User:Inthar

I go by Inthar (in-THAR (th as in thin), meaning 'raven' in the conlang it comes from). I use he/him pronouns. I am Inthar#5959 on Discord.

My main interests are: simple exotic MOS patterns, mainly oneirotonic, smitonic, and semiquartal, and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small MOSes and edos. Here's a list of tuning languages I want to explore:

• Oneiro: 13edo, 18edo and 21edo
• Smitonic: 11edo
• Semiquartal: 33edo
• Also 26edo

My main theoretical influences are Baroque counterpoint, Igliashon Jones and Zhea Erose, though I do not consider myself a Zheanist. I contributed to TAMNAMS, Diamond-mos notation and to the mos articles 5L 3s and 4L 3s.

Music

All my music is licensed under CC-BY 4.0, unless specified otherwise.

13edo

• Prelude II of the WT13C collab project (in J Oneirominor) (score)
  • Prelude II of the WT13C collab project (in J Oneirominor) Blanchet lute stop + organ flute stop version (score)
• Fugue II of the WT13C collab project (in J Oneirominor) (score)
• 13-edo example composition (File:13edo 1MC score.pdf)
• A Moment of Respite

17edo and parapyth

Pieces in Locrian

Locrian is my favorite diatonic mode. I've tried to combine it with classical and 8-bit tropes with varying degrees of success.

• Ghosts in the Machine (8-bit chiptune in approximate 17edo)
• Suite for Harpsichord in A Locrian, tuning: Eb-G# in 46edo (on hiatus). My favorite piece is the Sarabande.
  • IV. Sarabande (with no repeats; score here)
    • Sarabande tuned to 17edo
  • V. Gavotte I and II
  • VI. Menuet and Trio
  • VII. Gigue

21edo

The Angels' Library, a 21edo Sarnathian harpsichord piece (it's actually a neji, 73:78:86:92:102:112:120:132:146 on C). (score)

edo version

Forerain (A short piano loop)

31edo

Some VGM loop in 31edo.

34edo

• : A short piano piece mostly in 17edo. Last part is in 34edo.

Pages

JI

• User:IlL/Inthar's primodality impressions

Edos and mosses

• Well-Tempered 13-Tone Clavier - Collaborative Discord project to create 26 major and minor preludes and fugues in 13edo (not necessarily in a Baroque style).
• Degree entropy - a measure of how informative a degree of an MOS scale is on average is of what mode the scale is in.
• Dipentatonic scales - What's better than one pentatonic scale? Two pentatonic scales, of course!
• User:IlL/Inthar's EDO impressions

List subpages

• Inthar/13edo
• Inthar/18edo
• Inthar/21edo
• Inthar/311edo
• Inthar/4L 3s
• Inthar/5L3m2s
• Inthar/5L 3s
• Inthar/5L 4s
• Inthar/AGS
• Inthar/Bjeheondian music
• Inthar/Blackville
• Inthar/Code
• Inthar/Diamond-mos notation
• Inthar/Epimorphic temperament
• Inthar/Fox-Raven notation
• Inthar/Generator variety
• Inthar/Glossary for word combinatorics
• Inthar/MOS substitution
• Inthar/MV3
• Inthar/Moshmi
• Inthar/Neutral and interordinal intervals in mosses
• Inthar/Notation
• Inthar/Pseudo-JI
• Inthar/Recursive structure of rank-3 scales
• Inthar/Ringers and Pseudoringers
• Inthar/Sandbox
• Inthar/Simplified UDP
• Inthar/Spoobth
• Inthar/Style guide
• Inthar/Subgroup names
• Inthar/Template:Harmonics in edo
• Inthar/Template:Infobox MOS
• Inthar/Template:Notation
• Inthar/Template:Theorem
• Inthar/Template:Theorem/styles.css
• Inthar/Template:adhoc
• Inthar/Template:display edo gen
• Inthar/Template:display edo mos pattern
• Inthar/Template:display range
• Inthar/Template:edX
• Inthar/Ternary billiard words of length at most 31
• Inthar/common.css
• Inthar/common.js
• Inthar/vector.css