7L 2s: Difference between revisions

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| | 1 1 1 0
| | 1 1 1 0
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|57\100
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|684
|14 14 14 1
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|53\93
|53\93
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|683.871
|683.871
|13 13 13 1
|[[Tel:13 13 13 1|13 13 13 1]]
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| |  
| |  
| | 683.798
| | 683.798
| | 25 25 25 2
| | [[Tel:25 25 25 2|25 25 25 2]]
| | Approximately 0.03 cents away from [[95/64]]
| | Approximately 0.03 cents away from [[95/64]]
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|-
Line 54: Line 61:
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|683.721
|683.721
|12 12 12 1
|[[Tel:12 12 12 1|12 12 12 1]]
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|683.636
|683.636
|23 23 23 2
|[[Tel:23 23 23 2|23 23 23 2]]
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|683.544
|683.544
|11 11 11 1
|[[Tel:11 11 11 1|11 11 11 1]]
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Line 75: Line 82:
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|683.444
|683.444
|21 21 21 2
|[[Tel:21 21 21 2|21 21 21 2]]
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Line 82: Line 89:
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|683.333
|683.333
|10 10 10 1
|[[Tel:10 10 10 1|10 10 10 1]]
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Line 89: Line 96:
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|683.212
|683.212
|19 19 19 2
|[[Tel:19 19 19 2|19 19 19 2]]
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Line 103: Line 110:
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|682.927
|682.927
|17 17 17 2
|[[Tel:17 17 17 2|17 17 17 2]]
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Line 117: Line 124:
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|682.569
|682.569
|15 15 15 2
|[[Tel:15 15 15 2|15 15 15 2]]
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Line 131: Line 138:
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|682.105
|682.105
|13 13 13 2
|[[Tel:13 13 13 2|13 13 13 2]]
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Line 144: Line 151:
|46\81
|46\81
|
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|681.4815
|[[Tel:681.4815|681.4815]]
|11 11 11 2
|[[Tel:11 11 11 2|11 11 11 2]]
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Line 159: Line 166:
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|680.769
|680.769
|14 14 14 3
|[[Tel:14 14 14 3|14 14 14 3]]
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Line 173: Line 180:
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|680.412
|680.412
|13 13 13 3
|[[Tel:13 13 13 3|13 13 13 3]]
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Line 187: Line 194:
|
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|679.518
|679.518
|11 11 11 3
|[[Tel:11 11 11 3|11 11 11 3]]
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Line 201: Line 208:
| |  
| |  
| | 678.947
| | 678.947
| | 10 10 10 3
| | [[Tel:10 10 10 3|10 10 10 3]]
| |  
| |  
|-
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Line 208: Line 215:
| |  
| |  
| | 678.788
| | 678.788
| | 13 13 13 4
| | [[Tel:13 13 13 4|13 13 13 4]]
| |  
| |  
|-
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Line 214: Line 221:
| | 69\122
| | 69\122
| |  
| |  
| | 678.6885
| | [[Tel:678.6885|678.6885]]
| | 16 16 16 5
| | [[Tel:16 16 16 5|16 16 16 5]]
| |  
| |  
|-
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Line 222: Line 229:
| |  
| |  
| | 678.621
| | 678.621
| | 19 19 19 6
| | [[Tel:19 19 19 6|19 19 19 6]]
| |  
| |  
|-
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Line 229: Line 236:
| |  
| |  
| | 678.571
| | 678.571
| | 22 22 22 7
| | [[Tel:22 22 22 7|22 22 22 7]]
| |  
| |  
|-
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Line 243: Line 250:
| |  
| |  
| | 678.534
| | 678.534
| | 25 25 25 8
| | [[Tel:25 25 25 8|25 25 25 8]]
| |  
| |  
|-
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Line 250: Line 257:
| |  
| |  
| | 678.505
| | 678.505
| | 28 28 28 9
| | [[Tel:28 28 28 9|28 28 28 9]]
| | 28;9 Superdiatonic 1/28-tone <span style="font-size: 12.8000001907349px;">(a slight exceeded representation of the ratio 262144/177147, the Pythagorean wolf Fifth)</span>
| | 28;9 Superdiatonic 1/28-tone <span style="font-size: 12.8000001907349px;">(a slight exceeded representation of the ratio [[Tel:262144/177147|262144/177147]], the Pythagorean wolf Fifth)</span>
|-
|-
| |  
| |  
Line 257: Line 264:
| |  
| |  
| | 678.481
| | 678.481
| | 31 31 31 10
| | [[Tel:31 31 31 10|31 31 31 10]]
| | HORNBOSTEL TEMPERAMENT <span style="font-size: 12.8000001907349px;">(1/31-tone; Optimum high size of Hornbostel '6th')</span>
| | HORNBOSTEL TEMPERAMENT <span style="font-size: 12.8000001907349px;">(1/31-tone; Optimum high size of Hornbostel '6th')</span>
|-
|-
Line 271: Line 278:
| |  
| |  
| | 678.027
| | 678.027
| | 29 29 29 10
| | [[Tel:29 29 29 10|29 29 29 10]]
| | HORNBOSTEL TEMPERAMENT
| | HORNBOSTEL TEMPERAMENT


Line 280: Line 287:
| |  
| |  
| | 678
| | 678
| | 26 26 26 9
| | [[Tel:26 26 26 9|26 26 26 9]]
| | HORNBOSTEL (&amp; [[Alexei_Stepanovich_Ogolevets|OGOLEVETS]]) TEMPERAMENT <span style="font-size: 12.8000001907349px;">(Armodue 1/26-tone; Best equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent), the notes '3', '7' &amp; '8')</span>
| | HORNBOSTEL (&amp; [[Alexei_Stepanovich_Ogolevets|OGOLEVETS]]) TEMPERAMENT <span style="font-size: 12.8000001907349px;">(Armodue 1/26-tone; Best equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent), the notes '3', '7' &amp; '8')</span>
|-
|-
Line 287: Line 294:
| |  
| |  
| | 677.966
| | 677.966
| | 23 23 23 8
| | [[Tel:23 23 23 8|23 23 23 8]]
| |  
| |  
|-
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Line 294: Line 301:
| |  
| |  
| | 677.922
| | 677.922
| | 20 20 20 7
| | [[Tel:20 20 20 7|20 20 20 7]]
| |  
| |  
|-
|-
Line 301: Line 308:
| |  
| |  
| | 677.863
| | 677.863
| | 17 17 17 6
| | [[Tel:17 17 17 6|17 17 17 6]]
| | Armodue-Hornbostel 1/17-tone <span style="font-size: 12.8000001907349px;">(the Golden Tone System of Thorvald Kornerup and a temperament of the Alexei Ogolevets's list of temperaments)</span>
| | Armodue-Hornbostel 1/17-tone <span style="font-size: 12.8000001907349px;">(the Golden Tone System of Thorvald Kornerup and a temperament of the Alexei Ogolevets's list of temperaments)</span>
|-
|-
Line 308: Line 315:
| |  
| |  
| | 677.778
| | 677.778
| | 14 14 14 5
| | [[Tel:14 14 14 5|14 14 14 5]]
| | Armodue-Hornbostel 1/14-tone
| | Armodue-Hornbostel 1/14-tone
|-
|-
Line 315: Line 322:
| | 109\193
| | 109\193
| | 677.720
| | 677.720
| | 25 25 25 9
| | [[Tel:25 25 25 9|25 25 25 9]]
| | Armodue-Hornbostel 1/25-tone
| | Armodue-Hornbostel 1/25-tone
|-
|-
Line 322: Line 329:
| |  
| |  
| | 677.647
| | 677.647
| | 11 11 11 4
| | [[Tel:11 11 11 4|11 11 11 4]]
| | Armodue-Hornbostel 1/11-tone <span style="font-size: 12.8000001907349px;">(Optimum accuracy of Phi interval, the note '7')</span>
| | Armodue-Hornbostel 1/11-tone <span style="font-size: 12.8000001907349px;">(Optimum accuracy of Phi interval, the note '7')</span>
|-
|-
Line 343: Line 350:
| | 92\163
| | 92\163
| | 677.301
| | 677.301
| | 21 21 21 8
| | [[Tel:21 21 21 8|21 21 21 8]]
| | 21;8 Superdiatonic 1/21-tone
| | 21;8 Superdiatonic 1/21-tone
|-
|-
Line 357: Line 364:
| |  
| |  
| | 677.228
| | 677.228
| | 13 13 13 5
| | [[Tel:13 13 13 5|13 13 13 5]]
| | 13;5 Superdiatonic 1/13-tone
| | 13;5 Superdiatonic 1/13-tone
|-
|-
Line 371: Line 378:
| |  
| |  
| | 676.692
| | 676.692
| | 17 17 17 7
| | [[Tel:17 17 17 7|17 17 17 7]]
| | 17;7 Superdiatonic 1/17-tone <span style="font-size: 12.8000001907349px;">(Note the very accuracy of the step 75 with the ratio 34/23 with an error of +0.011 Cents)</span>
| | 17;7 Superdiatonic 1/17-tone <span style="font-size: 12.8000001907349px;">(Note the very accuracy of the step 75 with the ratio 34/23 with an error of +0.011 Cents)</span>
|-
|-
Line 378: Line 385:
| |  
| |  
| | 676.596
| | 676.596
| | 12 12 12 5
| | [[Tel:12 12 12 5|12 12 12 5]]
| |  
| |  
|-
|-
Line 399: Line 406:
| |  
| |  
| | 675.862
| | 675.862
| | 11 11 11 5
| | [[Tel:11 11 11 5|11 11 11 5]]
| | 11;5 Superdiatonic 1/11-tone
| | 11;5 Superdiatonic 1/11-tone
|-
|-
Line 406: Line 413:
| |  
| |  
| | 675.728
| | 675.728
| | 13 13 13 6
| | [[Tel:13 13 13 6|13 13 13 6]]
| | 13;6 Superdiatonic 1/13-tone
| | 13;6 Superdiatonic 1/13-tone
|-
|-
Line 420: Line 427:
| |  
| |  
| | 674.286
| | 674.286
| | 13 13 13 7
| | [[Tel:13 13 13 7|13 13 13 7]]
| | Armodue-Mavila 1/13-tone
| | Armodue-Mavila 1/13-tone
|-
|-
Line 427: Line 434:
| |  
| |  
| | 674.157
| | 674.157
| | 11 11 11 6
| | [[Tel:11 11 11 6|11 11 11 6]]
| | Armodue-Mavila 1/11-tone
| | Armodue-Mavila 1/11-tone
|-
|-
Line 455: Line 462:
| |  
| |  
| | 673.469
| | 673.469
| | 12 12 12 7
| | [[Tel:12 12 12 7|12 12 12 7]]
| |  
| |  
|-
|-
Line 462: Line 469:
| |  
| |  
| | 673.381
| | 673.381
| | 17 17 17 10
| | [[Tel:17 17 17 10|17 17 17 10]]
| | Armodue-Mavila 1/17-tone
| | Armodue-Mavila 1/17-tone
|-
|-
Line 469: Line 476:
| |  
| |  
| | 673.333
| | 673.333
| | 22 22 22 13
| | [[Tel:22 22 22 13|22 22 22 13]]
| |  
| |  
|-
|-
Line 483: Line 490:
| |  
| |  
| | 672.897
| | 672.897
| | 13 13 13 8
| | [[Tel:13 13 13 8|13 13 13 8]]
| | 13;8 Golden Mavila 1/13-tone
| | 13;8 Golden Mavila 1/13-tone
|-
|-
Line 497: Line 504:
| | 97\173
| | 97\173
| | 672.832
| | 672.832
| | 21 21 21 13
| | [[Tel:21 21 21 13|21 21 21 13]]
| | 21;13 Golden Mavila 1/21-tone <span style="font-size: 12.8000001907349px;">(Phi is the step 120\173)</span>
| | 21;13 Golden Mavila 1/21-tone <span style="font-size: 12.8000001907349px;">(Phi is the step 120\173)</span>
|-
|-
Line 511: Line 518:
| |  
| |  
| | 672.527
| | 672.527
| | 11 11 11 7
| | [[Tel:11 11 11 7|11 11 11 7]]
| | 11;7 Superdiatonic 1/11-tone
| | 11;7 Superdiatonic 1/11-tone
|-
|-
Line 525: Line 532:
| | 116\207
| | 116\207
| | 672.464
| | 672.464
| | 25 25 25 16
| | [[Tel:25 25 25 16|25 25 25 16]]
| | 25;16 Superdiatonic 1/25-tone
| | 25;16 Superdiatonic 1/25-tone
|-
|-
Line 532: Line 539:
| |  
| |  
| | 672.414
| | 672.414
| | 14 14 14 9
| | [[Tel:14 14 14 9|14 14 14 9]]
| | 14;9 Superdiatonic 1/14-tone
| | 14;9 Superdiatonic 1/14-tone
|-
|-
Line 539: Line 546:
| |  
| |  
| | 672.340
| | 672.340
| | 17 17 17 11
| | [[Tel:17 17 17 11|17 17 17 11]]
| | 17;11 Superdiatonic 1/17-tone
| | 17;11 Superdiatonic 1/17-tone
|-
|-
Line 546: Line 553:
| |  
| |  
| | 672.289
| | 672.289
| | 20 20 20 13
| | [[Tel:20 20 20 13|20 20 20 13]]
| |  
| |  
|-
|-
Line 553: Line 560:
| |  
| |  
| | 672.251
| | 672.251
| | 23 23 23 15
| | [[Tel:23 23 23 15|23 23 23 15]]
| |  
| |  
|-
|-
Line 560: Line 567:
| |  
| |  
| | 672.222
| | 672.222
| | 26 26 26 17
| | [[Tel:26 26 26 17|26 26 26 17]]
| | 26;17 Superdiatonic 1/26-tone
| | 26;17 Superdiatonic 1/26-tone
|-
|-
Line 567: Line 574:
| |  
| |  
| | 672.199
| | 672.199
| | 29 29 29 19
| | [[Tel:29 29 29 19|29 29 29 19]]
| | 29;19 Superdiatonic 1/29-tone
| | 29;19 Superdiatonic 1/29-tone
|-
|-
Line 581: Line 588:
| |  
| |  
| | 671.815
| | 671.815
| | 31 31 31 21
| | [[Tel:31 31 31 21|31 31 31 21]]
| | 31;21 Superdiatonic 1/31-tone
| | 31;21 Superdiatonic 1/31-tone
|-
|-
Line 588: Line 595:
| |  
| |  
| | 671.795
| | 671.795
| | 28 28 28 19
| | [[Tel:28 28 28 19|28 28 28 19]]
| | 28;19 Superdiatonic 1/28-tone
| | 28;19 Superdiatonic 1/28-tone
|-
|-
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| |  
| |  
| | 671.770
| | 671.770
| | 25 25 25 17
| | [[Tel:25 25 25 17|25 25 25 17]]
| |  
| |  
|-
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Line 602: Line 609:
| |  
| |  
| | 671.739
| | 671.739
| | 22 22 22 15
| | [[Tel:22 22 22 15|22 22 22 15]]
| |  
| |  
|-
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| |  
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| | 671.698
| | 671.698
| | 19 19 19 13
| | [[Tel:19 19 19 13|19 19 19 13]]
| |  
| |  
|-
|-
Line 616: Line 623:
| |  
| |  
| | 671.642
| | 671.642
| | 16 16 16 11
| | [[Tel:16 16 16 11|16 16 16 11]]
| |  
| |  
|-
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Line 623: Line 630:
| |  
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| | 671.560
| | 671.560
| | 13 13 13 9
| | [[Tel:13 13 13 9|13 13 13 9]]
| |  
| |  
|-
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Line 630: Line 637:
| |  
| |  
| | 671.429
| | 671.429
| | 10 10 10 7
| | [[Tel:10 10 10 7|10 10 10 7]]
| |  
| |  
|-
|-
Line 637: Line 644:
|80\143
|80\143
|671.329
|671.329
|17 17 17 12
|[[Tel:17 17 17 12|17 17 17 12]]
|
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Line 651: Line 658:
|
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|670.968
|670.968
|11 11 11 8
|[[Tel:11 11 11 8|11 11 11 8]]
|
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|-
Line 679: Line 686:
|
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|669.474
|669.474
|11 11 11 9
|[[Tel:11 11 11 9|11 11 11 9]]
|
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|-
Line 692: Line 699:
|63\113
|63\113
|
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|669.0265
|[[Tel:669.0265|669.0265]]
|13 13 13 11
|[[Tel:13 13 13 11|13 13 13 11]]
|
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Line 699: Line 706:
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|
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|668.8525
|[[Tel:668.8525|668.8525]]
|7 7 7 6
|7 7 7 6
|
|
Line 707: Line 714:
|
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|668.702
|668.702
|15 15 15 13
|[[Tel:15 15 15 13|15 15 15 13]]
|
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|-
|-
Line 721: Line 728:
|
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|668.456
|668.456
|17 17 17 15
|[[Tel:17 17 17 15|17 17 17 15]]
|
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|-
|-
Line 734: Line 741:
|93\167
|93\167
|
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|668.2365
|[[Tel:668.2365|668.2365]]
|19 19 19 17
|[[Tel:19 19 19 17|19 19 19 17]]
|
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|-
|-
Line 742: Line 749:
|
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|668.182
|668.182
|10 10 10 9
|[[Tel:10 10 10 9|10 10 10 9]]
|
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|-
|-
Line 749: Line 756:
|
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|668.108
|668.108
|21 21 21 9
|[[Tel:21 21 21 9|21 21 21 9]]
|
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|-
|-
Line 756: Line 763:
|
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|668.041
|668.041
|11 11 11 10
|[[Tel:11 11 11 10|11 11 11 10]]
|
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|-
|-
Line 763: Line 770:
|
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|667.98
|667.98
|23 23 23 21
|[[Tel:23 23 23 21|23 23 23 21]]
|
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|-
|-
Line 770: Line 777:
|
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|667.925
|667.925
|12 12 12 11
|[[Tel:12 12 12 11|12 12 12 11]]
|
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|-
|-
Line 777: Line 784:
|
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|667.873
|667.873
|25 25 25 23
|[[Tel:25 25 25 23|25 25 25 23]]
|
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|-
|-
Line 784: Line 791:
|
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|667.826
|667.826
|13 13 13 12
|[[Tel:13 13 13 12|13 13 13 12]]
|
|-
|69\124
|
|
|667.742
|14 14 14 13
|
|
|-
|-

Revision as of 18:49, 20 August 2021

↖ 6L 1s ↑ 7L 1s 8L 1s ↗
← 6L 2s 7L 2s 8L 2s →
↙ 6L 3s ↓ 7L 3s 8L 3s ↘
┌╥╥╥╥┬╥╥╥┬┐
│║║║║│║║║││
│││││││││││
└┴┴┴┴┴┴┴┴┴┘
Scale structure
Step pattern LLLLsLLLs
sLLLsLLLL
Equave 2/1 (1200.0 ¢)
Period 2/1 (1200.0 ¢)
Generator size
Bright 5\9 to 4\7 (666.7 ¢ to 685.7 ¢)
Dark 3\7 to 4\9 (514.3 ¢ to 533.3 ¢)
TAMNAMS information
Name armotonic
Prefix arm-
Abbrev. arm
Related MOS scales
Parent 2L 5s
Sister 2L 7s
Daughters 9L 7s, 7L 9s
Neutralized 5L 4s
2-Flought 16L 2s, 7L 11s
Equal tunings
Equalized (L:s = 1:1) 5\9 (666.7 ¢)
Supersoft (L:s = 4:3) 19\34 (670.6 ¢)
Soft (L:s = 3:2) 14\25 (672.0 ¢)
Semisoft (L:s = 5:3) 23\41 (673.2 ¢)
Basic (L:s = 2:1) 9\16 (675.0 ¢)
Semihard (L:s = 5:2) 22\39 (676.9 ¢)
Hard (L:s = 3:1) 13\23 (678.3 ¢)
Superhard (L:s = 4:1) 17\30 (680.0 ¢)
Collapsed (L:s = 1:0) 4\7 (685.7 ¢)

This page is about of a MOSScale with 7 large steps and 2 small steps arranged LLLsLLLLs (or any rotation of that, such as LLsLLLsLL).

Name

The name superdiatonic has been established by Armodue theorists, and so TAMNAMS adopts it as well.

Temperaments

If you're looking for highly accurate scales (that is, ones that approximate JI closely), there are much better scale patterns to look at. However, if your harmonic entropy is coarse enough (that is, if 678 cents is an acceptable '3/2' to you), then mavila is an important harmonic entropy minimum here. So a general name for this MOS pattern could be "Mavila Superdiatonic" or simply 'Superdiatonic'.

These scales are strongly associated with the Armodue project/system applied to septimal mavila and Hornbostel temperaments.

Intervals

Note: In TAMNAMS, a k-step interval class in superdiatonic may be called a "k-step", "k-mosstep", or "k-armstep". 1-indexed terms such as "mos(k+1)th" are discouraged for non-diatonic mosses.

Scale tree

Optional types of 'JI Blown Fifth' Generators: 31/21, 34/23, 65/44, 71/48, 99/67, 105/71, 108/73, 133/90, 145/98, 176/119 & 250/169.

Generator Generator size (cents) Pentachord steps Comments
4\7 685.714 1 1 1 0
57\100 684 14 14 14 1
53\93 683.871 [13 13 1|13 13 13 1]
102\179 683.798 [25 25 2|25 25 25 2] Approximately 0.03 cents away from 95/64
49\86 683.721 [12 12 1|12 12 12 1]
94\165 683.636 [23 23 2|23 23 23 2]
45\79 683.544 [11 11 1|11 11 11 1]
86\151 683.444 [21 21 2|21 21 21 2]
41\72 683.333 [10 10 1|10 10 10 1]
78\137 683.212 [19 19 2|19 19 19 2]
37\65 683.077 9 9 9 1
70\123 682.927 [17 17 2|17 17 17 2]
33\58 682.758 8 8 8 1 2 generators equal 11/10, 6 equal 4/3, creating a hybrid Mavila/Porcupine scale with three perfect 5ths as well as the flat ones.
62\109 682.569 [15 15 2|15 15 15 2]
29\51 682.353 7 7 7 1
54\95 682.105 [13 13 2|13 13 13 2]
25\44 681.818 6 6 6 1
46\81 [[1]] [11 11 2|11 11 11 2]
21\37 681.081 5 5 5 1
59\104 680.769 [14 14 3|14 14 14 3]
38\67 680.597 9 9 9 2
55\97 680.412 [13 13 3|13 13 13 3]
17\30 680 4 4 4 1 L/s = 4
47\83 679.518 [11 11 3|11 11 11 3]
30\53 679.245 7 7 7 2
43\76 678.947 [10 10 3|10 10 10 3]
56\99 678.788 [13 13 4|13 13 13 4]
69\122 [[2]] [16 16 5|16 16 16 5]
82\145 678.621 [19 19 6|19 19 19 6]
95\168 678.571 [22 22 7|22 22 22 7]
678.569 π π π 1 L/s = π
108\191 678.534 [25 25 8|25 25 25 8]
121\214 678.505 [28 28 9|28 28 28 9] 28;9 Superdiatonic 1/28-tone (a slight exceeded representation of the ratio [[3]], the Pythagorean wolf Fifth)
134\237 678.481 [31 31 10|31 31 31 10] HORNBOSTEL TEMPERAMENT (1/31-tone; Optimum high size of Hornbostel '6th')
13\23 678.261 3 3 3 1 HORNBOSTEL TEMPERAMENT (Armodue 1/3-tone)
126\223 678.027 [29 29 10|29 29 29 10] HORNBOSTEL TEMPERAMENT

(Armodue 1/29-tone)

113\200 678 [26 26 9|26 26 26 9] HORNBOSTEL (& OGOLEVETS) TEMPERAMENT (Armodue 1/26-tone; Best equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent), the notes '3', '7' & '8')
100\177 677.966 [23 23 8|23 23 23 8]
87\154 677.922 [20 20 7|20 20 20 7]
74\131 677.863 [17 17 6|17 17 17 6] Armodue-Hornbostel 1/17-tone (the Golden Tone System of Thorvald Kornerup and a temperament of the Alexei Ogolevets's list of temperaments)
61\108 677.778 [14 14 5|14 14 14 5] Armodue-Hornbostel 1/14-tone
109\193 677.720 [25 25 9|25 25 25 9] Armodue-Hornbostel 1/25-tone
48\85 677.647 [11 11 4|11 11 11 4] Armodue-Hornbostel 1/11-tone (Optimum accuracy of Phi interval, the note '7')
677.562 e e e 1 L/s = e
35\62 677.419 8 8 8 3 Armodue-Hornbostel 1/8-tone
92\163 677.301 [21 21 8|21 21 21 8] 21;8 Superdiatonic 1/21-tone
677.28 φ+1 φ+1 φ+1 1 Split φ superdiatonic relation (34;13 - 55;21 - 89;34 - 144;55 - 233;89 - 377;144 - 610;233..)
57\101 677.228 [13 13 5|13 13 13 5] 13;5 Superdiatonic 1/13-tone
22\39 676.923 5 5 5 2 Armodue-Hornbostel 1/5-tone (Optimum low size of Hornbostel '6th')
75\133 676.692 [17 17 7|17 17 17 7] 17;7 Superdiatonic 1/17-tone (Note the very accuracy of the step 75 with the ratio 34/23 with an error of +0.011 Cents)
53\94 676.596 [12 12 5|12 12 12 5]
31\55 676.364 7 7 7 3 7;3 Superdiatonic 1/7-tone
40\71 676.056 9 9 9 4 9;4 Superdiatonic 1/9-tone
49\87 675.862 [11 11 5|11 11 11 5] 11;5 Superdiatonic 1/11-tone
58\103 675.728 [13 13 6|13 13 13 6] 13;6 Superdiatonic 1/13-tone
9\16 675 2 2 2 1 [BOUNDARY OF PROPRIETY: smaller generators are strictly proper]ARMODUE ESADECAFONIA (or Goldsmith Temperament)
59\105 674.286 [13 13 7|13 13 13 7] Armodue-Mavila 1/13-tone
50\89 674.157 [11 11 6|11 11 11 6] Armodue-Mavila 1/11-tone
41\73 673.973 9 9 9 5 Armodue-Mavila 1/9-tone (with an approximation of the Perfect Fifth + 1/5 Pyth.Comma [706.65 Cents]: 43\73 is 706.85 Cents)
32\57 673.684 7 7 7 4 Armodue-Mavila 1/7-tone (the 'Commatic' version of Armodue, because its high accuracy of the 7/4 interval, the note '8')
673.577 √3 √3 √3 1
55\98 673.469 [12 12 7|12 12 12 7]
78\139 673.381 [17 17 10|17 17 17 10] Armodue-Mavila 1/17-tone
101\180 673.333 [22 22 13|22 22 22 13]
23\41 673.171 5 5 5 3 5;3 Golden Armodue-Mavila 1/5-tone
60\107 672.897 [13 13 8|13 13 13 8] 13;8 Golden Mavila 1/13-tone
672.85 φ φ φ 1 GOLDEN MAVILA (L/s = φ)
97\173 672.832 [21 21 13|21 21 21 13] 21;13 Golden Mavila 1/21-tone (Phi is the step 120\173)
37\66 672.727 8 8 8 5 8;5 Golden Mavila 1/8-tone
51\91 672.527 [11 11 7|11 11 11 7] 11;7 Superdiatonic 1/11-tone
672.523 π π π 2
116\207 672.464 [25 25 16|25 25 25 16] 25;16 Superdiatonic 1/25-tone
65\116 672.414 [14 14 9|14 14 14 9] 14;9 Superdiatonic 1/14-tone
79\141 672.340 [17 17 11|17 17 17 11] 17;11 Superdiatonic 1/17-tone
93\166 672.289 [20 20 13|20 20 20 13]
107\191 672.251 [23 23 15|23 23 23 15]
121\216 672.222 [26 26 17|26 26 26 17] 26;17 Superdiatonic 1/26-tone
135\241 672.199 [29 29 19|29 29 29 19] 29;19 Superdiatonic 1/29-tone
14\25 672 3 3 3 2 3;2 Golden Armodue-Mavila 1/3-tone
145\259 671.815 [31 31 21|31 31 31 21] 31;21 Superdiatonic 1/31-tone
131\234 671.795 [28 28 19|28 28 28 19] 28;19 Superdiatonic 1/28-tone
117\209 671.770 [25 25 17|25 25 25 17]
103\184 671.739 [22 22 15|22 22 22 15]
89\159 671.698 [19 19 13|19 19 19 13]
75\134 671.642 [16 16 11|16 16 16 11]
61\109 671.560 [13 13 9|13 13 13 9]
47\84 671.429 [10 10 7|10 10 10 7]
80\143 671.329 [17 17 12|17 17 17 12]
33\59 671.186 7 7 7 5
52\93 670.968 [11 11 8|11 11 11 8]
19\34 670.588 4 4 4 3
43\77 670.13 9 9 9 7
24\43 669.767 5 5 5 4
53\95 669.474 [11 11 9|11 11 11 9]
29\52 669.231 6 6 6 5
63\113 [[4]] [13 13 11|13 13 13 11]
34\61 [[5]] 7 7 7 6
73\131 668.702 [15 15 13|15 15 15 13]
39\70 668.571 8 8 8 7
83\149 668.456 [17 17 15|17 17 17 15]
44\79 668.354 9 9 9 8
93\167 [[6]] [19 19 17|19 19 19 17]
49\88 668.182 [10 10 9|10 10 10 9]
103\185 668.108 [21 21 9|21 21 21 9]
54\97 668.041 [11 11 10|11 11 11 10]
113\203 667.98 [23 23 21|23 23 23 21]
59\106 667.925 [12 12 11|12 12 12 11]
123\221 667.873 [25 25 23|25 25 25 23]
64\115 667.826 [13 13 12|13 13 13 12]
69\124 667.742 14 14 14 13
5\9 666.667 1 1 1 1