SAKryukov
Joined 23 November 2020
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Keyboard programming |
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:: When I talk about one EDO "mimicking" another, I refer to a larger EDO using a collection of its own steps to approximate the actual steps of a smaller EDO without the larger EDO actually being a superset of the smaller EDO. As for the deep voices and low timbres, they are often used as chord roots in music- especially the more common variety of music that is built from the bass upwards. I personally think that building music from the bass upwards music like this is but one of two ways to construct good music- the other being to build music from the treble downwards. Music built from the treble downwards (treble-down music) is different from music built from the bass upwards mainly in terms of what I call the "direction of construction", as otherwise the two systems are mirror images of one another. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:33, 6 December 2020 (UTC) | :: When I talk about one EDO "mimicking" another, I refer to a larger EDO using a collection of its own steps to approximate the actual steps of a smaller EDO without the larger EDO actually being a superset of the smaller EDO. As for the deep voices and low timbres, they are often used as chord roots in music- especially the more common variety of music that is built from the bass upwards. I personally think that building music from the bass upwards music like this is but one of two ways to construct good music- the other being to build music from the treble downwards. Music built from the treble downwards (treble-down music) is different from music built from the bass upwards mainly in terms of what I call the "direction of construction", as otherwise the two systems are mirror images of one another. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:33, 6 December 2020 (UTC) | ||
: I'm busy with my platform and keyboard programming. I decided to take a much wider road: develop some more and some replacement visual components corresponding to different keyboards, including a new one suitable for your paradiatonic constructs — my idea is to present 7 scales at the same time on a single keyboard, still thinking of some form of switching modes on the fly, combined with transpositions, or something like that. At the same time, I implemented a prototype for the playable lattice presented by Kite Giedraitis: [[Color_notation|Color_notation]]. Even though it is called "notation", the main point here is the choice of the tonal system itself, which can be reduced to the choice of a 4-generator set, and its mapping to the geometry. (Why, why musicians often mess up musical and notation aspects together? Didn't they figure out that tight coupling is a big anti-pattern?) I've chosen to implement the 27-key variant, which I consider as a good variant of an "extended just" scale. Are you familiar with this particular system? What do you think? — [[User:SAKryukov|SA]], ''Sunday 2020 December 6, 18:39 UTC'' | |||