User:MissMagenta/EDKL: Difference between revisions
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m added a few more edkl to edo approximations |
m finished the 7-9 EDKL correspondance |
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|7edkl | |7edkl | ||
| | |[[8edo]] | ||
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|- | |- | ||
|8edkl | |8edkl | ||
| | |[[10edo]] | ||
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|- | |- | ||
|9edkl | |9edkl | ||
| | |[[11edo]] | ||
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Revision as of 02:28, 29 January 2025
Equal divisions of the Komornik–Loreti Seventh, or the Kleventh which has a size of ~1005.2719677332628 cents. The Kleventh is the Komornik–Loreti constant used as a musical interval. Using the Komornik–Loreti constant as an interval is a completely arbitrary choice.
Correspondence of EDKL to EDO
| Tuning | Equivalent EDO | Comment |
|---|---|---|
| 2edkl | N/A | |
| 3edkl | ||
| 4edkl | ||
| 5edkl | 6edo | |
| 6edkl | 7edo | |
| 7edkl | 8edo | |
| 8edkl | 10edo | |
| 9edkl | 11edo | |
| 10edkl | 12edo | Has a good fifth (~0.1% off a just fifth) |
| 11edkl | 13edo | |
| 12edkl | 14edo | |
| 13edkl | 16edo | Has a phenomenal major third (~0.01% off a just major third) |
| 14edkl | 17edo | |
| 15edkl | 18edo | |
| 16edkl | 19edo | |
| 17edkl | 20edo | |
| 18edkl | 21edo | Has a great fourth (~4 cents off a just fourth) |
| 19edkl | 23edo | Similarly to 23edo, completely misses the fifth and fourth. |
| 20edkl | 24edo | Has the 10edkl fifth, with a good approximation of the 11-limit |
| 21edkl | 25edo | |
| 22edkl | 26edo | Good fourth, bad fifth |
| 26edkl | 31edo | |
| 31edkl | 37edo | |
| 36edkl | 43edo | |
| 62edkl | 74edo | |
| 88edkl | 105edo | |
To see correspondences of EDKLs to other equal tunings go here.