Kite's color notation: Difference between revisions

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Chord names: added the har6 chord
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Colors for primes greater than 7 are named after the number itself, using the prefix '''i-''' for disambiguation as needed:   
Colors for primes greater than 7 are named after the number itself, using the prefix '''i-''' for disambiguation as needed:   


{{nowrap|'''Lo''' {{=}} 11-over|'''lu''' {{=}} 11-under}}, and {{nowrap|'''la''' {{=}} 11-all}} = 2.3.11. Because "lo C" sounds like "low C", lo when by itself becomes '''ilo''' ("ee-LOW"). But when with other syllables, it doesn't need i-, as in {{nowrap|11/7 {{=}} loru 5th}}. La when by itself becomes '''ila''', to avoid confusion with the solfege note La, and also with La for large. Sans serif fonts like the one you're reading right now conflate upper-case-i with lower-case-L, so ilo and ila are capitalized as iLo and iLa rather than Ilo and Ila. iLo and lu are abbreviated to '''1o''' and '''1u''' both on the score and in interval names and chord names, e.g. ilo A = 1oA, ilo 4th = 1o4 = 11/8, and C ilo seven = C1o7 = 1/1 - 11/9 - 3/2 - 11/6. Lolo is written 1oo. The associated color is lavender (mnemonic: "e-leven-der"), which refers to both ilo and lu, since they are only [[243/242 |7.1{{c}}]] apart. Lavender is a '''pseudocolor''' that implies the [http://x31eq.com/cgi-bin/rt.cgi?ets=24_17&limit=2_3_11 Lulu aka Neutral] temperament. iLo notes could be called lovender, and lu notes could be called luvender. Both are "shades" of lavender.   
{{nowrap|'''Lo''' {{=}} 11-over|'''lu''' {{=}} 11-under}}, and {{nowrap|'''la''' {{=}} 11-all}} = 2.3.11. Because "lo C" sounds like "low C", lo when by itself becomes '''ilo''' ("ee-LOW"). But when with other syllables, it doesn't need i-, as in {{nowrap|11/7 {{=}} loru 5th}}. La when by itself becomes '''ila''', to avoid confusion with the solfege note La, and also with La for large. Sans serif fonts like the one you're reading right now conflate upper-case-i with lower-case-L, so ilo and ila are capitalized as iLo and iLa rather than Ilo and Ila. iLo and lu are abbreviated to '''1o''' and '''1u''' both on the score and in interval names and chord names, e.g. ilo A = 1oA, ilo 4th = 1o4 = 11/8, and C ilo seven = C1o7 = 1/1 - 11/9 - 3/2 - 11/6. Lolo is written 1oo. The associated color is lavender (mnemonic: "e-leven-der"), which refers to both ilo and lu, since they are only [[243/242 |7.]] apart. Lavender is a '''pseudocolor''' that implies the [http://x31eq.com/cgi-bin/rt.cgi?ets=24_17&limit=2_3_11 Lulu aka Neutral] temperament. iLo notes could be called lovender, and lu notes could be called luvender. Both are "shades" of lavender.   


'''Tho''' = 13-over, '''thu''' = 13-under, and '''tha''' = 13-all. "{{w|Voiceless_dental_fricative|Th}}" is unvoiced, as in "'''th'''irteen". Tho and thu are abbreviated as '''3o''' and '''3u''' on the score and in interval names, e.g. 13/8 is a tho 6th = 3o6 and 14/13 is a thuzo 2nd = 3uz2. Thuthu is written 3uu.  
'''Tho''' = 13-over, '''thu''' = 13-under, and '''tha''' = 13-all. "{{w|Voiceless_dental_fricative|Th}}" is unvoiced, as in "'''th'''irteen". Tho and thu are abbreviated as '''3o''' and '''3u''' on the score and in interval names, e.g. 13/8 is a tho 6th = 3o6 and 14/13 is a thuzo 2nd = 3uz2. Thuthu is written 3uu.  
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Note that 23/16 = 628{{c}} is a 5th, not a 4th (but see po & qu below). Furthermore, 31/16 = 1145{{c}} is a 7th not an 8ve, and 37/32 = 251{{c}} is a 3rd not a 2nd. For any prime P, the degree of the ratio P/1 is chosen to minimize negative intervals. It is determined by its 8ve-reduced cents, and how it relates to 12edo:
Note that 23/16 = 628¢ is a 5th, not a 4th (but see po & qu below). Furthermore, 31/16 = 1145¢ is a 7th not an 8ve, and 37/32 = 251¢ is a 3rd not a 2nd. For any prime P, the degree of the ratio P/1 is chosen to minimize negative intervals. It is determined by its 8ve-reduced cents, and how it relates to 12edo:
    
    
{| class="wikitable"
{| class="wikitable"
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For more complex ratios, a more direct method is needed:     
For more complex ratios, a more direct method is needed:     


'''<u>Converting a ratio</u>:''' Find the  PCV by prime factorization. To find the color, combine all the appropriate colors for each prime > 3, higher primes first. To find the degree, first find the [[stepspan]], which is the dot product of the PCV with the "pseudo-edomapping" discussed above <7 11 16 20 24 26 29 30...]. Then add 1, or subtract 1 if the stepspan is negative. To find the magnitude, add up all the prime counts except the first one, divide by 7, and round off. Combine the magnitude, color and degree to make the color name. If the interval is > 1200{{c}}, octave-reduce as desired (e.g. a 9th may or may not become a compound 2nd). Add one co- prefix for every octave removed. Combine repeated syllables so that three yo's becomes triyo, etc. For the exact combination "grammar", see [[Color notation/Temperament Names]].     
'''<u>Converting a ratio</u>:''' Find the  PCV by prime factorization. To find the color, combine all the appropriate colors for each prime > 3, higher primes first. To find the degree, first find the [[stepspan]], which is the dot product of the PCV with the "pseudo-edomapping" discussed above <7 11 16 20 24 26 29 30...]. Then add 1, or subtract 1 if the stepspan is negative. To find the magnitude, add up all the prime counts except the first one, divide by 7, and round off. Combine the magnitude, color and degree to make the color name. If the interval is > 1200¢, octave-reduce as desired (e.g. a 9th may or may not become a compound 2nd). Add one co- prefix for every octave removed. Combine repeated syllables so that three yo's becomes triyo, etc. For the exact combination "grammar", see [[Color notation/Temperament Names]].     


Example: ratio = 63/40     
Example: ratio = 63/40     
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Omissions are indicated by "no". The za [[Hendrix chord]] is Ch7z10no5. (To write it as a sharp-9 chord, see [[Color notation#Po and qu|po and qu]] below.) A no3 tetrad can also be written as a 5 chord with an added 6th or 7th: Cy6no3 = C5y6, and Cz7(zg5)no3 = C(zg5)z7.   
Omissions are indicated by "no". The za [[Hendrix chord]] is Ch7z10no5. (To write it as a sharp-9 chord, see [[Color notation#Po and qu|po and qu]] below.) A no3 tetrad can also be written as a 5 chord with an added 6th or 7th: Cy6no3 = C5y6, and Cz7(zg5)no3 = C(zg5)z7.   


The [[4:5:6:7|y,z7 chord]] is called the har7 ("har-seven") or h7 chord, because it's part of the harmonic series. {{nowrap|[[4:5:6:7:9|Ch9]] {{=}} Cy,z7,9}} and {{nowrap|[[4:5:6:7:9:11|Ch11]] {{=}} Cy,z7,w9,1o11}}. The [[60:70:84:105|sub7 ("sub-seven") or s7 chord]] is part of the subharmonic series. It's the first 7 subharmonics, with the 7th subharmonic becoming the root. {{nowrap|[[140:180:210:252:315|Cs9]] {{=}} Cr,g7,9}} and {{nowrap|Cs11 {{=}} C1o11(1or5,1og9)}}. Note that s9 is not s7 plus a 9th, but a completely different chord. Usually the 9th ''ascends'' from the root, but in a sub9 chord it ''descends'' from the top note, and becomes the new root. Thus the s7 chord is contained in the ''upper'' four notes of the s9 chord, not the lower four.   
The [[4:5:6:7|y,z7 chord]] is called the har7 ("har-seven") or h7 chord, because it's part of the harmonic series. {{nowrap|[[4:5:6:7:9|Ch9]] {{=}} Cy,z7,9}} and {{nowrap|[[4:5:6:7:9:11|Ch11]] {{=}} Cy,z7,w9,1o11}}. The [[60:70:84:105|sub7 ("sub-seven") or s7 chord]] is part of the subharmonic series. It's the first 7 subharmonics, with the 7th subharmonic becoming the root. {{nowrap|[[140:180:210:252:315|Cs9]] {{=}} Cr,g7,9}} and {{nowrap|Cs11 {{=}} C1o11(1or5,1og9)}}. Note that s9 is not s7 plus a 9th, but a completely different chord. Usually the 9th ''ascends'' from the root, but in a sub9 chord it ''descends'' from the top note, and becomes the new root. Thus the s7 chord is contained in the ''upper'' four notes of the s9 chord, not the lower four. See [[Kite's thoughts on harmonic and subharmonic nomenclature]].   


{{nowrap|Cs6 {{=}} Cg,r6}} {{nowrap|{{=}} [[70:84:105:120|12:10:8:7]]}}. Ch6 = Cz,y6 = 6:7:9:10. Other than the s6 chord, all harmonic/subharmonic numbers must be odd, e.g. Ch8 is invalid. For any odd number N greater than 5, ChN is 1:3:5...N and CsN is N...5:3:1.  <u>Additions, a</u><u>lterations and omissions refer to degrees</u>, not harmonics or subharmonics: Ch7,11 adds w11, not 1o11. Ch9no5 omits w5, not y3. However, <u>all numbers >&nbsp;13 refer to (sub)harmonics</u>, e.g. Ch9,15 adds y7 and Ch19no15 omits it.   
{{nowrap|Cs6 {{=}} Cg,r6}} {{nowrap|{{=}} [[70:84:105:120|12:10:8:7]]}}. Ch6 = Cz,y6 = 6:7:9:10. Other than the s6 chord, all harmonic/subharmonic numbers must be odd, e.g. Ch8 is invalid. For any odd number N greater than 5, ChN is 1:3:5...N and CsN is N...5:3:1.  <u>Additions, a</u><u>lterations and omissions refer to degrees</u>, not harmonics or subharmonics: Ch7,11 adds w11, not 1o11. Ch9no5 omits w5, not y3. However, <u>all numbers >&nbsp;13 refer to (sub)harmonics</u>, e.g. Ch9,15 adds y7 and Ch19no15 omits it.   
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{{Main | Color notation/Temperament names}}
{{Main | Color notation/Temperament names}}


Temperaments are named after the comma(s) they temper out. Commas are named using an alternate format that omits the degree. [[81/80]] is the Gu comma, with the "G" capitalized to distinguish it from the gu ''color'', which includes many ratios. Tempering out Gu creates [[Meantone]] or Guti or gT, where "-ti" and "T" stand for temperament. [[2048/2025]] is the Sagugu comma sgg2, and [[Srutal]] is Saguguti or sggT. [[Porcupine]] is Triyoti or 3yT. Certain commas over 90{{c}} use the -bi- syllable (see the[[Color notation/Temperament names | main article]] for details). For example, [[Schismic]] is Layoti or LyT, but [[Mavila]] is Layobiti or Ly#2T.  Certain wa commas use yet another alternate format, e.g. [[Mercator's comma]] is Wa-53 or w-53.           
Temperaments are named after the comma(s) they temper out. Commas are named using an alternate format that replaces the degree (unison, 2nd, etc.) with the suffix "-ma" (mnemonics: com'''ma''', or -is'''ma''' as in schisma and kleisma). The degree isn't needed because the comma is always the smallest interval in cents of that color and magnitude. For example, the guma is the smallest of the 7 central gu intervals, which is [[81/80]]. Tempering out the guma creates [[Meantone]] or Guti or gT, where "-ti" and "T" stand for temperament. [[2048/2025]] is the saguguma, abbreviated sggM, and [[Srutal]] is Saguguti or sggT. [[Porcupine]] is Triyoti or 3yT. Certain commas over 90¢ use the -bi- syllable. For example, [[Schismic]] is Layoti or LyT, but [[Mavila]] is Layobiti or LybT, with -bi- indicating it's the 2nd largest layo interval.           


Multi-comma temperaments have multiple commas in their name. [[Meantone family#Septimal meantone | Septimal Meantone]] is Gu &amp; Ruyoyo and [[Meantone family#Dominant | Dominant Meantone]] is Gu &amp; Rugu (-ti can be omitted when the ampersand is used). Untempered primes are included with a plus sign. The 2.3.5.7 prime subgroup with 81/80 tempered out is Guti + za = gT+z, and [[Blackwood]] is Sawa + ya = swT+y.           
The logic for M and T being upper case is that in color notation abbreviations, nouns are always capitalized and adjectives are generally not. Besides M and T, colorspeak nouns are all conventional terms: note names A B C D E F G, degrees 1 2 3 etc., and roman numerals I II III IV V VI VII. (L for large is an exception to this rule, because otherwise Ly7 would be ly7, which looks like a y7 chord on the tonic.)         
 
Most wa commas use yet another alternate format, e.g. [[Mercator's comma]] is wa-53 or w-53. The only exceptions are lawama (LwM = A1), sawama (swM = m2) and lalawama (LLwM = pythagorean comma).         
 
Multi-comma temperaments have multiple commas in their name. [[Meantone family#Septimal meantone | Septimal Meantone]] is Gu &amp; Ruyoyo and [[Meantone family#Dominant | Dominant Meantone]] is Gu &amp; Rugu (-ti can be omitted when the ampersand is used). Untempered primes are included with a plus sign. The 2.3.5.7 prime subgroup with 81/80 tempered out is Guti + za = gT+z, and [[Blackwood]] is Sawati + ya = swT+y.           


MOS and MODMOS scales can be named as e.g. Triyoti[8]. Individual modes can be named as 2nd Triyoti[8], 3rd Triyoti[7] b7, etc. See [[Genchain mode numbering]].           
MOS and MODMOS scales can be named as e.g. Triyoti[8]. Individual modes can be named as 2nd Triyoti[8], 3rd Triyoti[7] b7, etc. See [[Genchain mode numbering]].           


==Ups and downs, lifts and drops, plain and mid==
==Ups and downs, lifts and drops, plain and mid==
Color notation merely renames ratios more conveniently, and strictly speaking, it only applies to just intonation. However, ratios are often used to loosely describe intervals in [[EDO | edos]], and colors can be used as well. A more precise notation uses [[Ups and downs notation |'''ups''' '''and''' '''downs''']] (^ and v) as "virtual colors", inflections that always map to exactly one edostep. Ups and downs are used on the score just like color inflections are. Notes are named e.g. up C sharp = ^C#. [[Sharpness | Sharp-1 and flat-1]] edos don't require ups and downs.                 
Color notation merely renames ratios more conveniently, and strictly speaking, it only applies to just intonation. However, ratios are often used to loosely describe intervals in[[EDO | edos]], and colors can be used as well. A more precise notation uses [[Ups and downs notation |'''ups''' '''and''' '''downs''']] (^ and v) as "virtual colors", inflections that always map to exactly one edostep. Ups and downs are used on the score just like color inflections are. Notes are named e.g. up C sharp = ^C#. [[Sharpness | Sharp-1 and flat-1]] edos don't require ups and downs.                 


Unlike actual colors, virtual colors generally add up to something simpler, e.g. three of 22edo's ups adds up to an A1. Unlike actual colors, virtual colors combine with major, minor, etc. Intervals are named upmajor 3rd = ^M3, up 4th = ^4, downaug 5th = vA5, etc.                   
Unlike actual colors, virtual colors generally add up to something simpler, e.g. three of 22edo's ups adds up to an A1. Unlike actual colors, virtual colors combine with major, minor, etc. Intervals are named upmajor 3rd = ^M3, up 4th = ^4, downaug 5th = vA5, etc.                   
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Exponents: sextuple is tribi (triply-doubled), octuple is quadbi, 9-fold is tritri, etc.  
Exponents: sextuple is tribi (triply-doubled), octuple is quadbi, 9-fold is tritri, etc.  


<u>Pronunciation</u>: exponent syllables like bi or tri are always unaccented. To emphasize the prime limit, the first occurrence of the highest prime is always accented: Bi'''ru'''yo, Bi'''zo'''zogu. In longer names, the 1st occurrence of sa/la and/or of lower primes may also be accented: '''Sa'''sa-'''gu'''gu, '''Zo'''zotri'''gu'''.
<u>Pronunciation</u>: exponent syllables like bi or tri are always unaccented. To emphasize the prime limit, the first occurrence of the highest prime is always accented: Bi'''ru'''yoma, Tri'''yo'''ti, Lala'''wa'''ma. In longer names, the 1st occurrence of sa/la and/or of lower primes may also be accented: '''Sa'''sa-'''gu'''gu, '''Zo'''zotri'''gu'''.


{| class="wikitable"
{| class="wikitable"
|-
|-
! colspan="2" | Word
! colspan="2" | Term
! Meaning
! Meaning
! Example
! Example
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| 7/4 = zo 7th = z7, 7/2 = compound zo 7th = cozo 7th = cz7
| 7/4 = zo 7th = z7, 7/2 = compound zo 7th = cozo 7th = cz7
|-
|-
| har
| har-
| style="text-align: center;" | h
| style="text-align: center;" | h
| refers to a harmonic series (otonal) chord
| refers to a harmonic series (otonal) chord
| [[4:5:6:7]] = C har-seven = Ch7
| [[4:5:6:7]] = C har-seven = Ch7
|-
|-
| sub
| sub-
| style="text-align: center;" | s
| style="text-align: center;" | s
| refers to a subharmonic series (utonal) chord
| refers to a subharmonic series (utonal) chord
| [[60:70:84:105|7:6:5:4]] = C sub-seven = Cs7
| [[60:70:84:105|7:6:5:4]] = C sub-seven = Cs7
|-
|-
| po
| -po
| style="text-align: center;" | p
| style="text-align: center;" | p
| adds a pythagorean comma, to change the degree
| adds a pythagorean comma, to change the degree
| 15/14 = ruyo unison = ry1 = ruyopo 2nd = ryp2
| 15/14 = ruyo unison = ry1 = ruyopo 2nd = ryp2
|-
|-
| qu
| -qu
| style="text-align: center;" | q
| style="text-align: center;" | q
| subtracts a pythagorean comma
| subtracts a pythagorean comma
| 49/48 = zozo 2nd = zz2 = zozoqu unison = zzq1
| 49/48 = zozo 2nd = zz2 = zozoqu unison = zzq1
|-
|-
| -ti
| -ma
|M
|a comma, the smallest interval of that color and magnitude
|yoyo or yy is a color, but yoyoma or yyM is 25/24
|-
| -ti
| T
| T
| changes a comma name to a temperament name
| the temperament that tempers out that comma
| Gu = 81/80, Guti = meantone
| guma = 81/80, Guti = meantone
|-
|-
| -bi
| -bi
| style="text-align: center;" | #2
| style="text-align: center;" | b
| as a suffix, 2nd smallest comma in the row segment
| as a suffix, 2nd smallest comma in the row segment
| Guti = gT is Meantone, but Gubiti = g#2T is [[Father]] (16/15 vanishes)
| Guti = gT is Meantone, but Gubiti = gbT is [[Father]] (16/15 vanishes)
|-
|-
| Wa-
| wa-
| w-
| w-
| alternate interval format, only used for 3-limit commas
| alternate interval format, only used for 3-limit commas
| [[Mercator's comma]] = Wa-53 = w-53
| [[Mercator's comma]] = wa-53 = w-53
|-
|-
| colspan="2" | nowa
| colspan="2" | nowa
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* "nu" means both "19-under" and "new", as in "the new key". Thus 19u by itself becomes "inu".
* "nu" means both "19-under" and "new", as in "the new key". Thus 19u by itself becomes "inu".
* "bi" means both "doubled" as in biruyo and "2nd smallest" as in Layobi. The meaning is always clear from context.
* "bi" means both "doubled" as in biruyo and "2nd smallest" as in Layobi. The meaning is always clear from context.
* "b" means both the short form of -bi and the flat sign. The meaning is always clear from context.


Temperaments use "virtual colors" represented with arrows ^ v and perhaps slashes / \
Temperaments use "virtual colors" represented with arrows ^ v and perhaps slashes / \