Harmonic series: Difference between revisions

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Clear up confusion about harmonic series vs overtone series
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{{Wikipedia|Harmonic series (music)}}
{{Wikipedia|Harmonic series (music)}}


The '''harmonic series''' (or '''overtone series''') is a sequence of notes generated by whole-number frequency [[ratio]]s over a fundamental: [[1/1]], [[2/1]], [[3/1]], [[4/1]], [[5/1]], [[6/1]], [[7/1]]... ad infinitum. Each member of this series is a [[harmonic]]; the term ''overtone'', which is not an exact synonym, is also used in the same sense by many people.
The '''harmonic series''' is a sequence of notes generated by whole-number frequency [[ratio]]s over a fundamental: [[1/1]], [[2/1]], [[3/1]], [[4/1]], [[5/1]], [[6/1]], [[7/1]]... ad infinitum. Each member of this series is a [[harmonic]] (which is short for "harmonic partial").
 
Note that the terms ''overtone'' and '''overtone series''' are not quite synonymous with "harmonic" and "harmonic series". "Overtone series" excludes the starting fundamental. So, the 2nd harmonic is the 1st overtone. Because of that distinction, the math of the "overtone series" is off by one. So, "harmonic series" is the preferred standard.


In [[just intonation]] theory, the harmonic series is often treated as the foundation of consonance.  
In [[just intonation]] theory, the harmonic series is often treated as the foundation of consonance.  
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* Tuning to the first several harmonics over one fundamental;
* Tuning to the first several harmonics over one fundamental;
* Tuning to an octave-repeating slice of the harmonic series for use as a scale (for instance overtones 8 though 16, [[otones12-24|12 through 24]], [[otones20-40|20 through 40]]... see [[overtone scales]]);
* Tuning to an octave-repeating slice of the harmonic series for use as a scale (for instance harmonics 8 though 16, [[otones12-24|12 through 24]], [[otones20-40|20 through 40]]... see [[overtone scales]]);
* Tuning to the overtones of the overtones & the undertones of the undertones. (This can produce complex scales such as [[Harry Partch]]'s 43-tone Monophonic; this kind of thing is more often called "just intonation" than "overtone music".)
* Tuning to the overtones of the overtones & the undertones of the undertones. (This can produce complex scales such as [[Harry Partch]]'s 43-tone Monophonic; this kind of thing is more often called "just intonation" than "overtone music".)



Revision as of 18:47, 22 January 2022

English Wikipedia has an article on:

The harmonic series is a sequence of notes generated by whole-number frequency ratios over a fundamental: 1/1, 2/1, 3/1, 4/1, 5/1, 6/1, 7/1... ad infinitum. Each member of this series is a harmonic (which is short for "harmonic partial").

Note that the terms overtone and overtone series are not quite synonymous with "harmonic" and "harmonic series". "Overtone series" excludes the starting fundamental. So, the 2nd harmonic is the 1st overtone. Because of that distinction, the math of the "overtone series" is off by one. So, "harmonic series" is the preferred standard.

In just intonation theory, the harmonic series is often treated as the foundation of consonance.

The subharmonic series (or undertone series) is the inversion of the harmonic series: 1/1, 1/2, 1/3, 1/4, 1/5, 1/6, 1/7... ad infinitum.

Music based on the harmonic series

The chord of nature is the name sometimes given to the harmonic series, or the series up to a certain stopping point, regarded as a chord.

Steps between adjacent members of the harmonic series are called "superparticular," and they appear in the form (n+1)/n (e.g. 4/3, 28/27, 33/32).

One might compose with the harmonic series by, for instance:

  • Tuning to the first several harmonics over one fundamental;
  • Tuning to an octave-repeating slice of the harmonic series for use as a scale (for instance harmonics 8 though 16, 12 through 24, 20 through 40... see overtone scales);
  • Tuning to the overtones of the overtones & the undertones of the undertones. (This can produce complex scales such as Harry Partch's 43-tone Monophonic; this kind of thing is more often called "just intonation" than "overtone music".)

Some individual compositions

See also

External links