User:Aura/Aura's Ideas on Functional Harmony (Part 1): Difference between revisions

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-However, my contention is that while meantone doing its duty around the Tonic makes sense as [[81/80]] is really quite discordant, it seems that under certain circumstances, the average listener acquainted with [[12edo]] music will not notice wolf fourths or wolf fifths unless they are explicitly pointed out, thus there are not only other methods of accounting for the discordance of wolf fourths and wolf fifths, but there are additional functions hiding in the shadows of the three primary functions, along with rules governing their usage, which shall be covered in this section.
+However, my contention is that while meantone doing its duty around the Tonic makes sense as [[81/80]] is really quite discordant, it seems that under certain circumstances, the average listener acquainted with [[12edo]] music will not notice wolf fourths or wolf fifths unless they are explicitly pointed out, thus not only are there other methods of accounting for the discordance of wolf fourths and wolf fifths, but there are additional functions hiding in the shadows of the three primary functions, along with rules governing their usage, which shall be covered in this section.
 === Circumtonic Regions ===