User:Inthar: Difference between revisions

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I go by Inthar (''in-THAR'' (th as in thin), meaning 'raven' in the conlang it comes from). I use ''he/him'' pronouns. I am Inthar#5959 on Discord.

My main interests are: simple exotic MOS patterns, mainly [[oneirotonic]], and [[~~smitonic~~]], and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small [[MOS]]es and edos. Here's a list of tuning languages I want to explore:

My main interests are: simple exotic MOS patterns, mainly [[oneirotonic]], [[smitonic]], and [[semiquartal]], and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small [[MOS]]es and edos. Here's a list of tuning languages I want to explore:

* Oneiro: [[13edo]], [[18edo]] and [[21edo]]

* Smitonic: [[11edo]], [[~~18edo~~]] ~~and neji~~

* Smitonic: [[11edo]]

* ~~18edo and 21edo jazz~~

* Semiquartal: [[33edo]]

* Also [[26edo]]

My main theoretical influences are Baroque counterpoint, [[Igliashon Jones]] and [[Zhea Erose]], though I do not consider myself a Zheanist. I contributed to [[TAMNAMS]], [[Diamond-mos notation]] and to the mos articles [[5L 3s]] and [[4L 3s]].

@@ Line 7: / Line 7: @@
 I go by Inthar (''in-THAR'' (th as in thin), meaning 'raven' in the conlang it comes from). I use ''he/him'' pronouns. I am Inthar#5959 on Discord.
-My main interests are: simple exotic MOS patterns, mainly [[oneirotonic]], and [[smitonic]], and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small [[MOS]]es and edos. Here's a list of tuning languages I want to explore:
+My main interests are: simple exotic MOS patterns, mainly [[oneirotonic]], [[smitonic]], and [[semiquartal]], and edos that support them. I'm interested in applying counterpoint, and modal and functional harmony] to small [[MOS]]es and edos. Here's a list of tuning languages I want to explore:
 * Oneiro: [[13edo]], [[18edo]] and [[21edo]]
-* Smitonic: [[11edo]], [[18edo]] and neji
+* Smitonic: [[11edo]]
-* 18edo and 21edo jazz
+* Semiquartal: [[33edo]]
+* Also [[26edo]]
 My main theoretical influences are Baroque counterpoint, [[Igliashon Jones]] and [[Zhea Erose]], though I do not consider myself a Zheanist. I contributed to [[TAMNAMS]], [[Diamond-mos notation]] and to the mos articles [[5L 3s]] and [[4L 3s]].