60edo: Difference between revisions
General cleanup |
Filling in more ratios |
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| Line 9: | Line 9: | ||
! Degrees | ! Degrees | ||
! Cents | ! Cents | ||
! Approximate Ratios<br>in the 2.3.5.13 subgroup | ! Approximate Ratios<br>in the 2.3.5.13.17 subgroup | ||
! Additional Ratios<br>of 7 and 11 (tending flat, i.e. 60e val) | ! Additional Ratios<br>of 7 and 11 (tending flat, i.e. 60e val) | ||
|- | |- | ||
| 0 | | 0 | ||
| 0 | | 0 | ||
| | |1/1 | ||
| | | | ||
|- | |- | ||
| | 1 | | | 1 | ||
| | 20 | | | 20 | ||
| | | | |81/80 | ||
| | | | |49/48 | ||
|- | |- | ||
| | 2 | | | 2 | ||
| | 40 | | | 40 | ||
| | | | | | ||
| | | | |50/49, 64/63, 33/32 | ||
|- | |- | ||
| | 3 | | | 3 | ||
| | 60 | | | 60 | ||
| | | | |25/24 | ||
| | | | |28/27, 36/35 | ||
|- | |- | ||
| | 4 | | | 4 | ||
| Line 39: | Line 39: | ||
| | 5 | | | 5 | ||
| | 100 | | | 100 | ||
| | | | |17/16, 18/17 | ||
| | | | | | ||
|- | |- | ||
| Line 45: | Line 45: | ||
| | 120 | | | 120 | ||
| | 16/15 | | | 16/15 | ||
| |15/14 | | |15/14, 14/13 | ||
|- | |- | ||
| | 7 | | | 7 | ||
| Line 69: | Line 69: | ||
| | 11 | | | 11 | ||
| | 220 | | | 220 | ||
| | | | |17/15 | ||
| | | | | | ||
|- | |- | ||
| Line 84: | Line 84: | ||
| | 14 | | | 14 | ||
| | 280 | | | 280 | ||
| | | | |20/17 | ||
| |13/11, 33/28 | | |13/11, 33/28 | ||
|- | |- | ||
| | 15 | | | 15 | ||
| | 300 | | | 300 | ||
| | | | |32/27 | ||
| | | | | | ||
|- | |- | ||
| Line 99: | Line 99: | ||
| | 17 | | | 17 | ||
| | 340 | | | 340 | ||
| | | | |39/32 | ||
| | 11/9 | | | 11/9, 17/14 | ||
|- | |- | ||
| | 18 | | | 18 | ||
| | 360 | | | 360 | ||
| | 16/13 | | | 16/13 | ||
| |27/22 | | |27/22, 21/17 | ||
|- | |- | ||
| | 19 | | | 19 | ||
| Line 114: | Line 114: | ||
| | 20 | | | 20 | ||
| | 400 | | | 400 | ||
| | | | |81/64 | ||
| | | | | | ||
|- | |- | ||
| Line 125: | Line 125: | ||
| | 440 | | | 440 | ||
| | | | | | ||
| | 9/7 | | | 9/7, 22/17 | ||
|- | |- | ||
| | 23 | | | 23 | ||
| | 460 | | | 460 | ||
| | 13/10 | | | 13/10, 17/13 | ||
| | | | |21/16 | ||
|- | |- | ||
| | 24 | | | 24 | ||
| Line 164: | Line 164: | ||
| | 30 | | | 30 | ||
| | 600 | | | 600 | ||
| | | | |17/12, 24/17 | ||
| | | | | | ||
|- | |- | ||
| Line 199: | Line 199: | ||
| | 37 | | | 37 | ||
| | 740 | | | 740 | ||
| | 20/13 | | | 20/13, 26/17 | ||
| | | | |32/21 | ||
|- | |- | ||
| | 38 | | | 38 | ||
| | 760 | | | 760 | ||
| | | | | | ||
| | 14/9 | | | 14/9, 17/11 | ||
|- | |- | ||
| | 39 | | | 39 | ||
| Line 214: | Line 214: | ||
| | 40 | | | 40 | ||
| | 800 | | | 800 | ||
| | | | |160/81 | ||
| | | | | | ||
|- | |- | ||
| Line 225: | Line 225: | ||
| | 840 | | | 840 | ||
| | 13/8 | | | 13/8 | ||
| | | | |44/27, 34/21 | ||
|- | |- | ||
| | 43 | | | 43 | ||
| | 860 | | | 860 | ||
| | | | |64/39 | ||
| | 18/11, | | | 18/11, 28/17 | ||
|- | |- | ||
| | 44 | | | 44 | ||
| Line 239: | Line 239: | ||
| | 45 | | | 45 | ||
| | 900 | | | 900 | ||
| | | | |27/16 | ||
| | | | | | ||
|- | |- | ||
| | 46 | | | 46 | ||
| | 920 | | | 920 | ||
| | | | |17/10 | ||
| |22/13, 56/33 | | |22/13, 56/33 | ||
|- | |- | ||
| Line 259: | Line 259: | ||
| | 49 | | | 49 | ||
| | 980 | | | 980 | ||
| | | | |30/17 | ||
| | | | | | ||
|- | |- | ||
| Line 285: | Line 285: | ||
| | 1080 | | | 1080 | ||
| | 15/8 | | | 15/8 | ||
| |28/15 | | |28/15, 13/7 | ||
|- | |- | ||
| | 55 | | | 55 | ||
| | 1100 | | | 1100 | ||
| | | | |17/9, 32/17 | ||
| | | | | | ||
|- | |- | ||
| Line 299: | Line 299: | ||
| | 57 | | | 57 | ||
| | 1140 | | | 1140 | ||
| | | | |48/25 | ||
| | | | |27/14, 35/18 | ||
|- | |- | ||
| | 58 | | | 58 | ||
| | 1160 | | | 1160 | ||
| | | | | | ||
| | | | |49/25, 63/32, 64/33 | ||
|- | |- | ||
| | 59 | | | 59 | ||
| | 1180 | | | 1180 | ||
| | | | |160/81 | ||
| | | | |96/49 | ||
|- | |- | ||
| | 60 | | | 60 | ||
| | 1200 | | | 1200 | ||
| | | | |2/1 | ||
| | | | | | ||
|} | |} | ||
Revision as of 07:26, 15 August 2020
The 60 equal division divides the octave into 60 parts of exactly 20 cents each.
Theory
Since 60 = 5×12, 60edo belongs to the family of edos which contain 12edo, and like the other small edos of this kind, it tempers out the Pythagorean comma, 531441/524288 = [-19 12⟩. In the 5-limit, it tempers out both the magic comma, 3125/3072, and the amity comma, 1600000/1594323, and supplies the optimal patent val for 5-limit magic, tempering out 3125/3072. In the 7-limit it tempers out 875/864, 245/243, 225/224 and 10976/10935, and supports magic, compton and tritonic temperaments. In the 11-limit, the 60e val scores lower in badness than the patent val, and makes for an excellent tritonic tuning. It tempers out 121/120 and 441/440, whereas the patent val tempers out 100/99, 385/384 and 540/539. The tuning of 13 is superb at half a cent flat, and the 60e val also works excellently for 13-limit tritonic. As a no-fives val, it is also excellent for the 2.3.7.11.13 bleu temperament.
Intervals
| Degrees | Cents | Approximate Ratios in the 2.3.5.13.17 subgroup |
Additional Ratios of 7 and 11 (tending flat, i.e. 60e val) |
|---|---|---|---|
| 0 | 0 | 1/1 | |
| 1 | 20 | 81/80 | 49/48 |
| 2 | 40 | 50/49, 64/63, 33/32 | |
| 3 | 60 | 25/24 | 28/27, 36/35 |
| 4 | 80 | ||
| 5 | 100 | 17/16, 18/17 | |
| 6 | 120 | 16/15 | 15/14, 14/13 |
| 7 | 140 | 13/12 | |
| 8 | 160 | 12/11, 11/10 | |
| 9 | 180 | 10/9 | |
| 10 | 200 | 9/8 | |
| 11 | 220 | 17/15 | |
| 12 | 240 | 15/13 | 8/7 |
| 13 | 260 | 7/6 | |
| 14 | 280 | 20/17 | 13/11, 33/28 |
| 15 | 300 | 32/27 | |
| 16 | 320 | 6/5 | |
| 17 | 340 | 39/32 | 11/9, 17/14 |
| 18 | 360 | 16/13 | 27/22, 21/17 |
| 19 | 380 | 5/4 | |
| 20 | 400 | 81/64 | |
| 21 | 420 | 33/26, 14/11 | |
| 22 | 440 | 9/7, 22/17 | |
| 23 | 460 | 13/10, 17/13 | 21/16 |
| 24 | 480 | ||
| 25 | 500 | 4/3 | |
| 26 | 520 | ||
| 27 | 540 | 11/8, 15/11 | |
| 28 | 560 | 18/13 | |
| 29 | 580 | 7/5 | |
| 30 | 600 | 17/12, 24/17 | |
| 31 | 620 | 10/7 | |
| 32 | 640 | 13/9 | |
| 33 | 660 | 16/11, 22/15 | |
| 34 | 680 | ||
| 35 | 700 | 3/2 | |
| 36 | 720 | ||
| 37 | 740 | 20/13, 26/17 | 32/21 |
| 38 | 760 | 14/9, 17/11 | |
| 39 | 780 | 52/33, 11/7 | |
| 40 | 800 | 160/81 | |
| 41 | 820 | 8/5 | |
| 42 | 840 | 13/8 | 44/27, 34/21 |
| 43 | 860 | 64/39 | 18/11, 28/17 |
| 44 | 880 | 5/3 | |
| 45 | 900 | 27/16 | |
| 46 | 920 | 17/10 | 22/13, 56/33 |
| 47 | 940 | 12/7 | |
| 48 | 960 | 26/15 | 7/4 |
| 49 | 980 | 30/17 | |
| 50 | 1000 | 16/9 | |
| 51 | 1020 | 9/5 | |
| 52 | 1040 | 11/6, 20/11 | |
| 53 | 1060 | ||
| 54 | 1080 | 15/8 | 28/15, 13/7 |
| 55 | 1100 | 17/9, 32/17 | |
| 56 | 1120 | ||
| 57 | 1140 | 48/25 | 27/14, 35/18 |
| 58 | 1160 | 49/25, 63/32, 64/33 | |
| 59 | 1180 | 160/81 | 96/49 |
| 60 | 1200 | 2/1 |
Compositions
Rojqoq (So-Called Peace) play by William Sethares
Black Salt - White Pepper play
all by Robin Perry
Dingshi and
Gene's Jitterbug (ogg) Gene's Jitterbug (mp3) Score
by Graham Breed
Images
Robin Perry guitar

