108:135:160:192
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| Harmonics | 108:135:160:192 |
| Subharmonics | 1/(80:64:54:45) |
| Intervals from root | 1/1 – 5/4 – 40/27 – 16/9 |
| Cents from root | 0¢ 386¢ 680¢ 996¢ |
| Step intervals | 5/4, 32/27, 6/5 |
| Step cents | 386¢, 294¢, 316¢ |
| Color name | yo add-7 yo-5 or y,7(y5) |
| Prime limit | 5 |
| Genus | 33 ⋅ 5 (135) |
| Intervallic odd limit | 45 |
| Otonal odd limit | 135 |
| Utonal odd limit | 45 |
108:135:160:192 is a dominant seventh chord found on the dominant scale degree (V or 3⁄2) of a diatonic scale with the second degree tuned a comma lower than in Zarlino (10/9 instead of 9/8), such as in left-handed nicetone. It combines a 5/4 (5-limit) major third with a 16/9 (3-limit) minor seventh, creating a 64/45 tritone between the two. Since each of the steps relates to at least one other by an interval in the 9-odd-limit, it is a 9-odd condissonant chord.
Because this chord contains a 40/27 grave fifth instead of a 3/2 perfect fifth, it has more dissonance than would be present in the closely-related 36:45:54:64.
In meantone temperament, this chord is tempered to be the same as 36:45:54:64 and 20:25:30:36.