User:Ganaram inukshuk: Difference between revisions
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**Module:TAMNAMS naming for MOS and Template:TAMNAMS naming for MOS | **Module:TAMNAMS naming for MOS and Template:TAMNAMS naming for MOS | ||
**Module:Diamond-MOS notation for MOS and Template:Diamond-MOS notation for MOS | **Module:Diamond-MOS notation for MOS and Template:Diamond-MOS notation for MOS | ||
**Module:MOS gamut and Template:MOS gamut | **[[Module:MOS gamut]] and Template:MOS gamut | ||
=== To-do list === | === To-do list === |
Revision as of 00:52, 2 June 2023
I generally go by "Ganaram" or some variant of that (ganaram_inukshuk, gdinuk). (Discord: Ganaram Inukshuk#1325; I'm generally more active on the Xen Discord.)
I've heard about microtonality on and off over the years, but what drew me into the topic was two things: HEHEHE I AM A SUPAHSTAR SAGA's video series on 19edo and Patricia Taxxon's song Spiral Staircase.
From a compositional perspective, my goal is to incorporate xenharmonic elements into an otherwise normal-sounding song, though my more ambitious goal is to not use the diatonic (LLLsLLs) scale structure at all.
From a theory perspective, my goal is to better understand xenharmony from a temperament-agnostic perspective. This primarily means edos and MOSses, but extends to MV3 scales and higher.
Main mindset
I summarize my main mindset using the following trinity: temperaments, mosses, and edos are not each other.
Temperaments produce mosses, but two different temperaments may produce the same mos. Edos support more than one family of mos, so it's fruitless to shoehorn the notation meant for one mos for a different mos within the same edo. Two temperaments may produce the same JI ratio, but have different qualities in different mosses.
This level of decoupling makes it so I don't let any one temperament, mos, or edo influence how I look at either, so a perfect 5th, 3/2, and 7\12 are not each other. In certain contexts, they suggest one another, but they are not fundamentally each other.
That said, I focus more on mosses and, secondarily, edos when it comes to this trinity. I prefer to look at scales based in a temperament-agnostic sense, as mosses that are supported by an edo, or different edos. Doing so relieves me of the expectation that a certain interval must necessarily fall within a few cents of a JI ratio and lets me be more explorative with musical scales. This is also less names to memorize, since there are a lot of temperament names, and looking at mosses directly means fewer names to remember.
Other running assumptions and techniques may be found under the methodologies page below.
TO-DO list, major contributions, and wish list
Contributions
- Big contributions to date
- MOS recursion and MOS recursion algorithms; tried my best to make the descriptions for MOS recursion apply to all cases (Work-in-progress)
- Some rewording of the TAMNAMS page for readability and flow
- I have a few TAMNAMS-related proposals of my own that aren't quite ready to be called official. See todo list or TAMNAMS subpage.
- Other contributions
- A page for horograms, since it was totally absent (Work-in-progress).
- Mos family tree page for a tree I independently discovered before realizing Erv Wilson had already described it. Also has to do with mos recursion.
- Finding and sorting the modes of an MV2/MOS by modal brightness (see subpages section below).
- Adding descriptions for certain pages so that they also apply to step sequences, such as that for an interval matrix and muddle.
- Some mos-related things here-and-there.
- Modules and templates (either made by me or contributed to)
- Module:SB tree and Template:SB tree
- Module:Scale tree and Template:Scale tree (contributor with CompactStar)
- Module:MOS modes and Template:MOS modes
- Module:MOS intro and Template:MOS intro
- Module:TAMNAMS naming for MOS and Template:TAMNAMS naming for MOS
- Module:Diamond-MOS notation for MOS and Template:Diamond-MOS notation for MOS
- Module:MOS gamut and Template:MOS gamut
To-do list
- Clean up mos recursion page (because I feel bad leaving the algorithms untouched and untested for so long).
- Replace pseudocode for is-this-scale-a-mos? program with python code; clarify with more examples.
- Relate mos recursion with the mos family tree.
- Refine TAMNAMS proposals with guidance of inthar and others:
- TAMNAMS naming extension for mosses with more than 10 notes.
- Standardize terminology
- Names go up to and, in some cases, beyond 3rd mosdescendants
- Make it clear that prefixes for differentiating different mosdescendants are optional
- Discuss temperament-agnostic alternatives to mosdescendant prefixes???
- TAMNAMS naming extension for mosses with more than 10 notes.
- Constructing a circle of generating intervals for any MOS supported by a specific edo.
- Constructing key signatures for any MOS.
- Composing music with these abstract ideas.
Wish list
- Important edo pages have a subpage or related page that lists all of the possible mosses for every possible generator.
- Mos pages, at least the important pages, should be standardized to have the following things at a minimum:
- The intro of the mos page should be standardized, not unlike the edo intro template.
- Mos pages have a listing of its modes and names if applicable.
- Already fulfilled by me, except for mode names.
- Mos pages have a listing of its interval sizes.
- Mos pages have a listing of its immediate descendants up to 2 generations away, as well as its ancestors up to 2 generations away.
- Mos pages have a scale tree that shows a range of possible edos supported by the mos.
- Already fulfilled by CompactStar.
- There should be a means of looking up mos names, such as TAMNAMS names.
- Already fulfilled by Inthar for most TAMNAMS names.
- For mosses with more than 10 notes, mos descendant names are used. (These names currently aren't standardized, so this currently can't be done.)
- Certain non-octave mosses should have their own names. (I have such a system, but it hasn't been discussed with others yet.)
Subpages
These pages contain content that currently don't have an exact place elsewhere on the Wiki, or contains personal notes that otherwise don't have an exact place on the Wiki. I do my best to explain these things as though I magically forgot everything I know about xenharmony, so I consider it a bonus if someone else found this easy to understand.
- User:Ganaram inukshuk/Diagrams - For xen-related diagrams
- User:Ganaram inukshuk/Notes - For xen-related notes
- User:Ganaram inukshuk/Notes/TAMNAMS - Since I have so many notes related to TAMNAMS, I made a dedicated page for it
- User:Ganaram inukshuk/Tables - For xen-related tables
- User:Ganaram inukshuk/Code - For xen-related code
- User:Ganaram inukshuk/Models - For xen-related models (needs reorganizing)
- User:Ganaram inukshuk/TAMNAMS Extension - Since there were others making their own TAMNAMS extension pages, I decided to make my own.
These pages are descriptions on how I approach various things, such as compositional techniques and how I approach a scale I've never used before.
Sandbox page (for testing things)