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{{Wikipedia|Comma (music)}} | {{Wikipedia|Comma (music)}} | ||
A '''comma''' is a small interval that occurs in [[just intonation]] | A '''comma''' is a small [[interval]] that occurs in [[just intonation]] between two intervals which are close in [[pitch]]. Commas are always greater than [[1/1]] (0 [[cent]]s) and not a power such as a square or cube of any other interval, and generally in a low [[prime limit]]. | ||
Some commas are considered [[dissonant]] due to their small but noticeable [[interval size measure|size]] which induces an audible [[beat]]. In addition, certain chord progressions are [[comma pump]]s, which may cause the [[tonal center]] of a piece to drift up or down in pitch over time. These effects can be treated either as features or as problems to be solved. Examples of approaches that try to solve these problems include [[adaptive just intonation]] and [[temperament]]. | |||
In [[regular temperament theory]], a comma can be ''[[tempered out]]'', which is to say reduced to a [[unison]], by a temperament, thereby equating the intervals separated by that comma. For example, the [[syntonic comma]] (81/80), which occurs between [[10/9]] and [[9/8]], as well as [[81/64]] and [[5/4]], is tempered out by [[meantone]] temperament. | |||
Commas are usually written as [[frequency ratio]]s, but they can also be written as vectors, sometimes called [[monzo]]s or '''unison vectors'''. The following lists mostly give both forms, as well as the size in cents. The [[color name]] refers to both the comma and the temperament created when it is tempered out, except for 3-limit commas, which create [[edo]]s. | |||
Commas can theoretically have any size, | == Lists of commas by size == | ||
Commas can theoretically have any size, but in practice most are smaller than a [[12edo]] semitone (100{{cent}}). The following categories, while arbitrary, are used on the Xenharmonic Wiki to classify commas by size. | |||
* [[Unnoticeable comma]]: under 3.5 cents in size. The 3.5-cent limit correlates to the limit of pitch perception (see also [[just-noticeable difference]]). | |||
* [[Small comma]]: between 3.5 and 30 cents. Intervals below the 30-cent limit are often considered melodically irrelevant. | |||
* [[Medium comma]]: between 30 and 100 cents. Such intervals are often considered melodically relevant rather than true commas. | |||
* [[Large comma]]: over 100 cents in size. The 100-cent limit matches the 12edo semitone. | |||
== See also == | |||
* [[PIFE comma]] | |||
* [[TIFE comma]] | |||
* [[Superparticular ratio]] | |||
* [[Wolf interval]] | |||
== | == External links == | ||
* [http://www.tonalsoft.com/enc/c/comma.aspx Comma] on [[Tonalsoft Encyclopedia]] | |||
[[Category:Commas| ]] | [[Category:Commas| ]] | ||
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