List of approaches to musical tuning: Difference between revisions
m tiny things |
→Subjective processes: Remove Contextual Xenharmonics for now. It is not a well-defined approach |
||
| (4 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
{{ | {{Interwiki | ||
| de = | |||
| en = List of approaches to musical tuning | | en = List of approaches to musical tuning | ||
| es = Orientación general | |||
| es = | |||
| ja = 調律方法 | | ja = 調律方法 | ||
}} | }} | ||
| Line 18: | Line 18: | ||
* [[Just intonation]]: The tuning of pitches so that their fundamental frequencies are related by ratios of whole numbers. An infinite world of numerous models: | * [[Just intonation]]: The tuning of pitches so that their fundamental frequencies are related by ratios of whole numbers. An infinite world of numerous models: | ||
** [[Adaptive just intonation]] | ** [[Adaptive just intonation]] | ||
** [[Combination product | ** [[Combination product set]]s | ||
** [[Detempering]] (including [[ringer scale]]s) | ** [[Detempering]] (including [[ringer scale]]s) | ||
** [[Fokker blocks]] | ** [[Fokker blocks]] | ||
| Line 59: | Line 59: | ||
The following approaches describe the subjective exploration process or its representations rather than its objective, audible result: | The following approaches describe the subjective exploration process or its representations rather than its objective, audible result: | ||
* [[Empirical]]: A form of hands-on field research as opposed to a form of acoustical or scale engineering, where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum. | * [[Empirical]]: A form of hands-on field research as opposed to a form of acoustical or scale engineering, where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum. | ||
* [[Pretty Pictures]] that represent scales in one way or another. | * [[Pretty Pictures]] that represent scales in one way or another. | ||