Dominant seventh chord: Difference between revisions
→In temperaments: marvel is wrong (thanks to bcmills for catching this) |
→In just intonation: added 1/(9:7:6:5) |
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* [[4:5:6:7]], the ''harmonic seventh chord'', is a [[concord]] in the 7-limit, often used as a tuning target in {{w|Harmonic seventh chord #Barbershop seventh|barbershop music}}. | * [[4:5:6:7]], the ''harmonic seventh chord'', is a [[concord]] in the 7-limit, often used as a tuning target in {{w|Harmonic seventh chord #Barbershop seventh|barbershop music}}. | ||
* [[70:90:105:126]] (1/1 - 9/7 - 3/2 - 9/5) | |||
* [[28:35:42:50]] is a [[condissonant]] chord, and one of the possible interpretations of the dominant seventh in the starling, marvel, and septimal meantone temperaments. | * [[28:35:42:50]] is a [[condissonant]] chord, and one of the possible interpretations of the dominant seventh in the starling, marvel, and septimal meantone temperaments. | ||