Neutral second: Difference between revisions

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* The 7-limit '''septimal neutral second'''  
* The 7-limit '''septimal neutral second'''  
{{Todo|complete page|inline=1}}{{Navbox intervals}}
{{Todo|complete page|inline=1}}
 
== In moment-of-symmetry scales ==
Intervals between 120 and 171 cents generate the following [[MOS]] scales:
 
These tables start from the last monolarge [[MOS]] generated by the interval range.
 
MOSes with more than 12 notes are not included.
 
{| class="wikitable"
!Range
! colspan="2" |MOS
|-
|120-133c
|1L 8s
|9L 1s
|-
|133-150c
|1L 7s
|8L 1s
|-
|150-171c
|[[1L 6s]]
|[[7L 1s]]
|}
{{Navbox intervals}}

Revision as of 06:09, 2 March 2025

A neutral second (n2) is an interval that spans one step of the diatonic scale with a quality between major and minor. It exists in neutralized diatonic scales as exactly one half of a minor third.

In just intonation, an interval may be classified as a neutral second if it is reasonably mapped to 1\7 and 3\24 (precisely one step of the diatonic scale and one and a half steps of the chromatic scale).

As a concrete interval region, it is typically near 150 cents in size, distinct from the semitone of roughly 100 cents and the major second of roughly 200 ¢. A rough tuning range for the neutral second is 130 to 170 ¢ according to Margo Schulter's theory of interval regions.

In just intonation

By prime limit

The 3-limit and 5-limit do not have simple neutral seconds, so we start with the 7-limit:

  • The 7-limit septimal neutral second
Todo: complete page

In moment-of-symmetry scales

Intervals between 120 and 171 cents generate the following MOS scales:

These tables start from the last monolarge MOS generated by the interval range.

MOSes with more than 12 notes are not included.

Range MOS
120-133c 1L 8s 9L 1s
133-150c 1L 7s 8L 1s
150-171c 1L 6s 7L 1s


View • Talk • EditInterval classification
Interval regions
Unison and octave Unison • Comma and diesis • Octave
Seconds Minor second • Neutral second • Major second
Thirds Minor third • Neutral third • Major third
Fourths and fifths Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth
Sixths Minor sixth • Neutral sixth • Major sixth
Sevenths Minor seventh • Neutral seventh • Major seventh
Interseptimal intervals Interseptimal 2nd-3rd • Interseptimal 3rd-4th • Interseptimal 5th-6th • Interseptimal 6th-7th
Interval qualities
Diatonic qualities Diminished • Minor • Perfect • Major • Augmented
Tuning ranges Neutral (interval quality) • Submajor and supraminor • Pental major and minor • Novamajor and novaminor • Neogothic major and minor • Supermajor and subminor • Ultramajor and inframinor