# AFDO

An **AFDO** (**arithmetic frequency division of the octave**) or **ODO** (**otonal division of the octave**) is a periodic tuning system which divides the octave according to an arithmetic progression of frequency.

For example, in 12afdo the first degree is 13/12, the second is 14/12 (7/6), and so on. For an AFDO system, the *difference* between interval ratios is equal (they form an arithmetic progression), rather than their *ratios* between interval ratios being equal as in EDO systems (a geometric progression). All AFDOs are subsets of just intonation, and up to transposition, any AFDO is a superset of a smaller AFDO and a subset of a larger AFDO (i.e. *n*-afdo is a superset of (*n* - 1)-afdo and a subset of (*n* + 1)-afdo for any integer *n* > 1).

When treated as a scale, the AFDO is equivalent to the overtone scale. An AFDO is equivalent to an ODO (otonal division of the octave). It may also be called an EFDO (equal frequency division of the octave), however, this more general acronym is typically reserved for divisions of irrational intervals (unlike the octave) which are therefore not subsets of just intonation.

## Formula

Within each period of any *n*-afdo system, the frequency ratio *r* of the *m*-th degree is

[math]\displaystyle r = (n + m)/n[/math]

Alternatively, with common frequency difference *d* = 1/*n*, we have:

[math] r = 1 + md [/math]

In particular, when *m* = 0, *r* = 1, and when *m* = *n*, *r* = 2.

## Relation to string lengths

If the first division has ratio of *r*_{1} and length of *l*_{1} and the last, *r*_{n} and *l*_{n} , we have: *l*_{n} = 1/*r*_{n} and if *r*_{n} > … > *r*_{3} > *r*_{2} > *r*_{1}, then *l*_{1} > *l*_{2} > *l*_{3} > … > *l*_{n}

These lengths are related to the inverse of ratios in the system. The above picture shows the differences between divisions of length in 12ado system. On the contrary, we have equal divisions of length in EDL systems (→ EDL system):

## Relation to superparticular ratios

An AFDO has step sizes of superparticular ratios with increasing numerators. For example, 5ado has step sizes of 6/5, 7/6, 8/7, and 9/8.

## Relation to otonality & harmonic series

We can consider an AFDO system as an otonal system. Otonality is a term introduced by Harry Partch to describe chords whose notes are the overtones (multiples) of a given fixed tone. Considering AFDO, an otonality is a collection of pitches which can be expressed in ratios that have equal denominators. For example, 1/1, 5/4, and 3/2 form an otonality because they can be written as 4/4, 5/4, 6/4. Every otonality is therefore part of the harmonic series. An otonality corresponds to an arithmetic series of frequencies or a harmonic series of wavelengths or distances on a string instrument.

## History

In the earliest materials, the AFDO was known as the ADO, for *arithmetic division of the octave*. The term was proposed by Shaahin Mohajeri in 2006, along with the term EDL (equal division of length)^{[1]}. Previously, the set of pitch materials equivalent to *n*-ado's had been known as "mode *n* of the harmonic series", "over-*n* scales", and *n*-edl's had been known as "aliquot-*n*" scales, as the distinction between tunings and scales were not made. Neither of Shaahin's two new concepts were systematic extensions of the term EDO (equal division of the octave), and no one else used these two terms besides Shaahin himself.

In 2021, a team consisting of Douglas Blumeyer, Billy Stiltner, and Paul Erlich developed the first systematic extension of EDO from equal divisions of pitch to equal divisions of frequency and length, including special terms for divisions of rational intervals such as the octave; under this system, an *n*-ADO would be an *n*-ODO.

In 2023, Flora Canou revived the old term, reinterpreting the word "arithmetic" as a reference to the arithmetic mean in addition to arithmetic progressions, then extended it through the other Pythagorean means, and later through all power means. As it was shown that *arithmetic* alone was insufficient to define the object since frequency could not be assumed, the term was eventually changed to AFDO, showing both the type of power mean and the sampled resource.

## Individual pages for AFDOs

- *1afdo – identical to 1edo
- 2afdo
- 3afdo
- 4afdo
- 5afdo
- 6afdo
- 7afdo
- 8afdo
- 9afdo
- 10afdo
- 11afdo
- 12afdo
- 13afdo
- 14afdo
- 15afdo
- 16afdo
- 17afdo
- 18afdo
- 19afdo
- 20afdo
- 21afdo
- 22afdo
- 23afdo
- 24afdo
- 25afdo
- 26afdo
- 27afdo
- 28afdo
- 29afdo
- 30afdo
- 31afdo
- 32afdo
- 33afdo
- 34afdo
- 35afdo
- 36afdo

## See also

- Fret position calculator (excel sheet) based on EDL system and string length
- How to approximate EDO and AFDO systems with each other? Download this file
^{[dead link]} - Magic of Tone and the Art of Music by the late Dane Rhudyar
- AFS
- Frequency temperament