User:Inthar/21edo

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I (Inthar) view 21edo in two ways:

  1. Viewed more traditionally, it's a "color system" with traditional triadic harmony, 7edo circles of fifths, and many interesting colors for intervals. One possible scalar realization of this is the MV3 scale diasem with step ratio L:M:S = 3:2:1.
  2. As a MOS system, its most interesting MOS scales are soft oneirotonic and perhaps miracle and orwelloid. (The other mos scales are variants of 12edo multimosses.)

Intervals

Degree Cents Up/down notation Fox-Raven
5L 3s
Notation
Category name
0 0.00 1 unison C N Unison
1 57.14 ^1
vv2
up unison,
double-down 2nd
C^
Dvv
N#/Ob Subminor 2nd; quartertone; semisecor
2 114.29 ^^1
v2
double-up unison,
down 2nd
C^^
Dv
O Minor 2nd
3 171.43 2 hepta 2nd D O# Submajor 2nd
4 228.57 ^2
vv3
up 2nd,
double-down 3rd
D^
Evv
Pb Supermajor 2nd
5 285.71 ^^2
v3
double-up 2nd,
down 3rd
D^^
Ev
P Minor 3rd
6 342.86 3 hepta 3rd E P#/Qb Neutral 3rd; Supraminor 3rd
7 400.00 ^3
vv4
up 3rd,
double-down 4th
E^
Fvv
Q Major 3rd
8 457.14 ^^3
v4
double-up 3rd,
down 4th
E^^
Fv
Q# Naiadic; Subfourth
9 514.29 4 hepta 4th F Jb Perfect 4th
10 571.43 ^4
vv5
up 4th,
double-down 5th
F^
Gvv
J Narrow Tritone
11 628.57 ^^4
v5
double-up 4th,
down 5th
F^^
Gv
J# Wide Tritone
12 685.71 5 hepta 5th G Kb Perfect 5th
13 742.86 ^5
vv6
up 5th,
double-down 6th
G^
Avv
K Superfifth
14 800.00 ^^5
v6
double-up 5th,
down 6th
G^^
Av
K#/Lb Minor 6th
15 857.14 6 hepta 6th A L Neutral 6th; Submajor 6th
16 914.29 ^6
vv7
up 6th,
double-down 7th
A^
Bvv
L# Major 6th
17 971.43 ^^6
v7
double-up 6th,
down 7th
A^^
Bv
Mb Subminor 7th
18 1028.57 7 hepta 7th B M Supraminor 7th
19 1085.71 ^7
vv8
up 7th,
double-down 8ve
B^
Cvv
M# Major 7th
20 1142.86 ^^7
v8
double-up 7th,
down 8ve
B^^
Cv
Nb Supermajor 7th
21 1200.00 8 8ve C N Octave

Traditional harmony

  • Third flavors: 286 (min3, soft minor), 343 (neu3, supraminor-ish neutral), 400 (maj3, neogothic-ish major)
  • Seconds: 114 (min2), 171 (submaj2), 229 (supmaj2), 171 and 228 work better as major seconds than 15edo's 160 and 240.
  • Sixths: 800 (min6), 857 (neu6), 914 (maj6)
  • Sevenths: 971 (submin7), 1029 (supmin7), 1086 (maj7), 1143 (supmaj7)
  • Tritones: 571 (subtri), 628 (suptri)
  • Fourths: 514 (perfect~acute 4th), 457 (sub4th, sounds more like a sub4th than a naiadic)
  • More dissonant extensions (might want to use nejification for these?): 57 (submin2), 743 (sup5)
  • 1143 can be used internally but not 1257.

Diasem harmony

Diasem is an MV3 scale with step pattern either (left-handed) MLSLMLLSL or (right-handed) MLSLMLSLL which are non-superimposable mirror images. As its name suggests, 21edo diasem has qualities intermediate that of 19edo's diatonic mos and 23edo's semiquartal mos. 21edo diasem also has a non-chiral alteration 231323223, which, however, is only MV3 because of the specific step ratio 3:2:1 it has in 21edo.

The basic Locrian 7th chord has a brighter version 0-343-629-1029 and a darker version 0-286-571-971. The bright version occurs in both diasem Locrians. A more xen one can be made by lowering either 343 or 1029 by one step, which exists in some variant of diasem Locrian. Unfortunately, the darker Locrian seventh chord doesn't appear in any unaltered diasem mode in 21edo. To remedy this one could split (add a comma step to) the tritone and the minor 2nd, yielding 11313113313.

Modes

Diasem has 18 modes, 9 modes of LH diasem and 9 modes of RH diasem. Fourteen of these modes are versions of diatonic modes which come in LH and RH pairs; four are more oneirotonic-like, sharing melodic segments with the oneirotonic scale in 21edo, and they lack either a perfect 4th or a perfect 5th.

Left-handed modes Right-handed modes
Modes with both a P4 and a P5 LSLMLLSLM
LH Diasem Ionian
LSLMLSLLM
RH Diasem Ionian
LSLMLSLML
LH Diasem Mixo
SLLMLSLML
RH Diasem Mixo
SLMLLSLML
LH Diasem Dorian
LMLSLLMLS
RH Diasem Dorian
LMLSLMLLS
LH Diasem Aeolian
LMLSLMLSL
RH Diasem Aeolian
MLLSLMLSL
LH Diasem Phrygian
MLSLLMLSL
RH Diasem Phrygian
Modes lacking either a P4 or a P5 LLSLMLSLM
LH Diasem Lydian
LSLLMLSLM
RH Diasem Lydian
LMLLSLMLS
LH Diasem Darkened Dorian (Somewhat like Celdorian)
LLMLSLMLS
RH Diasem Darkened Mixo (Somewhat like Illarnekian)
SLMLSLMLL
LH Diasem Brightened Aeolian (Somewhat like Hlanithian)
SLMLSLLML
RH Diasem Brightened Dorian (Somewhat like Sardorian)
MLSLMLLSL
LH Diasem Locrian
MLSLMLSLL
RH Diasem Locrian

Diasem has 18 modes, 9 modes of LH diasem and 9 modes of RH diasem. Modes with LLS are left-handed; modes with LLM are right-handed. Fourteen of these modes are versions of diatonic modes which come in LH and RH pairs; four are less diatonic-like.

Here, "brightened" (resp. "darkened") means that the diatonic scale is overall sharpened (resp. flattened) perfect 5th (resp. the perfect 4th) is missing. These may sound somewhat more like oneirotonic modes.

The modes arranged in cyclic order:

Left-handed modes Right-handed modes
LSLMLSLML
LH Diasem Mixo
LMLSLMLSL
RH Diasem Aeolian
SLMLSLMLL
LH Diasem Brightened Aeolian
MLSLMLSLL
RH Diasem Locrian
LMLSLMLLS
LH Diasem Aeolian
LSLMLSLLM
RH Diasem Ionian
MLSLMLLSL
LH Diasem Locrian
SLMLSLLML
RH Diasem Brightened Dorian
LSLMLLSLM
LH Diasem Ionian
LMLSLLMLS
RH Diasem Dorian
SLMLLSLML
LH Diasem Dorian
MLSLLMLSL
RH Diasem Phrygian
LMLLSLMLS
LH Diasem Darkened Dorian
LSLLMLSLM
RH Diasem Lydian
MLLSLMLSL
LH Diasem Phrygian
SLLMLSLML
RH Diasem Mixo
LLSLMLSLM
LH Diasem Lydian
LLMLSLMLS
RH Diasem Darkened Mixo

Here follow snippets I've written in various diasem modes.

RH Diasem Lydian

Score

LH Diasem Dorian

RH Diasem Dorian

Score

LH Diasem Phrygian

LH Diasem Locrian

Score

RH Diasem Locrian

LH Diasem Pseudo-Celdorian
RH Diasem Pseudo-Illarnekian

Altered diasem modes

  • 233231313 Oneiro-Diasem Locrian
  • 231322213 Diasem Locrian "#6"

Other diatonic scales

  • 0 229 400 629 686 914 1086 1200: 21edo Bright Lydian (not contained in diasem)

Free 21edo

Oneirotonic harmony

Modulations

5ths and 4ths

  • hepta5 / hepta4
  • sup5 / sub4

3rds and 6ths

  • maj3 / min6
  • hepta3 / hepta6
  • min3 / maj6

2nds and 7ths

  • submaj2 / supmin7
  • supmaj2 / submin7

Dissonances

  • minT / majT (571/628 tritone)
  • min2/maj7, submin2/supmaj7

The important identites in "5-limit" harmony are 7\*hepta interval = unison, submaj2 + supmaj2 = maj3, and 3\*maj3 = unison. it's also important that 2\*min2 = supmaj2. 3*sub4 = hepta2

Miracle is a good mapping.