Just intonation: Difference between revisions

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Ways of using JI: mention 5-limit
Ways of using JI: formatting and request citation
 
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Similar logic may be used for instruments with timbres not aligning with the harmonic series; see [[timbral tuning]].
Similar logic may be used for instruments with timbres not aligning with the harmonic series; see [[timbral tuning]].


==Ways of using JI==
== Ways of using JI ==
Here are multiple ways in which musicians and theorists have used just intonation.
Here are multiple ways in which musicians and theorists have used just intonation.


[[Free style JI|'''Free style JI''']] <br />
; [[Free style JI]]
[[Lou Harrison]] used this term; it means that you choose just-intonation pitches from the set of all possible just intervals (not from a mode or scale) as you use them in music.
[[Lou Harrison]] used this term; it means that you choose just-intonation pitches from the set of all possible just intervals (not from a mode or scale) as you use them in music.


'''Harmonic limits and subgroups'''<br />
; Harmonic limits and subgroups
[[Harmonic limit|Harmonic limits]] set a limit for the highest prime number in the factorization of any ratio used; for example, western music is based off the [[5-limit]]. [[Subgroup]]s name a list of allowable prime numbers used.
[[Harmonic limit]]s set a limit for the highest prime number in the factorization of any ratio used; for example, western music is based off the [[5-limit]]. [[Subgroup]]s name a list of allowable prime numbers used.


'''Restrictions on the denominator or numerator'''<br />
; Restrictions on the denominator or numerator
Some approaches restrict "the denominator to one or very few values"<ref name=":0">From Jacques Dudon, "Differential Coherence", ''1/1'' vol. 11, no. 2: p.1).</ref> (the [[harmonic series]], [[isoharmonic chord]]s, [[AFDO]]s/[[overtone scale]]s, [[primodality]], [[Ringer scale|ringer scales]]), the "numerator to one or very few values" (the [[subharmonic series]],  [[IFDO]]s/undertone scales), or both ([[Tonality diamond|tonality diamonds]])
Some approaches restrict "the denominator to one or very few values"<ref name=":0">From Jacques Dudon, "Differential Coherence", ''1/1'' vol. 11, no. 2: p.1).</ref> (the [[harmonic series]], [[isoharmonic chord]]s, [[AFDO]]s/[[overtone scale]]s, [[primodality]], [[Ringer scale|ringer scales]]), the "numerator to one or very few values" (the [[subharmonic series]],  [[IFDO]]s/undertone scales), or both ([[Tonality diamond|tonality diamonds]])


'''Mediants'''<br />
; Mediants
The use of harmonic and arithmetic [[Mediant (operation)|mediants]] as was common with the Ancient Greeks. This can also involve further divisions besides two parts as seen with Ptolemy sometimes using 3 parts. The Chinese have historically used as many as 10 parts.
The use of harmonic and arithmetic [[mediant (operation)|mediants]] as was common with the [[ancient Greek music|Ancient Greeks]]. This can also involve further divisions besides two parts as seen with Ptolemy sometimes using 3 parts. The Chinese have historically used as many as 10 parts.{{citation needed}}


'''Approximations/alterations of tempered tunings''' <br />
; Approximations/alterations of tempered tunings
These are [[Detempering|detemperings]], including [[NEJI]] systems.  
These are [[Detempering|detemperings]], including [[NEJI]] systems.  


'''Other approaches'''<br />
; Other approaches
Other approaches include [http://anaphoria.com/wilsonintroMERU.html Meru scales], [[tritriadic scale]]s, and [[combination product sets|product sets]].
Other approaches include [http://anaphoria.com/wilsonintroMERU.html Meru scales], [[tritriadic scale]]s, and [[combination product sets|product sets]].