a)z. The interlocking pentatonics are copies of the mos aL (5-a)s if y > z and (5-a)L as if z > y. The following is a complete list of such abstract patterns, assuming octave equivalence:
- 1L 4M 5s, LsMsMsMsMs
- 2L 3M 5s, MsLsMsLsMs
- 3L 2M 5s, LsMsLsMsLs
- 4L 1M 5s, LsLsLsLsMs
- 1L 5M 4s, LMsMsMsMsM
- Blackville (2L 5M 3s), sMLMsMLMsM
- 3L 5M 2s, LMsMLMsMLM
- 4L 5M 1s, LMLMLMLMsM
- 5L 1M 4s, LsLsLsLsLM
- Blackdye (5L 2M 3s), LsLMLsLMLs
- 5L 3M 2s, LMLsLMLsLM
- 5L 4M 1s, LMLMLMLMLs
Bipentic scales using the Pythagorean pentic and arbitrary offsets
A bipentic scale is a 10-note scale such that the even degrees form one copy of the pentic MOS 2L3s and the odd degrees form a second, shifted copy of 2L3s with the same generator tuning as the first copy. Bipentic scales are classified by the generator used by the pentic and the offset between the two copies of pentic. Here we classify bipythpentic scales, bipentic scales that use the 3/2-generated Pythagorean tuning for the two copies of pentic.
Assuming octave equivalence, the offsets δ and 1200 - δ behave the same. Taking that fact into account, the following offset ranges do not yield bipythpentic scales. With these offsets, the two pentic scales do not interleave because there is an s-step of one copy of pentic that is contained entirely within a pentic L-step of the second.
- 9/8 ≤ δ ≤ 32/27
- 81/64 ≤ δ ≤ 4/3
Offsets between 1/1 and 9/8 yield the three ternary bipythpentic scale patterns of the form ababacabac, where c > a. Outside of this range, ternary bipythpentic scales only occur with 3 values for offsets.
- If δ < sqrt(9/8), we obtain the ternary scale 2L3m5s (smsmsLsmsL).
- If δ = sqrt(9/8) = 101.955c, then we have a permutation of 2L8s (sssssLsssL).
- If sqrt(9/8) < δ < sqrt(32/27), we have the ternary scale 2L5m3s (msmsmLmsmL).
- If δ = sqrt(32/27) = 147.067c, we have a permutation of 7L3s (LsLsLLLsLL).
- If sqrt(32/27) < δ < 9/8, we have 5L2m3s (LsLsLmLsLm).
- In the degenerate case δ = 9/8, we have the ternary scale 5L2s diatonic MOS LLLsLLs.
Offsets between 32/27 and 81/64 yield bipentic scales of the pattern abcdcbabcb.
- In the degenerate case δ = 32/27, then b > d > c > a = 0 and we have the non-bipentic ternary scale LsmsLLsL.
- If 32/27 < δ < sqrt(729/512), then b > d > c > a > 0.
- The offset δ = sqrt(729/512) = 305.865c implies b > d = c > a and we have the ternary scale sLmmmLsLmL.
- If sqrt(729/512) < δ < sqrt(3/2), then b > c > d > a > 0.
- The offset δ = sqrt(3/2) = 350.978c implies b = c > d = a > 0 and yields the 3L7s MOS sLLsLLsLLL.
- If sqrt(3/2) < δ < sqrt(128/81), then c > b > a > d > 0.
- The offset δ = sqrt(128/81) = 396.090c implies c > b = a > d > 0 and yields the ternary scale mmLsLmmmLm.
- If sqrt(128/81) < δ < 81/64, then c > a > b > d > 0.
- In the degenerate case δ = 81/64, c > a > b > d = 0 and we have msLLsmsLs.
Offsets between 4/3 and 1\\2 yield bipentic scales of the pattern ababcbabad.
- In the degenerate case δ = 4/3, d > b > c > a = 0, and we obtain a non-bipentic ternary scale mmsmmL.
- If 4/3 < δ < sqrt(243/128), then d > b > c > a > 0.
- The offset δ = sqrt(243/128) = 554.888c implies d > b = c > a > 0 and yields the ternary scale smsmmmsmsL.
- If sqrt(243/128) < δ < 1\\2, then d > c > b > a > 0.
- If δ = 1\\2, then d = c > b = a > 0, and we get the 2L8s MOS ssssLssssL.
Just bipentatonic scales
Every other note of a just bipentatonic scale gives a Pythagorean pentatonic. Bipentatonic scales that are also 3-SN scales can be constructed by placing the same interval above or below each step of a pentatonic scale. This interval defines the scale, and the logic behind the listing below.
These scales can be considered the minimum complexity rank-3 decatonic scales that are supersets of Pythagorean[5]. The can be thought of as Blackwood decatonics, but without 256/243 tempered out. Instead of 5 240c intervals in an octave as one generator and a 5/4 as the other, these scales have (one incstance of) a third generator of a prime > 3 along with Pythagorean[5], or two parallel Pythagorean[5]s, seperated by a prime or a prime to some power of three. They have form ABACABABAC (or CABABACABA, inverted, or beginning after ABA) where AB=9/8 and AC=32/27.
They are pentachordal, with pentachords ABAC and include four different tetrachordal scales as the subscale subtended by steps of 1212121. These scales have a quasi-sub-period of a third, and every second step obviously gives Pythagorean[5]. As there are three step sizes, there are also three sizes of the complement, the 10th. There are two sizes of each multiple of the quasi-sub-period, i.e. 3rd, 5th, 7th and 9th. Each remaining interval (4th, 6th, 8th) comes in three sizes. Examples will follow directly below.
The trivalent tetrachordal subset scales after steps of 1212121, with steps of A-9/8-C-9/8-A-9/8-C, or of C-9/8-A-9/8-C-9/8-A respectively, with tetrachords A-9/8-C or C-9/8-A respectively, are the notes not bracketed.
The first mode listed for each value of A can be considered 'major'; the second mode is it's inverse.
Adding prime 5:
A=10/9 (B=81/80, C=16/15) for SNS ((2/1, 3/2)[5], 10/9)[10]
10/9 (9/8) 5/4 4/3 (40/27) 3/2 5/3 (27/16) 15/8 2/1
16/15 (32/27) 6/5 4/3 (27/20) 3/2 8/5 (16/9) 9/5 2/1
A=16/15 (B=135/128, C=10/9) for SNS ((2/1, 3/2)[5], 16/15)[10]
16/15 (9/8) 6/5 4/3 (64/45) 3/2 8/5 (27/16) 9/5 2/1
10/9 (32/27) 5/4 4/3 (45/32) 3/2 5/3 (16/9) 15/8 2/1
A=25/24 (B=27/25, C=256/225) for SNS ((2/1, 3/2)[5], 25/24)[10]
25/24 (9/8) 75/64 4/3 (25/18) 3/2 25/16 (27/16) 225/128 2/1
256/225 (32/27) 32/25 4/3 (36/25) 3/2 128/75 (16/9) 48/25 2/1
Adding prime 7:
A=28/27 (B=243/224, C=8/7) for SNS ((2/1, 3/2[5]), 28/27)[10]
28/27 (9/8) 7/6 4/3 (112/81) 3/2 14/9 (27/16) 7/4 2/1
8/7 (32/27) 9/7 4/3 (81/56) 3/2 12/7 (16/9) 27/14 2/1
A=64/63 (B=567/512, C=7/6) for SNS ((2/1, 3/2[5]), 64/63)[10]
64/63 (9/8) 8/7 4/3 (256/189) 3/2 32/21 (27/16) 12/7 2/1
7/6 (32/27) 21/16 4/3 (189/128) 3/2 7/4 (16/9) 63/32 2/1
Adding prime 11:
A=12/11 (B=33/32, C=88/81) for SNS ((2/1, 3/2[5]), 12/11)[10]
12/11 (9/8) 27/22 4/3 (16/11) 3/2 18/11 (27/16) 81/44 2/1
88/81 (32/27) 11/9 4/3 (11/8) 3/2 44/27 (16/9) 11/6 2/1
Adding prime 13:
A=13/12 (B=27/26, C=128/117) for SNS ((2/1, 3/2[5]), 13/12)[10]
13/12 (9/8) 39/32 4/3 (13/9) 3/2 13/8 (27/16) 117/64 2/1
128/117 (32/27) 16/13 4/3 (18/13) 3/2 64/39 (16/9) 24/13 2/1
Adding prime 17:
A=17/16 (B=18/17, C=512/459) for SNS ((2/1, 3/2[5], 17/16)[10]
18/17 (9/8) 64/51 4/3 (24/17) 3/2 27/17 (27/16) 32/17 2/1
17/16 (32/27) 34/27 4/3 (17/12) 3/2 51/32 (16/9) 17/9 2/1
A=18/17 (B=17/16, C=272/243) for SNS ((2/1, 3/2[5]), 18/17)[10]
17/16 (9/8) 34/17 4/3 (17/12) 3/2 51/32 (27/16) 17/9 2/1
18/17 (32/27) 64/51 4/3 (24/17) 3/2 27/17 (16/9) 32/17 2/1
Adding prime 19:
A=19/18 (B=81/76, C=64/57) for SNS ((2/1, 3/2)[5], 19/18)[10]
19/18 (9/8) 19/16 4/3 (38/27) 3/2 19/12 (27/16) 57/32 2/1
64/57 (32/27) 24/19 4/3 (27/19) 3/2 32/19 (16/9) 36/19 2/1
Adding prime 23:
A=24/23 (B=69/64, C=92/81) for SNS ((2/1, 3/2)[5], 24/23)[10]
24/23 (9/8) 27/23 4/3 (32/23) 3/2 36/23 (27/16) 81/46 2/1
92/81 (32/27) 23/18 4/3 (23/16) 3/2 46/27 (16/9) 23/12 2/1
More complex subgroups:
A=11/10 (B=45/44, C=320/297) for SNS ((2/1, 3/2)[5], 11/10)[10]
11/10 (9/8) 99/80 4/3 (22/15) 3/2 33/20 (27/16) 297/160 2/1
320/297 (32/27) 40/33 4/3 (15/11) 3/2 160/99 (16/9) 20/11 2/1
A=14/13 (B=117/112, C=208/189) for SNS ((2/1, 3/2)[5], 14/13)[10]
14/13 (9/8) 63/52 4/3 (56/39) 3/2 21/13 (27/16) 189/104 2/1
208/189 (32/27) 26/21 4/3 (39/28) 3/2 104/63 (16/9) 13/7 2/1
A=15/14 (B=21/20, C=448/405) for SNS ((2/1, 3/2)[5], 15/14)[10]
15/14 (9/8) 135/112 4/3 (10/7) 3/2 45/28 (27/16) 40/21 2/1
21/20 (32/27) 56/45 4/3 (7/5) 3/2 224/135 (16/9) 28/15 2/1
A=20/19 (B=171/160, C=152/135) for SNS ((2/1, 3/2)[5], 20/19)[10]
20/19 (9/8) 45/38 4/3 (80/57) 3/2 30/19 (27/16) 135/76 2/1
152/135 (32/27) 4/3 (57/40) 3/2 45/19 (16/9) 40/19 2/1
A=21/20 (B=15/14, C=640/567) for SNS ((2/1, 3/2)[5], 21/20)[10]
21/20 (9/8) 189/160 4/3 (7/5) 3/2 63/40 (27/16) 567/320 2/1
640/567 (32/27) 80/63 4/3 (10/7) 3/2 320/189 (16/9) 40/21 2/1
A=22/21 (B=189/176, C=112/99) for SNS((2/1, 3/2)[5], 22/21)[10]
22/21 (9/8) 33/28 4/3 (88/63) 3/2 11/7 (27/16) 99/56 2/1
112/99 (32/27) 14/11 4/3 (63/44) 3/2 56/33 (16/9) 21/11 2/1
Bipentatonic scales in regular temperaments
Just a couple examples linked for now: