9edo: Difference between revisions

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remove table "Differences between distributionally-even scales and smaller edos"
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| Monotonicity = 7
| Monotonicity = 7
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'''9 equal divisions of the octave''' ('''9EDO''') is the [[tuning system]] derived by dividing the [[octave]] into 9 equal steps of 133+1/3 [[cent]]s each precisely. It is also the first odd composite EDO.
'''9 equal divisions of the octave''' ('''9edo''') is the [[tuning system]] derived by dividing the [[octave]] into 9 equal steps of 133+1/3 [[cent]]s each precisely. It is also the first odd composite edo.


== Theory ==
== Theory ==
{| class="wikitable"
{{primes in equal|9}}
! colspan="2" | <!-- empty cell -->
 
! prime 2
The 9edo scale has the peculiar property of representing certain [[7-limit]] intervals almost exactly. A 7-limit version of 9edo goes
! prime 3
! prime 5
! prime 7
! prime 11
! prime 13
! prime 17
! prime 19
|-
! rowspan="2" | error
! absolute (¢)
| 0.0
| -35.3
| +13.7
| -35.5
| -18.0
| -40.5
| +28.4
| -30.8
|-
! [[Relative error|relative]] (%)
| 0
| -26
| +10
| -27
| -13
| -30
| +21
| -23
|-
! colspan="2" | [[Patent val|nearest EDO-mapping]]
| 9
| 5
| 3
| 7
| 4
| 6
| 1
| 2
|-
! colspan="2" | [[fifthspan]]
| 0
| +1
| -3
| -4
| -1
| +3
| +2
| +4
|}
The 9EDO scale has the peculiar property of representing certain [[7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes


1: 27/25 133.238 large limma, BP small semitone
1: 27/25 133.238 large limma, BP small semitone
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9: 2/1 1200.000 octave
9: 2/1 1200.000 octave


Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO.
Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9edo. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9edo.


== Notation ==
== Notation ==
9EDO can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.
9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.


The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12EDO music can be directly translated to 9EDO "on the fly".
The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo "on the fly".


{| class="wikitable center-all right-1 right-2"
{| class="wikitable center-all right-1 right-2"
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== Commas ==
== Commas ==
9EDO [[tempers out]] the following [[comma]]s. (Note: This assumes [[val]] {{val| 9 14 21 25 31 33 }}.)
9edo [[tempers out]] the following [[comma]]s. (Note: This assumes [[val]] {{val| 9 14 21 25 31 33 }}.)


{| class="commatable wikitable center-all left-3 right-4 left-6"
{| class="commatable wikitable center-all left-3 right-4 left-6"
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== Linear temperaments ==
== Linear temperaments ==
9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9EDO tradition].
9edo contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9edo tradition].


== Pathological Modes==
== Pathological Modes==
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[[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]]
[[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]]


Ukulele (MicroUke 1.2) set to 9EDO with 40 lb. test fishing line (by cenobyte)
Ukulele (MicroUke 1.2) set to 9edo with 40 lb. test fishing line (by cenobyte)


== Music ==
== Music ==
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* Nocturne in 9EDO by [http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf]
* Nocturne in 9EDO by [http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf]
* ''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]'' by [[Aaron Andrew Hunt]]
* ''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]''{{dead link}} by [[Aaron Andrew Hunt]]
* ''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in 9EDO]'' by [[Chris Vaisvil]]
* ''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in 9EDO]'' by [[Chris Vaisvil]]
* [http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8] by [[Randy Winchester]]
* [http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8]{{dead link}} by [[Randy Winchester]]
* [http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor Darreg]]
* [http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor Darreg]]
* [http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [[Chris Vaisvil]] (in 9 and 18 EDOsimultaneously)
* [http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [[Chris Vaisvil]] (in 9 and 18 EDOsimultaneously)
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== Ear Training ==
== Ear Training ==
9EDO ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here].
9edo ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here].


[[Category:9-tone]]
[[Category:9edo| ]] <!-- main article -->
[[Category:9edo| ]]
[[Category:9-tone scales]]
[[Category:Equal divisions of the octave]]
[[Category:Equal divisions of the octave]]
[[Category:Listen]]
[[Category:Listen]]
[[Category:Macrotonal]]
[[Category:Macrotonal]]