14:18:21
| Chord information |
14:18:21, the supermajor triad or septimal major triad, is a triad in the 7-limit sometimes used in place of a major triad. It is the inversion of 6:7:9, the septimal minor triad or subminor triad. The supermajor triad, unlike the 4:5:6 major triad, is utonal. Due to the more complex 9/7 interval above the root, it may sound less consonant than 6:7:9, similarly to how the 10:12:15 minor triad is generally considered less consonant than 4:5:6.
| Edo | Steps | Cents (¢) | Absolute errors (¢) | RMS (¢) | RMS (%) | |
|---|---|---|---|---|---|---|
| ▶ | 8 | 0 3 5 |
0.00 450.00 750.00 |
0.00 +14.92 +48.04 |
20.08 | 13.39 |
| ▶ | 9 | 0 3 5 |
0.00 400.00 666.67 |
0.00 -35.08 -35.29 |
16.59 | 12.44 |
| ▶ | 14 | 0 5 8 |
0.00 428.57 685.71 |
0.00 -6.51 -16.24 |
6.67 | 7.79 |
| ▶ | 17 | 0 6 10 |
0.00 423.53 705.88 |
0.00 -11.55 +3.93 |
6.57 | 9.31 |
| ▶ | 19 | 0 7 11 |
0.00 442.11 694.74 |
0.00 +7.02 -7.22 |
5.81 | 9.20 |
| ▶ | 22 | 0 8 13 |
0.00 436.36 709.09 |
0.00 +1.28 +7.14 |
3.11 | 5.70 |
| ▶ | 27 | 0 10 16 |
0.00 444.44 711.11 |
0.00 +9.36 +9.16 |
4.37 | 9.82 |
| ▶ | 31 | 0 11 18 |
0.00 425.81 696.77 |
0.00 -9.28 -5.18 |
3.80 | 9.81 |
| ▶ | 36 | 0 13 21 |
0.00 433.33 700.00 |
0.00 -1.75 -1.96 |
0.88 | 2.63 |
| ▶ | 39 | 0 14 23 |
0.00 430.77 707.69 |
0.00 -4.31 +5.74 |
4.12 | 13.38 |
| ▶ | 41 | 0 15 24 |
0.00 439.02 702.44 |
0.00 +3.94 +0.48 |
1.75 | 5.99 |
| ▶ | 44 | 0 16 26 |
0.00 436.36 709.09 |
0.00 +1.28 +7.14 |
3.11 | 11.39 |
| ▶ | 46 | 0 17 27 |
0.00 443.48 704.35 |
0.00 +8.39 +2.39 |
3.53 | 13.54 |
| ▶ | 49 | 0 18 29 |
0.00 440.82 710.20 |
0.00 +5.73 +8.25 |
3.45 | 14.10 |
| ▶ | 50 | 0 18 29 |
0.00 432.00 696.00 |
0.00 -3.08 -5.96 |
2.43 | 10.13 |
| ▶ | 53 | 0 19 31 |
0.00 430.19 701.89 |
0.00 -4.90 -0.07 |
2.29 | 10.12 |
| ▶ | 55 | 0 20 32 |
0.00 436.36 698.18 |
0.00 +1.28 -3.77 |
2.14 | 9.83 |
| ▶ | 58 | 0 21 34 |
0.00 434.48 703.45 |
0.00 -0.60 +1.49 |
0.88 | 4.26 |
| ▶ | 60 | 0 22 35 |
0.00 440.00 700.00 |
0.00 +4.92 -1.96 |
2.89 | 14.45 |
Related chords
- 6:7:9 – its melodic inversion
- 70:90:105:126 or 1/(9:7:6:5), the subharmonic seventh chord – adds 9/5
- 28:36:42:49, a type of dominant seventh chord – adds 7/4
- 14:18:21:24 – adds 12/7
- 14:18:21:27 – adds 27/14