Kestrel chords: Difference between revisions

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For triads, there are three pairs of chords in inverse relationship:  
For triads, there are three pairs of chords in inverse relationship:  
* 1-7/6-18/13 with steps of 7/6-13/11-13/9, and its inverse  
* 1–7/6–18/13 with steps of 7/6, 13/11, 13/9, and its inverse  
* 1-13/11-18/13 with steps of 13/11-7/6-13/9;
* 1–13/11–18/13 with steps of 13/11, 7/6, 13/9;
* 1-14/11-18/13 with steps of 14/11-13/12-13/9, and its inverse  
* 1–14/11–18/13 with steps of 14/11, 13/12, 13/9, and its inverse  
* 1-13/12-18/13 with steps of 13/12-14/11-13/9;
* 1–13/12–18/13 with steps of 13/12, 14/11, 13/9;
* 1-13/11-9/7 with steps of 13/11-13/12-14/9, and its inverse  
* 1–13/11–9/7 with steps of 13/11, 13/12, 14/9, and its inverse  
* 1-13/12-9/7 with steps of 13/12-13/11-14/9.
* 1–13/12–9/7 with steps of 13/12, 13/11, 14/9.


For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are  
For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are  
* 1-13/11-18/13-18/11 with steps of 13/11-7/6-13/11-11/9;
* 1–13/11–18/13–18/11 with steps of 13/11, 7/6, 13/11, 11/9;
* 1-13/12-18/13-3/2 with steps of 13/12-14/11-13/12-4/3;
* 1–13/12–18/13–3/2 with steps of 13/12, 14/11, 13/12, 4/3;
* 1-13/12-13/11-9/7 with steps of 13/12-12/11-13/12-14/9.
* 1–13/12–13/11–9/7 with steps of 13/12, 12/11, 13/12, 14/9.


The inversely related pairs of chords are  
The inversely related pairs of chords are  
* 1-11/9-13/9-11/7 with steps of 11/9-13/11-13/12-14/11, and its inverse  
* 1–11/9–13/9–11/7 with steps of 11/9, 13/11, 13/12, 14/11, and its inverse  
* 1-13/12-9/7-11/7 with steps of 13/12-13/11-11/9-14/11;
* 1–13/12–9/7–11/7 with steps of 13/12, 13/11, 11/9, 14/11;
* 1-7/6-18/13-3/2 with steps of 7/6-13/11-13/12-4/3, and its inverse  
* 1–7/6–18/13–3/2 with steps of 7/6, 13/11, 13/12, 4/3, and its inverse  
* 1-13/12-9/7-3/2 with steps of 13/12-13/11-7/6-4/3;
* 1–13/12–9/7–3/2 with steps of 13/12, 13/11, 7/6, 4/3;
* 1-13/11-9/7-18/13 with steps of 13/11-13/12-14/13-13/9, and its inverse  
* 1–13/11–9/7–18/13 with steps of 13/11, 13/12, 14/13, 13/9, and its inverse  
* 1-14/13-7/6-18/13 with steps of 14/13-13/12-13/11-13/9;
* 1–14/13–7/6–18/13 with steps of 14/13, 13/12, 13/11, 13/9;
* 1-13/11-14/11-18/13 with steps of 13/11-14/13-13/12-13/9, and its inverse  
* 1–13/11–14/11–18/13 with steps of 13/11, 14/13, 13/12, 13/9, and its inverse  
* 1-13/12-7/6-18/13 with steps of 13/12-14/13-13/11-13/9;
* 1–13/12–7/6–18/13 with steps of 13/12, 14/13, 13/11, 13/9;
* 1-7/6-14/11-18/13 with steps of 7/6-12/11-13/12-13/9, and its inverse  
* 1–7/6–14/11–18/13 with steps of 7/6, 12/11, 13/12, 13/9, and its inverse  
* 1-13/12-13/11-18/13 with steps of 13/12-12/11-7/6-13/9;
* 1–13/12–13/11–18/13 with steps of 13/12, 12/11, 7/6, 13/9;
* 1-13/12-9/7-18/13 with steps of 13/12-13/11-14/13-13/9, and its inverse  
* 1–13/12–9/7–18/13 with steps of 13/12, 13/11, 14/13, 13/9, and its inverse  
* 1-14/13-14/11-18/13 with steps of 14/13-13/11-13/12-13/9.
* 1–14/13–14/11–18/13 with steps of 14/13, 13/11, 13/12, 13/9.


For pentads, there are three pairs of chords in inverse relationship:  
For pentads, there are three pairs of chords in inverse relationship:  
* 1-13/11-9/7-18/13-18/11 with steps of 13/11-13/12-14/13-13/11-11/9, and its inverse  
* 1–13/11–9/7–18/13–18/11 with steps of 13/11, 13/12, 14/13, 13/11, 11/9, and its inverse  
* 1-13/11-14/11-18/13-18/11 with steps of 13/11-14/13-13/12-13/11-11/9;
* 1–13/11–14/11–18/13–18/11 with steps of 13/11, 14/13, 13/12, 13/11, 11/9;
* 1-13/12-7/6-18/13-3/2 with steps of 13/12-14/13-13/11-13/12-4/3, and its inverse  
* 1–13/12–7/6–18/13–3/2 with steps of 13/12, 14/13, 13/11, 13/12, 4/3, and its inverse  
* 1-13/12-9/7-18/13-3/2 with steps of 13/12-13/11-14/13-13/12-4/3;
* 1–13/12–9/7–18/13–3/2 with steps of 13/12, 13/11, 14/13, 13/12, 4/3;
* 1-13/12-13/11-9/7-18/13 with steps of 13/12-12/11-13/12-14/13-13/9, and its inverse  
* 1–13/12–13/11–9/7–18/13 with steps of 13/12, 12/11, 13/12, 14/13, 13/9, and its inverse  
* 1-14/13-7/6-14/11-18/13 with steps of 14/13-13/12-12/11-13/12-13/9.
* 1–14/13–7/6–14/11–18/13 with steps of 14/13, 13/12, 12/11, 13/12, 13/9.


Equal temperaments with kestrel chords include {{Optimal ET sequence|17, 24, 26, 41, 53, 58, 77, 94, 103, 111, 161, 205, 214 and 255}}, with 255edo giving the [[optimal patent val]].
Equal temperaments with kestrel chords include {{Optimal ET sequence|17, 24, 26, 41, 53, 58, 77, 94, 103, 111, 161, 205, 214 and 255}}, with 255edo giving the [[optimal patent val]].


[[Category:13-odd-limit]]
[[Category:13-odd-limit chords]]
[[Category:Essentially tempered chords]]
[[Category:Essentially tempered chords]]
[[Category:Triads]]
[[Category:Triads]]

Latest revision as of 13:53, 19 March 2025

Kestrel chords are essentially tempered chords tempered by the kestrel comma, 1188/1183.

Kestrel chords are of pattern 2 in the 2.3.7.11.13 subgroup 13-odd-limit, meaning that there are 6 triads, 15 tetrads and 6 pentads, for a total of 27 distinct chord structures.

For triads, there are three pairs of chords in inverse relationship:

  • 1–7/6–18/13 with steps of 7/6, 13/11, 13/9, and its inverse
  • 1–13/11–18/13 with steps of 13/11, 7/6, 13/9;
  • 1–14/11–18/13 with steps of 14/11, 13/12, 13/9, and its inverse
  • 1–13/12–18/13 with steps of 13/12, 14/11, 13/9;
  • 1–13/11–9/7 with steps of 13/11, 13/12, 14/9, and its inverse
  • 1–13/12–9/7 with steps of 13/12, 13/11, 14/9.

For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are

  • 1–13/11–18/13–18/11 with steps of 13/11, 7/6, 13/11, 11/9;
  • 1–13/12–18/13–3/2 with steps of 13/12, 14/11, 13/12, 4/3;
  • 1–13/12–13/11–9/7 with steps of 13/12, 12/11, 13/12, 14/9.

The inversely related pairs of chords are

  • 1–11/9–13/9–11/7 with steps of 11/9, 13/11, 13/12, 14/11, and its inverse
  • 1–13/12–9/7–11/7 with steps of 13/12, 13/11, 11/9, 14/11;
  • 1–7/6–18/13–3/2 with steps of 7/6, 13/11, 13/12, 4/3, and its inverse
  • 1–13/12–9/7–3/2 with steps of 13/12, 13/11, 7/6, 4/3;
  • 1–13/11–9/7–18/13 with steps of 13/11, 13/12, 14/13, 13/9, and its inverse
  • 1–14/13–7/6–18/13 with steps of 14/13, 13/12, 13/11, 13/9;
  • 1–13/11–14/11–18/13 with steps of 13/11, 14/13, 13/12, 13/9, and its inverse
  • 1–13/12–7/6–18/13 with steps of 13/12, 14/13, 13/11, 13/9;
  • 1–7/6–14/11–18/13 with steps of 7/6, 12/11, 13/12, 13/9, and its inverse
  • 1–13/12–13/11–18/13 with steps of 13/12, 12/11, 7/6, 13/9;
  • 1–13/12–9/7–18/13 with steps of 13/12, 13/11, 14/13, 13/9, and its inverse
  • 1–14/13–14/11–18/13 with steps of 14/13, 13/11, 13/12, 13/9.

For pentads, there are three pairs of chords in inverse relationship:

  • 1–13/11–9/7–18/13–18/11 with steps of 13/11, 13/12, 14/13, 13/11, 11/9, and its inverse
  • 1–13/11–14/11–18/13–18/11 with steps of 13/11, 14/13, 13/12, 13/11, 11/9;
  • 1–13/12–7/6–18/13–3/2 with steps of 13/12, 14/13, 13/11, 13/12, 4/3, and its inverse
  • 1–13/12–9/7–18/13–3/2 with steps of 13/12, 13/11, 14/13, 13/12, 4/3;
  • 1–13/12–13/11–9/7–18/13 with steps of 13/12, 12/11, 13/12, 14/13, 13/9, and its inverse
  • 1–14/13–7/6–14/11–18/13 with steps of 14/13, 13/12, 12/11, 13/12, 13/9.

Equal temperaments with kestrel chords include 17, 24, 26, 41, 53, 58, 77, 94, 103, 111, 161, 205, 214 and 255, with 255edo giving the optimal patent val.