8019/8000: Difference between revisions

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== Temperaments ==
== Temperaments ==
In the full 11-limit, tempering it out leads to the rank-4 '''trimitone temperament''' (→ [[Rank-4 temperament #Trimitone]]).
In terms of microtempering the 2.3.5.11 subgroup, it may combine well with the [[schisma]] as doing so gives lower-complexity interpretations to the [[5-limit]] "tritones" of (10/9)<sup>3</sup> and [[729/512|(9/8)<sup>3</sup>]] and their octave-complements, which results in the 53&65 (or equivalently 12&53) temperament in the 2.3.5.11 subgroup. (The term "tritones" is being used here in the sense of stacking 3 tones, as calling (10/9)<sup>3</sup> a "tritone" is questionable.) For optimising this temperament, [[183edo]] is recommendable, although [[65edo]] provides a less accurate tuning at the benefit of a more manageable number of tones (and at the benefit of being a superset of [[5edo]] and [[13edo]], thus potentially making it easier to conceptualise). This temperament is therefore great for 8:9:10:11:12 chords. If extended to the full [[11-limit|11-]] or [[13-limit]], it is closely related to [[Schismatic family #Bischismic|bischismic]], which also tempers [[3136/3125]].
In terms of microtempering the 2.3.5.11 subgroup, it may combine well with the [[schisma]] as doing so gives lower-complexity interpretations to the [[5-limit]] "tritones" of (10/9)<sup>3</sup> and [[729/512|(9/8)<sup>3</sup>]] and their octave-complements, which results in the 53&65 (or equivalently 12&53) temperament in the 2.3.5.11 subgroup. (The term "tritones" is being used here in the sense of stacking 3 tones, as calling (10/9)<sup>3</sup> a "tritone" is questionable.) For optimising this temperament, [[183edo]] is recommendable, although [[65edo]] provides a less accurate tuning at the benefit of a more manageable number of tones (and at the benefit of being a superset of [[5edo]] and [[13edo]], thus potentially making it easier to conceptualise). This temperament is therefore great for 8:9:10:11:12 chords. If extended to the full [[11-limit|11-]] or [[13-limit]], it is closely related to [[Schismatic family #Bischismic|bischismic]], which also tempers [[3136/3125]].



Revision as of 00:12, 12 January 2022

Interval information
Ratio 8019/8000
Factorization 2-6 × 36 × 5-3 × 11
Monzo [-6 6 -3 0 1
Size in cents 4.106806¢
Name trimitone comma
FJS name [math]\displaystyle{ \text{d1}^{11}_{5,5,5} }[/math]
Special properties reduced
Tenney height (log2 nd) 25.935
Weil height (log2 max(n, d)) 25.9384
Wilson height (sopfr(nd)) 56
Open this interval in xen-calc

8019/8000, the trimitone comma (for "triple minor (whole) tone"), is the comma in the 2.3.5.11 subgroup by which a stack of three instances of 10/9 fall short of 11/8, thus leading to the formulation of (11/8)/(10/9)3. Furthermore, it is also the interval separating the syntonic comma and the ptolemisma.

Temperaments

In the full 11-limit, tempering it out leads to the rank-4 trimitone temperament (→ Rank-4 temperament #Trimitone).

In terms of microtempering the 2.3.5.11 subgroup, it may combine well with the schisma as doing so gives lower-complexity interpretations to the 5-limit "tritones" of (10/9)3 and (9/8)3 and their octave-complements, which results in the 53&65 (or equivalently 12&53) temperament in the 2.3.5.11 subgroup. (The term "tritones" is being used here in the sense of stacking 3 tones, as calling (10/9)3 a "tritone" is questionable.) For optimising this temperament, 183edo is recommendable, although 65edo provides a less accurate tuning at the benefit of a more manageable number of tones (and at the benefit of being a superset of 5edo and 13edo, thus potentially making it easier to conceptualise). This temperament is therefore great for 8:9:10:11:12 chords. If extended to the full 11- or 13-limit, it is closely related to bischismic, which also tempers 3136/3125.

See also