Octave (interval region): Difference between revisions

Use about and todo templates, improve lead section, improve linking
m Change back to double quotes for word as word (interval region pages will most likely make extensive use of italics to emphasize specific names for intervals within the region, which aren't lemmas but are important to highlight)
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{{About|the interval region|the octave as a just ratio|2/1}}
{{About|the interval region|the octave as a just ratio|2/1}}
A '''perfect octave''' ('''P8''') or '''octave''' ('''8ve''') is an [[interval]] that is approximately 1200 [[cent]]s in [[Interval size measure|size]]. While a rough tuning range for octaves is sharper than 1140 cents, the term ''octave'' tends to imply a function within music that only works with intervals that are exactly (or almost exactly) 1200 cents, corresponding to a [[just]] [[ratio]] of [[2/1]].
A '''perfect octave''' ('''P8''') or '''octave''' ('''8ve''') is an [[interval]] that is approximately 1200 [[cent]]s in [[Interval size measure|size]]. While a rough tuning range for octaves is sharper than 1140 cents, the term "octave" tends to imply a function within music that only works with intervals that are exactly (or almost exactly) 1200 cents, corresponding to a [[just]] [[ratio]] of [[2/1]].


The aforementioned function is the interval of equivalence, or [[equave]], because tones separated by an octave are perceived to have the same or similar [[pitch class]] to the average human listener. The reason for this phenomenon is probably due to the strong region of attraction of low [[harmonic entropy]], or the strong amplitude of the second [[harmonic]] in most harmonic instruments. As such, it is common practice to [[octave-reduce]] intervals so that they lie within the octave.
The aforementioned function is the interval of equivalence, or [[equave]], because tones separated by an octave are perceived to have the same or similar [[pitch class]] to the average human listener. The reason for this phenomenon is probably due to the strong region of attraction of low [[harmonic entropy]], or the strong amplitude of the second [[harmonic]] in most harmonic instruments. As such, it is common practice to [[octave-reduce]] intervals so that they lie within the octave.