Comma and diesis

From Xenharmonic Wiki
Revision as of 20:20, 26 February 2025 by VectorGraphics (talk | contribs)
Jump to navigation Jump to search

This article is about "comma" and "diesis" as interval regions. For other senses of these two words, see comma and diesis.

"Comma" and "diesis" are two terms used to refer to intervals that are less than about 60 ¢ in size.

"Comma" also refers to an interval that is tempered out by any given temperament.

In terms of interval regions, "comma" refers to an interval flatter than about 30 ¢, and "diesis" refers to an interval between about 30 and 60 ¢.

This includes the range of quarter tones, which, according to systems that determine consonance in terms of proximity to simple just ratios, is one of the most dissonant interval regions.

In just intonation

In just intonation, commas are often seen as the difference between two similar intervals, so it is hard to find intervals within this range that are treated as steps in their own right. The 3-limit interval in this range is the Pythagorean comma of 531441/524288, which can be considered an augmented seventh (octave-reduced), and is about 23 ¢.

For the remainder of this list, I have tried to choose intervals that are not mostly treated as commas (in the temperament sense). Higher-limit intervals in the comma and diesis range are:

  • The 5-limit augmented diesis is a ratio of 128/125, and is about 41 ¢.
    • There is also the 5-limit magic comma of 3125/3072, which is about 30 ¢.
  • The 7-limit slendro diesis is a ratio of 49/48, and is about 36 ¢.
  • The 11-limit quarter tone is a ratio of 33/32, and is about 53 ¢.
  • The 13-limit minor diesis is a ratio of 40/39, and is about 43 ¢.

In EDOs

The following table lists the best tuning of 128/125, and other dieses or commas if present, in various significant EDOs. Not included are EDOs (i.e. those smaller than 15) where the best tuning is the unison, or 0 ¢, or those where the best tuning is sharper than 60 ¢ (i.e. not a diesis or comma).

EDO 128/125 Other commas and dieses
22 54 ¢
24 50 ¢
25 48 ¢
26 46 ¢
27 44 ¢
29 41 ¢
31 39 ¢
34 35 ¢
41 29 ¢ 59 ¢ ≈ 33/32
53 45 ¢ 22 ¢ ≈ 81/80

In regular temperaments

The role of commas and dieses in regular temperaments is often as the intervals that are tempered out (i.e. equated to 0 cents). Discussing that is not within the scope of this article; you may learn more at Regular temperament.

However, there are, rarely, temperaments generated by commas. One example is slender, where ten 49/48s equal 5/4.


ViewTalkEditInterval classification
Interval regions
Unison and octave UnisonComma and diesisOctave
Seconds Minor secondNeutral secondMajor second
Thirds Minor thirdNeutral thirdMajor third
Fourths and fifths Perfect fourthSuperfourthTritoneSubfifthPerfect fifth
Sixths Minor sixthNeutral sixthMajor sixth
Sevenths Minor seventhNeutral seventhMajor seventh
Interseptimal intervals Interseptimal 2nd-3rd • Interseptimal 3rd-4th • Interseptimal 5th-6th • Interseptimal 6th-7th
Interval qualities
Diatonic qualities DiminishedMinorPerfectMajorAugmented
Tuning ranges Neutral (interval quality)Submajor and supraminorPental major and minorNovamajor and novaminorNeogothic major and minorSupermajor and subminorUltramajor and inframinor