Lumatone mapping for 63edo: Difference between revisions
→Other Mappings: Identify the unnamed temperament, and add temperament text |
→Diatonic: Add Bryan Deister's pseudo-diatonic pseudo-isomorphic mapping |
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However, to the size of the edo, this mapping does not quite cover all the notes. In addition, the best approximation to [[5/4]] is the quadruply diminished or pentuply augmented 6th, which is extremely awkward to play with the root and 5th. The second best is shared with 12edo and is a triply augmented unison, which is slightly more ergonomic but still a tough stretch to play as a chord one-handed. | However, to the size of the edo, this mapping does not quite cover all the notes. In addition, the best approximation to [[5/4]] is the quadruply diminished or pentuply augmented 6th, which is extremely awkward to play with the root and 5th. The second best is shared with 12edo and is a triply augmented unison, which is slightly more ergonomic but still a tough stretch to play as a chord one-handed. | ||
{{Lumatone EDO mapping|n=63|start=6|xstep=11|ystep=-7}} | {{Lumatone EDO mapping|n=63|start=6|xstep=11|ystep=-7}} | ||
== Pseudo-Isomorphic Pseudo-Diatonic == | |||
[[Bryan Deister]] has used a pseudo-isomorphic pseudo-diatonic mapping laid out as for [[64edo]], but with note 63 actually being a duplicate of note 0 (but it is off the edge, so not visible unless this mapping would be used on a hypothetical XL-sized Lumatone). This is demonstrated in [https://www.youtube.com/shorts/EEAJ0AaWoJM ''63edo improv''] (2025), with a monochrome color scheme for additional challenge. | |||
{{Lumatone EDO mapping|n=64|start=56|xstep=10|ystep=-3}} | |||
== Other Mappings == | == Other Mappings == | ||