Neutral second: Difference between revisions

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In [[just intonation]], an interval may be classified as a neutral second if it is reasonably mapped to 1\7 and 3[[24edo|\24]] (precisely one step of the diatonic scale and one and a half steps of the chromatic scale).
In [[just intonation]], an interval may be classified as a neutral second if it is reasonably mapped to 1\7 and 3[[24edo|\24]] (precisely one step of the diatonic scale and one and a half steps of the chromatic scale).


As a concrete [[interval region]], it is typically near 150 [[cents]] in size, distinct from the [[Semitone (interval region)|semitone]] of roughly 100 [[Cent|cents]] and the [[major second]] of roughly 200 ¢. A rough tuning range for the neutral third is 130 to 170 ¢ according to [[Margo Schulter]]'s theory of interval regions.
As a concrete [[interval region]], it is typically near 150 [[cents]] in size, distinct from the [[Semitone (interval region)|semitone]] of roughly 100 [[Cent|cents]] and the [[major second]] of roughly 200 ¢. A rough tuning range for the neutral second is 130 to 170 ¢ according to [[Margo Schulter]]'s theory of interval regions.


== In just intonation ==
== In just intonation ==

Revision as of 05:18, 2 March 2025

A neutral second (n2) is an interval that spans one step of the diatonic scale with a quality between major and minor. It exists in neutralized diatonic scales as exactly one half of a minor third.

In just intonation, an interval may be classified as a neutral second if it is reasonably mapped to 1\7 and 3\24 (precisely one step of the diatonic scale and one and a half steps of the chromatic scale).

As a concrete interval region, it is typically near 150 cents in size, distinct from the semitone of roughly 100 cents and the major second of roughly 200 ¢. A rough tuning range for the neutral second is 130 to 170 ¢ according to Margo Schulter's theory of interval regions.

In just intonation

By prime limit

The 3-limit and 5-limit do not have simple neutral seconds, so we start with the 7-limit:

  • The 7-limit septimal neutral second
Todo: complete page


View • Talk • EditInterval classification
Interval regions
Unison and octave Unison • Comma and diesis • Octave
Seconds Minor second • Neutral second • Major second
Thirds Minor third • Neutral third • Major third
Fourths and fifths Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth
Sixths Minor sixth • Neutral sixth • Major sixth
Sevenths Minor seventh • Neutral seventh • Major seventh
Interseptimal intervals Interseptimal 2nd-3rd • Interseptimal 3rd-4th • Interseptimal 5th-6th • Interseptimal 6th-7th
Interval qualities
Diatonic qualities Diminished • Minor • Perfect • Major • Augmented
Tuning ranges Neutral (interval quality) • Submajor and supraminor • Pental major and minor • Novamajor and novaminor • Neogothic major and minor • Supermajor and subminor • Ultramajor and inframinor