62edo: Difference between revisions
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== Theory == | == Theory == | ||
62 = 2 | {{nowrap|62 {{=}} 2 × 31}} and the [[patent val]] of 62edo is a contorted [[31edo]] through the 11-limit, but it makes for a good tuning in the higher limits. In the 13-limit it tempers out [[169/168]], [[1188/1183]], [[847/845]] and [[676/675]]; in the 17-limit [[221/220]], [[273/272]], and [[289/288]]; in the 19-limit [[153/152]], [[171/170]], [[209/208]], [[286/285]], and [[361/360]]. Unlike 31edo, which has a sharp profile for primes [[13/1|13]], [[17/1|17]], [[19/1|19]] and [[23/1|23]], 62edo has a flat profile for these, as it removes the distinction of otonal and utonal [[superparticular]] pairs of the primes (e.g. 13/12 vs 14/13 for prime 13) by tempering out the corresponding [[square-particular]]s. Interestingly, the relative size differences of consecutive harmonics are well preserved for all first 24 harmonics, and 62edo is one of the few meantone edos that achieve this, great for those who seek higher-limit [[meantone]] harmony. | ||
It provides the [[optimal patent val]] for [[31st-octave temperaments#Gallium|gallium]], [[Starling temperaments #Valentine|semivalentine]] and [[Meantone family #Hemimeantone|hemimeantone]] temperaments. | It provides the [[optimal patent val]] for [[31st-octave temperaments#Gallium|gallium]], [[Starling temperaments #Valentine|semivalentine]] and [[Meantone family #Hemimeantone|hemimeantone]] temperaments. | ||
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! Steps | ! Steps | ||
! Cents | ! Cents | ||
! Approximate | ! Approximate ratios* | ||
! [[Ups and downs notation | ! [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
Line 345: | Line 345: | ||
| {{UDnote|step=62}} | | {{UDnote|step=62}} | ||
|} | |} | ||
<nowiki>* | <nowiki />* 23-limit patent val, inconsistent intervals in ''italic'' | ||
== Notation == | == Notation == | ||
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{| class="wikitable center-all right-3 left-5 mw-collapsible mw-collapsed" | {| class="wikitable center-all right-3 left-5 mw-collapsible mw-collapsed" | ||
|- | |- | ||
! colspan="2" | # | ! colspan="2" | # | ||
! Cents | ! Cents | ||
! Armodue | ! Armodue notation | ||
! Associated | ! Associated ratio | ||
|- | |- | ||
| 0 | | 0 | ||
Line 751: | Line 751: | ||
== Regular temperament properties == | == Regular temperament properties == | ||
62edo is contorted 31edo through the 11-limit. | 62edo is contorted 31edo through the 11-limit. | ||
{ | {{comma basis begin}} | ||
|- | |- | ||
| 2.3.5.7.11.13 | | 2.3.5.7.11.13 | ||
Line 788: | Line 780: | ||
| 1.18 | | 1.18 | ||
| 6.09 | | 6.09 | ||
{{comma basis end}} | |||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
{ | {{rank-2 begin}} | ||
|- | |- | ||
| 1 | | 1 | ||
Line 847: | Line 834: | ||
|- | |- | ||
| 31 | | 31 | ||
| 29\62<br>(1\62) | | 29\62<br />(1\62) | ||
| 561.29<br>(19.35) | | 561.29<br />(19.35) | ||
| 11/8<br>(196/195) | | 11/8<br />(196/195) | ||
| [[Kumhar]] (62e) | | [[Kumhar]] (62e) | ||
|- | |- | ||
| 31 | | 31 | ||
| 19\62<br>(1\62) | | 19\62<br />(1\62) | ||
| 367.74<br>(19.35) | | 367.74<br />(19.35) | ||
| 16/13<br>(77/76) | | 16/13<br />(77/76) | ||
| [[Gallium]] | | [[Gallium]] | ||
{{rank-2 end}} | |||
{{orf}} |
Revision as of 06:34, 16 November 2024
← 61edo | 62edo | 63edo → |
Theory
62 = 2 × 31 and the patent val of 62edo is a contorted 31edo through the 11-limit, but it makes for a good tuning in the higher limits. In the 13-limit it tempers out 169/168, 1188/1183, 847/845 and 676/675; in the 17-limit 221/220, 273/272, and 289/288; in the 19-limit 153/152, 171/170, 209/208, 286/285, and 361/360. Unlike 31edo, which has a sharp profile for primes 13, 17, 19 and 23, 62edo has a flat profile for these, as it removes the distinction of otonal and utonal superparticular pairs of the primes (e.g. 13/12 vs 14/13 for prime 13) by tempering out the corresponding square-particulars. Interestingly, the relative size differences of consecutive harmonics are well preserved for all first 24 harmonics, and 62edo is one of the few meantone edos that achieve this, great for those who seek higher-limit meantone harmony.
It provides the optimal patent val for gallium, semivalentine and hemimeantone temperaments.
Using the 35\62 generator, which leads to the ⟨62 97 143 173] val, 62edo is also an excellent tuning for septimal mavila temperament; alternatively ⟨62 97 143 172] supports hornbostel.
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -5.18 | +0.78 | -1.08 | +8.99 | -9.38 | -8.27 | -4.40 | -8.18 | -7.19 | -6.26 | -8.92 |
Relative (%) | -26.8 | +4.0 | -5.6 | +46.5 | -48.5 | -42.7 | -22.7 | -42.3 | -37.2 | -32.4 | -46.1 | |
Steps (reduced) |
98 (36) |
144 (20) |
174 (50) |
197 (11) |
214 (28) |
229 (43) |
242 (56) |
253 (5) |
263 (15) |
272 (24) |
280 (32) |
Subsets and supersets
Since 62 factors into 2 × 31, 62edo does not contain nontrivial subset edos other than 2edo and 31edo. 186edo and 248edo are notable supersets.
Miscellaneous properties
62 years is the amount of years in a leap week calendar cycle which corresponds to a year of 365 days 5 hours 48 minutes 23 seconds, meaning it is both a simple cycle for a calendar, and 62 being a multiple of 31 makes it a harmonically useful and playable cycle. The corresponding maximal evenness scales are 15 & 62 and 11 & 62.
The 11 & 62 temperament in the 2.9.7 subgroup tempers out 44957696/43046721, and the three generators of 17\62 correspond to 16/9. It is possible to extend this to the 11-limit with comma basis {896/891, 1331/1296}, where 17\62 is mapped to 11/9 and two of them make 16/11. In addition, three generators make the patent val 9/8, which is also created by combining the flat patent val fifth from 31edo with the sharp 37\62 fifth.
The 15 & 62 temperament, corresponding to the leap day cycle, is an unnamed extension to valentine in the 13-limit.
Intervals
Steps | Cents | Approximate ratios* | Ups and downs notation |
---|---|---|---|
0 | 0.00 | 1/1 | D |
1 | 19.35 | 65/64, 66/65, 78/77, 91/90, 105/104 | ^D, vE♭♭ |
2 | 38.71 | 33/32, 36/35, 45/44, 49/48, 50/49, 55/54, 56/55, 64/63 | ^^D, E♭♭ |
3 | 58.06 | 26/25, 27/26 | vD♯, ^E♭♭ |
4 | 77.42 | 21/20, 22/21, 23/22, 24/23, 25/24, 28/27 | D♯, vvE♭ |
5 | 96.77 | 17/16, 18/17, 19/18, 20/19 | ^D♯, vE♭ |
6 | 116.13 | 15/14, 16/15 | ^^D♯, E♭ |
7 | 135.48 | 13/12, 14/13 | vD𝄪, ^E♭ |
8 | 154.84 | 11/10, 12/11, 23/21 | D𝄪, vvE |
9 | 174.19 | 21/19 | ^D𝄪, vE |
10 | 193.55 | 9/8, 10/9, 19/17, 28/25 | E |
11 | 212.90 | 17/15 | ^E, vF♭ |
12 | 232.26 | 8/7 | ^^E, F♭ |
13 | 251.61 | 15/13, 22/19 | vE♯, ^F♭ |
14 | 270.97 | 7/6 | E♯, vvF |
15 | 290.32 | 13/11, 19/16, 20/17 | ^E♯, vF |
16 | 309.68 | 6/5 | F |
17 | 329.03 | 17/14, 23/19 | ^^F, G♭♭ |
18 | 348.39 | 11/9, 27/22, 28/23 | ^^F, G♭♭ |
19 | 367.74 | 16/13, 21/17, 26/21 | vF♯, ^G♭♭ |
20 | 387.10 | 5/4 | F♯, vvG♭ |
21 | 406.45 | 19/15, 24/19 | ^F♯, vG♭ |
22 | 425.81 | 9/7, 14/11, 23/18, 32/25 | ^^F♯, G♭ |
23 | 445.16 | 13/10, 22/17 | vF𝄪, ^G♭ |
24 | 464.52 | 17/13, 21/16, 30/23 | F𝄪, vvG |
25 | 483.87 | 25/19 | ^F𝄪, vG |
26 | 503.23 | 4/3 | G |
27 | 522.58 | 19/14, 23/17 | ^G, vA♭♭ |
28 | 541.94 | 11/8, 15/11, 26/19 | ^^G, A♭♭ |
29 | 561.29 | 18/13 | vG♯, ^A♭♭ |
30 | 580.65 | 7/5, 25/18, 32/23 | G♯, vvA♭ |
31 | 600.00 | 17/12, 24/17 | E |
32 | 619.35 | 10/7, 23/16, 36/25 | ^^G♯, A♭ |
33 | 638.71 | 13/9 | vG𝄪, ^A♭ |
34 | 658.06 | 16/11, 19/13, 22/15 | G𝄪, vvA |
35 | 677.42 | 28/19, 34/23 | ^G𝄪, vA |
36 | 696.77 | 3/2 | A |
37 | 716.13 | 38/25 | ^A, vB♭♭ |
38 | 735.48 | 23/15, 26/17, 32/21 | ^^A, B♭♭ |
39 | 754.84 | 17/11, 20/13 | vA♯, ^B♭♭ |
40 | 774.19 | 11/7, 14/9, 25/16, 36/23 | A♯, vvB♭ |
41 | 793.55 | 19/12, 30/19 | ^A♯, vB♭ |
42 | 812.90 | 8/5 | ^^A♯, B♭ |
43 | 832.26 | 13/8, 21/13, 34/21 | vA𝄪, ^B♭ |
44 | 851.61 | 18/11, 23/14, 44/27 | A𝄪, vvB |
45 | 870.97 | 28/17, 38/23 | ^A𝄪, vB |
46 | 890.32 | 5/3 | B |
47 | 909.68 | 17/10, 22/13, 32/19 | ^B, vC♭ |
48 | 929.03 | 12/7 | ^^B, C♭ |
49 | 948.39 | 19/11, 26/15 | vB♯, ^C♭ |
50 | 967.74 | 7/4 | B♯, vvC |
51 | 987.10 | 30/17 | ^B♯, vC |
52 | 1006.45 | 9/5, 16/9, 25/14, 34/19 | C |
53 | 1025.81 | 38/21 | ^C, vD♭♭ |
54 | 1045.16 | 11/6, 20/11, 42/23 | ^^C, D♭♭ |
55 | 1064.52 | 13/7, 24/13 | vC♯, ^D♭♭ |
56 | 1083.87 | 15/8, 28/15 | C♯, vvD♭ |
57 | 1103.23 | 17/9, 19/10, 32/17, 36/19 | ^C♯, vD♭ |
58 | 1122.58 | 21/11, 23/12, 27/14, 40/21, 44/23, 48/25 | ^^C♯, D♭ |
59 | 1141.94 | 25/13, 52/27 | vC𝄪, ^D♭ |
60 | 1161.29 | 35/18, 49/25, 55/28, 63/32, 64/33, 88/45, 96/49, 108/55 | C𝄪, vvD |
61 | 1180.65 | 65/33, 77/39, 128/65, 180/91, 208/105 | ^C𝄪, vD |
62 | 1200.00 | 2/1 | D |
* 23-limit patent val, inconsistent intervals in italic
Notation
Ups and downs notation
62edo can be notated with quarter-tone accidentals and ups and downs. This can be done by combining sharps and flats with arrows borrowed from extended Helmholtz-Ellis notation:
Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
---|---|---|---|---|---|---|---|---|---|---|
Sharp symbol | ![]() |
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Flat symbol | ![]() |
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Armodue notation
- Armodue nomenclature 8;3 relation
- Ɨ = Thick (1/8-tone up)
- ‡ = Semisharp (1/4-tone up)
- b = Flat (5/8-tone down)
- ◊ = Node (sharp/flat blindspot 1/2-tone)
- # = Sharp (5/8-tone up)
- v = Semiflat (1/4-tone down)
- ⌐ = Thin (1/8-tone down)
# | Cents | Armodue notation | Associated ratio | |
---|---|---|---|---|
0 | 0.0 | 1 | ||
1 | 19.4 | 1Ɨ | ||
2 | 38.7 | 1‡ (9#) | ||
3 | 58.1 | 2b | ||
4 | 77.4 | 1◊2 | ||
5 | 96.8 | 1# | ||
6 | 116.1 | 2v | ||
7 | 135.5 | 2⌐ | ||
8 | 154.8 | 2 | 11/10~12/11 | |
9 | 174.2 | 2Ɨ | ||
10 | 193.5 | 2‡ | ||
11 | 212.9 | 3b | 8/7 | |
12 | 232.3 | 2◊3 | ||
13 | 251.6 | 2# | ||
14 | 271.0 | 3v | ||
15 | 290.3 | 3⌐ | ||
16 | 309.7 | 3 | 6/5~7/6 | |
17 | 329.0 | 3Ɨ | ||
18 | 348.4 | 3‡ | ||
19 | · | 367.7 | 4b | 5/4 |
20 | 387.1 | 3◊4 | ||
21 | 406.5 | 3# | ||
22 | 425.8 | 4v (5b) | ||
23 | 445.2 | 4⌐ | ||
24 | 464.5 | 4 | ||
25 | 483.9 | 4Ɨ (5v) | ||
26 | 503.2 | 5⌐ (4‡) | ||
27 | · | 522.6 | 5 | 4/3~11/8 |
28 | 541.9 | 5Ɨ | ||
29 | 561.3 | 5‡ (4#) | ||
30 | 580.6 | 6b | 10/7 | |
31 | 600.0 | 5◊6 | ||
32 | 619.4 | 5# | 7/5 | |
33 | 638.7 | 6v | ||
34 | 658.1 | 6⌐ | ||
35 | · | 677.4 | 6 | 3/2~16/11 |
36 | 696.8 | 6Ɨ | ||
37 | 716.1 | 6‡ | ||
38 | 735.5 | 7b | ||
39 | 754.8 | 6◊7 | ||
40 | 774.2 | 6# | ||
41 | 793.5 | 7v | ||
42 | 812.9 | 7⌐ | ||
43 | · | 832.3 | 7 | 8/5 |
44 | 851.6 | 7Ɨ | ||
45 | 871.0 | 7‡ | ||
46 | 890.3 | 8b | 5/3~12/7 | |
47 | 909.7 | 7◊8 | ||
48 | 929.0 | 7# | ||
49 | 948.4 | 8v | ||
50 | 967.7 | 8⌐ | ||
51 | 987.1 | 8 | 7/4 | |
52 | 1006.5 | 8Ɨ | ||
53 | 1025.8 | 8‡ | ||
54 | 1045.2 | 9b | 11/6~20/11 | |
55 | 1064.5 | 8◊9 | ||
56 | 1083.9 | 8# | ||
57 | 1103.2 | 9v (1b) | ||
58 | 1122.6 | 9⌐ | ||
59 | 1141.9 | 9 | ||
60 | 1161.3 | 9Ɨ (1v) | ||
61 | 1180.6 | 1⌐ (9‡) | ||
62 | 1200.0 | 1 |
Regular temperament properties
62edo is contorted 31edo through the 11-limit. Template:Comma basis begin |- | 2.3.5.7.11.13 | 81/80, 99/98, 121/120, 126/125, 169/168 | [⟨62 98 144 174 214 229]] | +1.38 | 1.41 | 7.28 |- | 2.3.5.7.11.13.17 | 81/80, 99/98, 121/120, 126/125, 169/168, 221/220 | [⟨62 98 144 174 214 229 253]] | +1.47 | 1.32 | 6.83 |- | 2.3.5.7.11.13.17.19 | 81/80, 99/98, 121/120, 126/125, 153/152, 169/168, 209/208 | [⟨62 98 144 174 214 229 253 263]] | +1.50 | 1.24 | 6.40 |- | 2.3.5.7.11.13.17.19.23 | 81/80, 99/98, 121/120, 126/125, 153/152, 161/160, 169/168, 209/208 | [⟨62 98 144 174 214 229 253 263 280]] | +1.55 | 1.18 | 6.09 Template:Comma basis end
Rank-2 temperaments
Template:Rank-2 begin
|-
| 1
| 3\62
| 58.06
| 27/26
| Hemisecordite
|-
| 1
| 7\62
| 135.48
| 13/12
| Doublethink
|-
| 1
| 13\62
| 251.61
| 15/13
| Hemimeantone
|-
| 1
| 17\62
| 329.03
| 16/11
| Mabon
|-
| 2
| 3\62
| 58.06
| 27/26
| Semihemisecordite
|-
| 2
| 4\62
| 77.42
| 21/20
| Semivalentine
|-
| 2
| 6\62
| 116.13
| 15/14
| Semimiracle
|-
| 2
| 26\62
| 503.22
| 4/3
| Semimeantone
|-
| 31
| 29\62
(1\62)
| 561.29
(19.35)
| 11/8
(196/195)
| Kumhar (62e)
|-
| 31
| 19\62
(1\62)
| 367.74
(19.35)
| 16/13
(77/76)
| Gallium
Template:Rank-2 end
Template:Orf