Just intonation: Difference between revisions
→Ways of using JI: mention 5-limit |
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Similar logic may be used for instruments with timbres not aligning with the harmonic series; see [[timbral tuning]]. | Similar logic may be used for instruments with timbres not aligning with the harmonic series; see [[timbral tuning]]. | ||
==Ways of using JI== | == Ways of using JI == | ||
Here are multiple ways in which musicians and theorists have used just intonation. | Here are multiple ways in which musicians and theorists have used just intonation. | ||
[[Free style JI | ; [[Free style JI]] | ||
[[Lou Harrison]] used this term; it means that you choose just-intonation pitches from the set of all possible just intervals (not from a mode or scale) as you use them in music. | [[Lou Harrison]] used this term; it means that you choose just-intonation pitches from the set of all possible just intervals (not from a mode or scale) as you use them in music. | ||
; Harmonic limits and subgroups | |||
[[Harmonic limit | [[Harmonic limit]]s set a limit for the highest prime number in the factorization of any ratio used; for example, western music is based off the [[5-limit]]. [[Subgroup]]s name a list of allowable prime numbers used. | ||
; Restrictions on the denominator or numerator | |||
Some approaches restrict "the denominator to one or very few values"<ref name=":0">From Jacques Dudon, "Differential Coherence", ''1/1'' vol. 11, no. 2: p.1).</ref> (the [[harmonic series]], [[isoharmonic chord]]s, [[AFDO]]s/[[overtone scale]]s, [[primodality]], [[Ringer scale|ringer scales]]), the "numerator to one or very few values" (the [[subharmonic series]], [[IFDO]]s/undertone scales), or both ([[Tonality diamond|tonality diamonds]]) | Some approaches restrict "the denominator to one or very few values"<ref name=":0">From Jacques Dudon, "Differential Coherence", ''1/1'' vol. 11, no. 2: p.1).</ref> (the [[harmonic series]], [[isoharmonic chord]]s, [[AFDO]]s/[[overtone scale]]s, [[primodality]], [[Ringer scale|ringer scales]]), the "numerator to one or very few values" (the [[subharmonic series]], [[IFDO]]s/undertone scales), or both ([[Tonality diamond|tonality diamonds]]) | ||
; Mediants | |||
The use of harmonic and arithmetic [[ | The use of harmonic and arithmetic [[mediant (operation)|mediants]] as was common with the [[ancient Greek music|Ancient Greeks]]. This can also involve further divisions besides two parts as seen with Ptolemy sometimes using 3 parts. The Chinese have historically used as many as 10 parts.{{citation needed}} | ||
; Approximations/alterations of tempered tunings | |||
These are [[Detempering|detemperings]], including [[NEJI]] systems. | These are [[Detempering|detemperings]], including [[NEJI]] systems. | ||
; Other approaches | |||
Other approaches include [http://anaphoria.com/wilsonintroMERU.html Meru scales], [[tritriadic scale]]s, and [[combination product sets|product sets]]. | Other approaches include [http://anaphoria.com/wilsonintroMERU.html Meru scales], [[tritriadic scale]]s, and [[combination product sets|product sets]]. | ||