Seminaiadmic chords: Difference between revisions

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'''Seminaiadmic chords''' are [[Dyadic chord|essentially tempered dyadic chords]] tempered by the seminaiadma, [[442/441]].
'''Seminaiadmic chords''' are [[dyadic chord|essentially tempered dyadic chords]] tempered by the seminaiadma, [[442/441]].


Seminaiadmic chords are of [[Dyadic chord/Pattern of essentially tempered chords|pattern 2]] in the 2.3.7.13.17 [[subgroup]] [[17-odd-limit]], meaning that there are 6 triads, 15 tetrads and 6 pentads, for a total of 27 distinct chord structures.
Seminaiadmic chords are of [[Dyadic chord/Pattern of essentially tempered chords|pattern 2]] in the 2.3.7.13.17 [[subgroup]] [[17-odd-limit]], meaning that there are 6 triads, 15 tetrads and 6 pentads, for a total of 27 distinct chord structures.


For triads, there are three pairs of chords in inverse relationship:  
For triads, there are three pairs of chords in inverse relationship:  
* 1-17/14-7/4 with steps of 17/14-13/9-8/7, and its inverse  
* 1–17/14–7/4 with steps of 17/14, 13/9, 8/7, and its inverse  
* 1-13/9-7/4 with steps of 13/9-17/14-8/7;
* 1–13/9–7/4 with steps of 13/9, 17/14, 8/7;
* 1-9/8-17/14 with steps of 9/8-14/13-28/17, and its inverse  
* 1–9/8–17/14 with steps of 9/8, 14/13, 28/17, and its inverse  
* 1-14/13-17/14 with steps of 14/13-9/8-28/17;
* 1–14/13–17/14 with steps of 14/13, 9/8, 28/17;
* 1-14/13-8/7 with steps of 14/13-18/17-7/4, and its inverse  
* 1–14/13–8/7 with steps of 14/13, 18/17, 7/4, and its inverse  
* 1-18/17-8/7 with steps of 18/17-14/13-7/4.
* 1–18/17–8/7 with steps of 18/17, 14/13, 7/4.


For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are  
For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are  
* 1-17/16-17/14-7/4 with steps of 17/16-8/7-13/9-8/7;
* 1–17/16–17/14–7/4 with steps of 17/16, 8/7, 13/9, 8/7;
* 1-14/13-17/14-17/13 with steps of 14/13-9/8-14/13-26/17;
* 1–14/13–17/14–17/13 with steps of 14/13, 9/8, 14/13, 26/17;
* 1-14/13-8/7-16/13 with steps of 14/13-18/17-14/13-13/8.
* 1–14/13–8/7–16/13 with steps of 14/13, 18/17, 14/13, 13/8.


The inversely related pairs of chords are  
The inversely related pairs of chords are  
* 1-9/8-17/14-7/4 with steps of 9/8-14/13-13/9-8/7, and its inverse  
* 1–9/8–17/14–7/4 with steps of 9/8, 14/13, 13/9, 8/7, and its inverse  
* 1-13/9-14/9-7/4 with steps of 13/9-14/13-9/8-8/7;
* 1–13/9–14/9–7/4 with steps of 13/9, 14/13, 9/8, 8/7;
* 1-9/8-17/14-18/13 with steps of 9/8-14/13-8/7-13/9, and its inverse  
* 1–9/8–17/14–18/13 with steps of 9/8, 14/13, 8/7, 13/9, and its inverse  
* 1-8/7-16/13-18/13 with steps of 8/7-14/13-9/8-13/9;
* 1–8/7–16/13–18/13 with steps of 8/7, 14/13, 9/8, 13/9;
* 1-9/8-17/14-9/7 with steps of 9/8-14/13-18/17-14/9, and its inverse  
* 1–9/8–17/14–9/7 with steps of 9/8, 14/13, 18/17, 14/9, and its inverse  
* 1-18/17-8/7-9/7 with steps of 18/17-14/13-9/8-14/9;
* 1–18/17–8/7–9/7 with steps of 18/17, 14/13, 9/8, 14/9;
* 1-17/16-9/8-17/14 with steps of 17/16-18/17-14/13-28/17, and its inverse  
* 1–17/16–9/8–17/14 with steps of 17/16, 18/17, 14/13, 28/17, and its inverse  
* 1-14/13-8/7-17/14 with steps of 14/13-18/17-17/16-28/17;
* 1–14/13–8/7–17/14 with steps of 14/13, 18/17, 17/16, 28/17;
* 1-14/13-8/7-18/13 with steps of 14/13-18/17-17/14-13/9, and its inverse  
* 1–14/13–8/7–18/13 with steps of 14/13, 18/17, 17/14, 13/9, and its inverse  
* 1-17/14-9/7-18/13 with steps of 17/14-18/17-14/13-13/9;
* 1–17/14–9/7–18/13 with steps of 17/14, 18/17, 14/13, 13/9;
* 1-14/13-8/7-28/17 with steps of 14/13-18/17-13/9-17/14, and its inverse  
* 1–14/13–8/7–28/17 with steps of 14/13, 18/17, 13/9, 17/14, and its inverse  
* 1-13/9-26/17-28/17 with steps of 13/9-18/17-14/13-17/14.
* 1–13/9–26/17–28/17 with steps of 13/9, 18/17, 14/13, 17/14.


For pentads, there are three pairs of chords in inverse relationship:  
For pentads, there are three pairs of chords in inverse relationship:  
* 1-17/16-9/8-17/14-7/4 with steps of 17/16-18/17-14/13-13/9-8/7, and its inverse  
* 1–17/16–9/8–17/14–7/4 with steps of 17/16, 18/17, 14/13, 13/9, 8/7, and its inverse  
* 1-17/16-17/14-7/4-17/9 with steps of 17/16-8/7-13/9-14/13-18/17;
* 1–17/16–17/14–7/4–17/9 with steps of 17/16, 8/7, 13/9, 14/13, 18/17;
* 1-14/13-17/14-17/13-17/9 with steps of 14/13-9/8-14/13-13/9-18/17, and its inverse  
* 1–14/13–17/14–17/13–17/9 with steps of 14/13, 9/8, 14/13, 13/9, 18/17, and its inverse  
* 1-14/13-17/14-17/13-18/13 with steps of 14/13-9/8-14/13-18/17-13/9;
* 1–14/13–17/14–17/13–18/13 with steps of 14/13, 9/8, 14/13, 18/17, 13/9;
* 1-9/8-17/14-9/7-18/13 with steps of 9/8-14/13-18/17-14/13-13/9, and its inverse  
* 1–9/8–17/14–9/7–18/13 with steps of 9/8, 14/13, 18/17, 14/13, 13/9, and its inverse  
* 1-14/13-8/7-16/13-18/13 with steps of 14/13-18/17-14/13-9/8-13/9.
* 1–14/13–8/7–16/13–18/13 with steps of 14/13, 18/17, 14/13, 9/8, 13/9.


Equal temperaments with seminaiadmic chords include {{Optimal ET sequence|10, 17g, 19g, 22f, 26, 36, 46, 53, 58, 94, 104, 130 and 140 }}.
Equal temperaments with seminaiadmic chords include {{Optimal ET sequence| 10, 17g, 19g, 22f, 26, 36, 46, 53, 58, 94, 104, 130 and 140 }}.


[[Category:17-odd-limit]]
[[Category:17-odd-limit chords]]
[[Category:Essentially tempered chords]]
[[Category:Essentially tempered chords]]
[[Category:Triads]]
[[Category:Triads]]

Latest revision as of 07:59, 10 October 2025

Seminaiadmic chords are essentially tempered dyadic chords tempered by the seminaiadma, 442/441.

Seminaiadmic chords are of pattern 2 in the 2.3.7.13.17 subgroup 17-odd-limit, meaning that there are 6 triads, 15 tetrads and 6 pentads, for a total of 27 distinct chord structures.

For triads, there are three pairs of chords in inverse relationship:

  • 1–17/14–7/4 with steps of 17/14, 13/9, 8/7, and its inverse
  • 1–13/9–7/4 with steps of 13/9, 17/14, 8/7;
  • 1–9/8–17/14 with steps of 9/8, 14/13, 28/17, and its inverse
  • 1–14/13–17/14 with steps of 14/13, 9/8, 28/17;
  • 1–14/13–8/7 with steps of 14/13, 18/17, 7/4, and its inverse
  • 1–18/17–8/7 with steps of 18/17, 14/13, 7/4.

For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are

  • 1–17/16–17/14–7/4 with steps of 17/16, 8/7, 13/9, 8/7;
  • 1–14/13–17/14–17/13 with steps of 14/13, 9/8, 14/13, 26/17;
  • 1–14/13–8/7–16/13 with steps of 14/13, 18/17, 14/13, 13/8.

The inversely related pairs of chords are

  • 1–9/8–17/14–7/4 with steps of 9/8, 14/13, 13/9, 8/7, and its inverse
  • 1–13/9–14/9–7/4 with steps of 13/9, 14/13, 9/8, 8/7;
  • 1–9/8–17/14–18/13 with steps of 9/8, 14/13, 8/7, 13/9, and its inverse
  • 1–8/7–16/13–18/13 with steps of 8/7, 14/13, 9/8, 13/9;
  • 1–9/8–17/14–9/7 with steps of 9/8, 14/13, 18/17, 14/9, and its inverse
  • 1–18/17–8/7–9/7 with steps of 18/17, 14/13, 9/8, 14/9;
  • 1–17/16–9/8–17/14 with steps of 17/16, 18/17, 14/13, 28/17, and its inverse
  • 1–14/13–8/7–17/14 with steps of 14/13, 18/17, 17/16, 28/17;
  • 1–14/13–8/7–18/13 with steps of 14/13, 18/17, 17/14, 13/9, and its inverse
  • 1–17/14–9/7–18/13 with steps of 17/14, 18/17, 14/13, 13/9;
  • 1–14/13–8/7–28/17 with steps of 14/13, 18/17, 13/9, 17/14, and its inverse
  • 1–13/9–26/17–28/17 with steps of 13/9, 18/17, 14/13, 17/14.

For pentads, there are three pairs of chords in inverse relationship:

  • 1–17/16–9/8–17/14–7/4 with steps of 17/16, 18/17, 14/13, 13/9, 8/7, and its inverse
  • 1–17/16–17/14–7/4–17/9 with steps of 17/16, 8/7, 13/9, 14/13, 18/17;
  • 1–14/13–17/14–17/13–17/9 with steps of 14/13, 9/8, 14/13, 13/9, 18/17, and its inverse
  • 1–14/13–17/14–17/13–18/13 with steps of 14/13, 9/8, 14/13, 18/17, 13/9;
  • 1–9/8–17/14–9/7–18/13 with steps of 9/8, 14/13, 18/17, 14/13, 13/9, and its inverse
  • 1–14/13–8/7–16/13–18/13 with steps of 14/13, 18/17, 14/13, 9/8, 13/9.

Equal temperaments with seminaiadmic chords include 10, 17g, 19g, 22f, 26, 36, 46, 53, 58, 94, 104, 130 and 140.