7/5: Difference between revisions

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In [[7-limit]] [[Just Intonation]], 7/5 is a narrow [http://en.wikipedia.org/wiki/Tritone tritone] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7/4]] and [[5/4]].
In [[7-limit]] [[Just Intonation]], '''7/5''' is a '''narrow tritone''' (or '''Huygens tritone''') measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7/4]] and [[5/4]].


7/5 is notable for its low [[Harmonic Entropy|harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10/7]], usually to the 600¢ half-octave.
7/5 is notable for its low [[Harmonic Entropy|harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10/7]], usually to the 600¢ half-octave.
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Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<sup>3</sup>, or three "whole tones". Yet another is [[45/32]], about 590.2¢, which appears in the [[5-limit]] (inversion is [[64/45]]). See also [[13/9]], [[18/13]], [[17/12]], [[24/17]], [[25/18]] and [[36/25]].
Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<sup>3</sup>, or three "whole tones". Yet another is [[45/32]], about 590.2¢, which appears in the [[5-limit]] (inversion is [[64/45]]). See also [[13/9]], [[18/13]], [[17/12]], [[24/17]], [[25/18]] and [[36/25]].


:''See also [[Gallery of Just Intervals]]''
== See also ==
* [[Tritone]]
* [[Gallery of Just Intervals]]
* [http://en.wikipedia.org/wiki/Tritone Tritone - Wikipedia]


[[Category:7-limit]]
[[Category:7-limit]]

Revision as of 17:02, 23 October 2018

Interval information
Ratio 7/5
Factorization 5-1 × 7
Monzo [0 0 -1 1
Size in cents 582.5122¢
Name Huygens tritone
Color name zg5, zogu 5th
FJS name [math]\displaystyle{ \text{d5}^{7}_{5} }[/math]
Special properties reduced
Tenney norm (log2 nd) 5.12928
Weil norm (log2 max(n, d)) 5.61471
Wilson norm (sopfr(nd)) 12

[sound info]
Open this interval in xen-calc

In 7-limit Just Intonation, 7/5 is a narrow tritone (or Huygens tritone) measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of 12edo and every even-numbered EDO. It represents the difference between 7/4 and 5/4.

7/5 is notable for its low harmonic entropy, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is 10/7, which measures about 617.5¢, and these two septimal tritones differ by the superparticular interval 50/49, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.

Another just tritone is the 3-limit 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)3, or three "whole tones". Yet another is 45/32, about 590.2¢, which appears in the 5-limit (inversion is 64/45). See also 13/9, 18/13, 17/12, 24/17, 25/18 and 36/25.

See also