17/16: Difference between revisions

The term ''large septendecimal semitone'' omits the diatonic/chromatic part and only describes its melodic property i.e. the size. It is said in contrast to the small septendecimal semitone of 18/17. It is objectively correct, as in a scale-agnostic context such as pure JI, and especially for an octave-reduced prime that isn't defined by separating any other intervals, the diatonic/chromatic distinction is meaningless.