Sensi: Difference between revisions
m Update a link |
→Chords: correction (the sensamagic triad only spans 2 gens) |
||
| Line 230: | Line 230: | ||
The "fundamental otonal consonance" of sensi (in this article's definition of sensi) is 4:5:6:7:9:13. However, the full chord isn't available in the 8-note MOS. | The "fundamental otonal consonance" of sensi (in this article's definition of sensi) is 4:5:6:7:9:13. However, the full chord isn't available in the 8-note MOS. | ||
One of the most common consonant triads in sensi is the 6:10:13 triad, which spans 3 generators. Sensi[8] has five 6:10:13 triads, four 7:9:13 triads, three 5:6:7:9 tetrads and one 5:6:7:9:13 pentad. Having many diminished triads, it is similar to the 12edo diminished scale in some ways. Sensi is interesting mainly because it gives new 13-limit interpretations to fairly familiar (in the sense of extended meantone-like) intervals. Restricted to the 8-note MOS, it is essentially a [[non-over-1 temperament]]. | |||
Melodically, sensi[8] sounds fairly familiar because many intervals are either 5-limit or have familiar categorical interpretations, being represented in the meantone tuning [[19edo]]. For example, the small step of about 130 cents categorizes pretty well as a large semitone (except at places in the scale where two of them make a flat subminor third); the large step is a small whole tone representing 10/9. | Melodically, sensi[8] sounds fairly familiar because many intervals are either 5-limit or have familiar categorical interpretations, being represented in the meantone tuning [[19edo]]. For example, the small step of about 130 cents categorizes pretty well as a large semitone (except at places in the scale where two of them make a flat subminor third); the large step is a small whole tone representing 10/9. | ||