CritDeathX

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Revision as of 21:04, 12 September 2020 view source Aura (talk \| contribs) autopatrolled 5,920 edits No edit summary ← Older edit		Revision as of 21:06, 12 September 2020 view source CritDeathX (talk \| contribs) autopatrolled 398 edits →Ideas of Consonance Newer edit →
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	:::::::::::::: Okay, I've tested out twelve-tempered versions chord on the piano, and it sounds every bit as consonant as the twelve-tempered version of the original 2:3:5:8 chord once all known relational factors between bass-up tonality and treble-down tonality are accounted for, and this is despite the rather obvious lack of linearity. Something is afoot here... we just need to find out what... --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 21:04, 12 September 2020 (UTC)		:::::::::::::: Okay, I've tested out twelve-tempered versions chord on the piano, and it sounds every bit as consonant as the twelve-tempered version of the original 2:3:5:8 chord once all known relational factors between bass-up tonality and treble-down tonality are accounted for, and this is despite the rather obvious lack of linearity. Something is afoot here... we just need to find out what... --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 21:04, 12 September 2020 (UTC)

			::::::::::::::: How would you find the counterlinear tones? I'm not ''too'' experienced with understanding things, so its possible that I don't know what you're talking about. --[[User:CritDeathX\|CritDeathX]] ([[User talk:CritDeathX\|talk]]) 21:06, 12 September 2020 (UTC)