Consistency: Difference between revisions

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Move 'maximal consistent set' to user space as it hasn't been used in any example on the Wiki or been mentioned on either the Xengrove Discord or Xenharmonic Alliance Discord.
 
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{{interwiki
{{Interwiki
| en = Consistent
| de = konsistent
| de = konsistent
| en = Consistent
| es =  
| es =  
| ja = 一貫性
| ja = 一貫性
}}
}}
An [[edo]] represents the [[odd limit|''q''-odd-limit]] '''consistently''' if the closest approximations of the odd harmonics of the ''q''-odd-limit in that edo also give the closest approximations of all the differences between these odd harmonics; for example, if the difference between the closest [[7/4]] and the closest [[5/4]] is also the closest [[7/5]]. An edo is '''distinctly consistent''' (or '''uniquely consistent''') in the ''q''-odd-limit if every interval in that odd limit is consistent and mapped to a distinct edostep. For example, an edo cannot be distinctly consistent in the [[7-odd-limit]] if it maps 7/5 and [[10/7]] to the same step (in this case, the semi-octave of [[2edo]], [[tempering out]] [[50/49]]).
An [[edo]] represents the [[odd limit|''q''-odd-limit]] '''consistently''' if the closest approximations of the odd harmonics of the ''q''-odd-limit in that edo also give the closest approximations of all the differences between these odd harmonics; for example, if the difference between the closest [[7/4]] and the closest [[5/4]] is also the closest [[7/5]]. An edo is '''distinctly consistent''' (or '''uniquely consistent''') in the ''q''-odd-limit if every interval in that odd limit is consistent and mapped to a distinct edostep. For example, an edo cannot be distinctly consistent in the [[7-odd-limit]] if it maps 7/5 and [[10/7]] to the same step (in this case, the semi-octave of [[2edo]], [[tempering out]] [[50/49]]).
This is equivalent to looking at the [[direct approximation]] (i.e. the closest approximation) for each interval, and trying to find a [[val]] that does the same approximation, so that the intervals are lined up by the val. If there is such a val, then the edo is consistent within that odd limit, otherwise it is inconsistent.


While the term '''consistency''' is most frequently used to refer to some odd limit, sometimes one may only care about 'some' of the intervals in some odd limit; this situation often arises when working in [[JI subgroup]]s. We can also skip certain intervals when evaluating consistency. For instance, [[12edo]] is consistent in the no-11's, no-13's [[21-odd-limit]], meaning the set of the odd harmonics 1, 3, 5, 7, 9, 15, 17, 19, and 21, where we deliberately skip 11 and 13.  
While the term '''consistency''' is most frequently used to refer to some odd limit, sometimes one may only care about 'some' of the intervals in some odd limit; this situation often arises when working in [[JI subgroup]]s. We can also skip certain intervals when evaluating consistency. For instance, [[12edo]] is consistent in the no-11's, no-13's [[21-odd-limit]], meaning the set of the odd harmonics 1, 3, 5, 7, 9, 15, 17, 19, and 21, where we deliberately skip 11 and 13.  
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== Mathematical definition ==
== Mathematical definition ==
Formally, if ''T'' is an equal tuning, and if for an interval ''r'', ''T''(''r'') is the closest approximation to ''r'' in ''T'', then ''T'' is '''consistent''' with respect to a set of intervals ''S'' if for any two intervals ''r''<sub>''i''</sub> and ''r''<sub>''j''</sub> in ''S'' where ''r''<sub>''i''</sub>''r''<sub>''j''</sub> is also in ''S'', {{nowrap|''T''(''r''<sub>''i''</sub>''r''<sub>''j''</sub>) {{=}} ''T''(''r''<sub>''i''</sub>) + ''T''(''r''<sub>''j''</sub>).}}
Formally, if ''T'' is an equal tuning, and if for an interval ''r'', ''T''(''r'') is the closest approximation to ''r'' in ''T'', then ''T'' is '''consistent''' with respect to a set of intervals ''S'' if for any two intervals ''r''<sub>''i''</sub> and ''r''<sub>''j''</sub> in ''S'' where ''r''<sub>''i''</sub>''r''<sub>''j''</sub> is also in ''S'', {{nowrap|''T''(''r''<sub>''i''</sub>''r''<sub>''j''</sub>) {{=}} ''T''(''r''<sub>''i''</sub>) + ''T''(''r''<sub>''j''</sub>).}}
This is equivalent to looking at the [[direct approximation]] (i.e. the closest approximation) for each interval, and trying to find a [[val]] that does the same approximation, so that the intervals are lined up by the val. If there is such a val, then the edo is consistent within that odd limit, otherwise it is inconsistent.


; Alternative formulation using val
; Alternative formulation using val
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Examples of more advanced concepts that build on this are [[telicity]] and [[#Maximal consistent set|maximal consistent set]]s.
Examples of more advanced concepts that build on this are [[telicity]] and [[#User:Inthar/Maximal_consistent_set|maximal consistent set]]s.
 
== Maximal consistent set ==
Non-technically, a '''maximal consistent set''' (MCS) is a piece of a [[JI subgroup]] such that when you add another interval which is adjacent to the piece (viewed as a chord), then the piece becomes inconsistent in the edo.
 
Formally, given ''N''-edo, a consistent chord ''C'' and a [[JI subgroup]] ''G'' [[generator|generated]] by the octave and the intervals in ''C'', a ''maximal consistent set'' is a connected set ''S''(connected via intervals that occur in C) such that adding another interval adjacent to ''S'' via an interval in ''C'' results in a chord that is inconsistent in ''N''-edo. The ''maximal connected neighborhood'' (MCN) of ''C'' is a maximal consistent set containing ''C''.


== For non-octave tunings ==
== For non-octave tunings ==