Golden sequences and tuning: Difference between revisions
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For example, let's take the sequence (3, 2) that generates golden meantone. We can continue the sequence into the negative numbers as …−23, −14, −9, −5, 4, −1, 3, 2, 5, … Note that this extension is not symmetrical, unlike those of the Fibonacci and Lucas sequences (which is actually a property unique to both sequences and their multiples). Instead, if we make all the terms positive and flip it around, we get a different golden sequence: the sequence (3, 1) (corresponding to the series of MOSes generated by the golden 1L 3s generator), which can be considered the "complementary" sequence of (3, 2). In general, for a sequence (''m'', ''n''), its complement is {{nowrap|(''m'', ''m'' − ''n'')}}, corresponding to oligolarge MOSes ''n''L ''m''s and {{nowrap|(''m'' − ''n'')L ''m''s}}. The one exception is the family of scales (''m'', 0), corresponding to the Fibonacci sequence and its multiples, which apparently have complements of (''m'', ''m''), which isn't oligolarge at all but instead belongs to the "wood" category of MOSes with the same number of large and small steps. However, it can be shown by observing the terms of the Fibonacci sequence that these two sequences are, in fact, identical. | For example, let's take the sequence (3, 2) that generates golden meantone. We can continue the sequence into the negative numbers as …−23, −14, −9, −5, 4, −1, 3, 2, 5, … Note that this extension is not symmetrical, unlike those of the Fibonacci and Lucas sequences (which is actually a property unique to both sequences and their multiples). Instead, if we make all the terms positive and flip it around, we get a different golden sequence: the sequence (3, 1) (corresponding to the series of MOSes generated by the golden 1L 3s generator), which can be considered the "complementary" sequence of (3, 2). In general, for a sequence (''m'', ''n''), its complement is {{nowrap|(''m'', ''m'' − ''n'')}}, corresponding to oligolarge MOSes ''n''L ''m''s and {{nowrap|(''m'' − ''n'')L ''m''s}}. The one exception is the family of scales (''m'', 0), corresponding to the Fibonacci sequence and its multiples, which apparently have complements of (''m'', ''m''), which isn't oligolarge at all but instead belongs to the "wood" category of MOSes with the same number of large and small steps. However, it can be shown by observing the terms of the Fibonacci sequence that these two sequences are, in fact, identical. | ||
Soft scales are a natural tendency for musical cultures around the world: Leriendil suggests that having a soft scale was a subconscious motivation behind the choice of meantone as opposed to another tuning. The soft children of MOSes are also musically convenient for having few enharmonic intervals. | |||
== Golden operations and MOS height == | |||
Any MOS may be constructed from 1L 1s using two "golden operations": chromaticizing (taking the soft child of the MOS) and inverting (inverting the number of large and small steps). This table shows the number of such operations required to reach any MOS under 15 notes (that MOS' "height"): | |||
{| class="wikitable sortable mw-collapsible mw-collapsed" | |||
|+ | |||
!Height | |||
!MOS | |||
!Total notes | |||
|- | |||
|1 | |||
|1L 1s | |||
|2 | |||
|- | |||
|2 | |||
|2L 1s | |||
|3 | |||
|- | |||
|3 | |||
|1L 2s | |||
|3 | |||
|- | |||
|3 | |||
|3L 2s | |||
|5 | |||
|- | |||
|4 | |||
|3L 1s | |||
|4 | |||
|- | |||
|4 | |||
|2L 3s | |||
|5 | |||
|- | |||
|4 | |||
|5L 3s | |||
|8 | |||
|- | |||
|5 | |||
|4L 3s | |||
|7 | |||
|- | |||
|5 | |||
|1L 3s | |||
|4 | |||
|- | |||
|5 | |||
|5L 2s | |||
|7 | |||
|- | |||
|5 | |||
|3L 5s | |||
|8 | |||
|- | |||
|5 | |||
|8L 5s | |||
|13 | |||
|- | |||
|6 | |||
|7L 4s | |||
|11 | |||
|- | |||
|6 | |||
|3L 4s | |||
|7 | |||
|- | |||
|6 | |||
|4L 1s | |||
|5 | |||
|- | |||
|6 | |||
|2L 5s | |||
|7 | |||
|- | |||
|6 | |||
|7L 5s | |||
|12 | |||
|- | |||
|6 | |||
|8L 3s | |||
|11 | |||
|- | |||
|6 | |||
|5L 8s | |||
|13 | |||
|- | |||
|7 | |||
|4L 7s | |||
|11 | |||
|- | |||
|7 | |||
|7L 3s | |||
|10 | |||
|- | |||
|7 | |||
|5L 4s | |||
|9 | |||
|- | |||
|7 | |||
|1L 4s | |||
|5 | |||
|- | |||
|7 | |||
|7L 2s | |||
|9 | |||
|- | |||
|7 | |||
|5L 7s | |||
|12 | |||
|- | |||
|7 | |||
|3L 8s | |||
|11 | |||
|- | |||
|8 | |||
|3L 7s | |||
|10 | |||
|- | |||
|8 | |||
|4L 5s | |||
|9 | |||
|- | |||
|8 | |||
|9L 5s | |||
|14 | |||
|- | |||
|8 | |||
|5L 1s | |||
|6 | |||
|- | |||
|8 | |||
|2L 7s | |||
|9 | |||
|- | |||
|8 | |||
|11L 3s | |||
|14 | |||
|- | |||
|9 | |||
|10L 3s | |||
|13 | |||
|- | |||
|9 | |||
|9L 4s | |||
|13 | |||
|- | |||
|9 | |||
|5L 9s | |||
|14 | |||
|- | |||
|9 | |||
|1L 5s | |||
|6 | |||
|- | |||
|9 | |||
|6L 5s | |||
|11 | |||
|- | |||
|9 | |||
|9L 2s | |||
|11 | |||
|- | |||
|9 | |||
|3L 11s | |||
|14 | |||
|- | |||
|10 | |||
|3L 10s | |||
|13 | |||
|- | |||
|10 | |||
|4L 9s | |||
|13 | |||
|- | |||
|10 | |||
|6L 1s | |||
|7 | |||
|- | |||
|10 | |||
|5L 6s | |||
|11 | |||
|- | |||
|10 | |||
|2L 9s | |||
|11 | |||
|- | |||
|11 | |||
|1L 6s | |||
|7 | |||
|- | |||
|11 | |||
|7L 6s | |||
|13 | |||
|- | |||
|11 | |||
|11L 2s | |||
|13 | |||
|- | |||
|12 | |||
|7L 1s | |||
|8 | |||
|- | |||
|12 | |||
|6L 7s | |||
|13 | |||
|- | |||
|12 | |||
|2L 11s | |||
|13 | |||
|- | |||
|13 | |||
|1L 7s | |||
|8 | |||
|- | |||
|14 | |||
|8L 1s | |||
|9 | |||
|- | |||
|15 | |||
|1L 8s | |||
|9 | |||
|- | |||
|16 | |||
|9L 1s | |||
|10 | |||
|- | |||
|17 | |||
|1L 9s | |||
|10 | |||
|- | |||
|18 | |||
|10L 1s | |||
|11 | |||
|- | |||
|19 | |||
|1L 10s | |||
|11 | |||
|- | |||
|20 | |||
|11L 1s | |||
|12 | |||
|- | |||
|21 | |||
|1L 11s | |||
|12 | |||
|- | |||
|22 | |||
|12L 1s | |||
|13 | |||
|- | |||
|23 | |||
|1L 12s | |||
|13 | |||
|- | |||
|24 | |||
|13L 1s | |||
|14 | |||
|- | |||
|25 | |||
|1L 13s | |||
|14 | |||
|} | |||
== Notes == | == Notes == | ||