90edo: Difference between revisions
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=== Odd harmonics === | === Odd harmonics === | ||
{{Harmonics in equal|90}} | {{Harmonics in equal|90}} | ||
=== Subsets and supersets === | |||
Since 90 factors into primes as 2 x 3<sup>2</sup> × 5, 90 has subset edos {{EDOs| 2, 3, 5, 6, 9, 10, 15, 18, 30, 45 }}. | |||
As a composite edo, the smallest subsets it lacks are subsets of [[4edo|4]], [[7edo|7]] and [[8edo|8]], but 13\90 = 173.333{{cent}} offers a good approximation to 1\7 = 171.428{{c}}, and instead of 1\8 = 150{{cent}}, it has 27\80 = 146.667{{cent}}, serving a similar function. | |||
Like [[80edo]], this may offer a relatively unexplored strategy of "tempered [[detempering]]", a sort of middle path between complete detempering to JI (which lacks the simplifications and unique comma pumping and structural opportunities of tempering) and not detempering the small edo at all (which can lead to challenging interpretation of harmony if one's goal is approximation to JI). | |||
Some supersets of 90edo include: {{EDOs| 180, 270, 360, 450, 540, 630, 720, 810, 900... }}. Temperament mergers of these might produce [[90th-octave temperaments]]. | |||
== Interval table == | == Interval table == | ||
Revision as of 01:36, 23 October 2025
| ← 89edo | 90edo | 91edo → |
90 equal divisions of the octave (abbreviated 90edo or 90ed2), also called 90-tone equal temperament (90tet) or 90 equal temperament (90et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 90 equal parts of about 13.3 ¢ each. Each step represents a frequency ratio of 21/90, or the 90th root of 2.
Theory
As an equal temperament, it tempers out 2048/2025 (diaschisma) in the 5-limit, 245/243 and 3125/3087 in the 7-limit, 121/120 and 176/175 in the 11-limit, and 169/168 and 275/273 in the 13-limit. It provides the optimal patent val for the 31 & 90 temperament in the 7-, 11- and 13-limit. Notably, it is the second lowest in a series of four consecutive edos to temper out the quartisma.
Odd harmonics
| Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +4.71 | +0.35 | +4.51 | -3.91 | -4.65 | -0.53 | +5.06 | +1.71 | -4.18 | -4.11 | -1.61 |
| Relative (%) | +35.3 | +2.6 | +33.8 | -29.3 | -34.9 | -4.0 | +38.0 | +12.8 | -31.3 | -30.9 | -12.1 | |
| Steps (reduced) |
143 (53) |
209 (29) |
253 (73) |
285 (15) |
311 (41) |
333 (63) |
352 (82) |
368 (8) |
382 (22) |
395 (35) |
407 (47) | |
Subsets and supersets
Since 90 factors into primes as 2 x 32 × 5, 90 has subset edos 2, 3, 5, 6, 9, 10, 15, 18, 30, 45.
As a composite edo, the smallest subsets it lacks are subsets of 4, 7 and 8, but 13\90 = 173.333 ¢ offers a good approximation to 1\7 = 171.428 ¢, and instead of 1\8 = 150 ¢, it has 27\80 = 146.667 ¢, serving a similar function.
Like 80edo, this may offer a relatively unexplored strategy of "tempered detempering", a sort of middle path between complete detempering to JI (which lacks the simplifications and unique comma pumping and structural opportunities of tempering) and not detempering the small edo at all (which can lead to challenging interpretation of harmony if one's goal is approximation to JI).
Some supersets of 90edo include: 180, 270, 360, 450, 540, 630, 720, 810, 900.... Temperament mergers of these might produce 90th-octave temperaments.
Interval table
| Steps | Cents | Approximate ratios | Ups and downs notation (Dual flat fifth 52\90) |
Ups and downs notation (Dual sharp fifth 53\90) |
|---|---|---|---|---|
| 0 | 0 | 1/1 | D | D |
| 1 | 13.3 | ^D, vE♭♭♭ | ^D, v4E♭ | |
| 2 | 26.7 | ^^D, E♭♭♭ | ^^D, v3E♭ | |
| 3 | 40 | 41/40 | vD♯, ^E♭♭♭ | ^3D, vvE♭ |
| 4 | 53.3 | 32/31, 33/32, 34/33 | D♯, vvE♭♭ | ^4D, vE♭ |
| 5 | 66.7 | 26/25 | ^D♯, vE♭♭ | ^5D, E♭ |
| 6 | 80 | ^^D♯, E♭♭ | v5D♯, ^E♭ | |
| 7 | 93.3 | 39/37 | vD𝄪, ^E♭♭ | v4D♯, ^^E♭ |
| 8 | 106.7 | 17/16, 33/31 | D𝄪, vvE♭ | v3D♯, ^3E♭ |
| 9 | 120 | 15/14 | ^D𝄪, vE♭ | vvD♯, ^4E♭ |
| 10 | 133.3 | 40/37, 41/38 | ^^D𝄪, E♭ | vD♯, ^5E♭ |
| 11 | 146.7 | 25/23, 37/34 | vD♯𝄪, ^E♭ | D♯, v5E |
| 12 | 160 | 34/31 | D♯𝄪, vvE | ^D♯, v4E |
| 13 | 173.3 | ^D♯𝄪, vE | ^^D♯, v3E | |
| 14 | 186.7 | 29/26, 39/35 | E | ^3D♯, vvE |
| 15 | 200 | 37/33 | ^E, vF♭♭ | ^4D♯, vE |
| 16 | 213.3 | 26/23 | ^^E, F♭♭ | E |
| 17 | 226.7 | vE♯, ^F♭♭ | ^E, v4F | |
| 18 | 240 | 23/20, 39/34 | E♯, vvF♭ | ^^E, v3F |
| 19 | 253.3 | 22/19, 37/32 | ^E♯, vF♭ | ^3E, vvF |
| 20 | 266.7 | 7/6 | ^^E♯, F♭ | ^4E, vF |
| 21 | 280 | 20/17 | vE𝄪, ^F♭ | F |
| 22 | 293.3 | E𝄪, vvF | ^F, v4G♭ | |
| 23 | 306.7 | 31/26, 37/31 | ^E𝄪, vF | ^^F, v3G♭ |
| 24 | 320 | F | ^3F, vvG♭ | |
| 25 | 333.3 | 17/14, 23/19, 40/33 | ^F, vG♭♭♭ | ^4F, vG♭ |
| 26 | 346.7 | ^^F, G♭♭♭ | ^5F, G♭ | |
| 27 | 360 | 16/13 | vF♯, ^G♭♭♭ | v5F♯, ^G♭ |
| 28 | 373.3 | 31/25, 41/33 | F♯, vvG♭♭ | v4F♯, ^^G♭ |
| 29 | 386.7 | 5/4 | ^F♯, vG♭♭ | v3F♯, ^3G♭ |
| 30 | 400 | 29/23, 39/31 | ^^F♯, G♭♭ | vvF♯, ^4G♭ |
| 31 | 413.3 | 33/26 | vF𝄪, ^G♭♭ | vF♯, ^5G♭ |
| 32 | 426.7 | 32/25, 41/32 | F𝄪, vvG♭ | F♯, v5G |
| 33 | 440 | 40/31 | ^F𝄪, vG♭ | ^F♯, v4G |
| 34 | 453.3 | 13/10 | ^^F𝄪, G♭ | ^^F♯, v3G |
| 35 | 466.7 | 17/13, 38/29 | vF♯𝄪, ^G♭ | ^3F♯, vvG |
| 36 | 480 | 29/22, 33/25, 37/28 | F♯𝄪, vvG | ^4F♯, vG |
| 37 | 493.3 | ^F♯𝄪, vG | G | |
| 38 | 506.7 | G | ^G, v4A♭ | |
| 39 | 520 | ^G, vA♭♭♭ | ^^G, v3A♭ | |
| 40 | 533.3 | 34/25 | ^^G, A♭♭♭ | ^3G, vvA♭ |
| 41 | 546.7 | vG♯, ^A♭♭♭ | ^4G, vA♭ | |
| 42 | 560 | G♯, vvA♭♭ | ^5G, A♭ | |
| 43 | 573.3 | 32/23, 39/28 | ^G♯, vA♭♭ | v5G♯, ^A♭ |
| 44 | 586.7 | ^^G♯, A♭♭ | v4G♯, ^^A♭ | |
| 45 | 600 | 41/29 | vG𝄪, ^A♭♭ | v3G♯, ^3A♭ |
| 46 | 613.3 | 37/26 | G𝄪, vvA♭ | vvG♯, ^4A♭ |
| 47 | 626.7 | 23/16, 33/23 | ^G𝄪, vA♭ | vG♯, ^5A♭ |
| 48 | 640 | ^^G𝄪, A♭ | G♯, v5A | |
| 49 | 653.3 | 35/24 | vG♯𝄪, ^A♭ | ^G♯, v4A |
| 50 | 666.7 | 25/17 | G♯𝄪, vvA | ^^G♯, v3A |
| 51 | 680 | 37/25 | ^G♯𝄪, vA | ^3G♯, vvA |
| 52 | 693.3 | A | ^4G♯, vA | |
| 53 | 706.7 | ^A, vB♭♭♭ | A | |
| 54 | 720 | ^^A, B♭♭♭ | ^A, v4B♭ | |
| 55 | 733.3 | 26/17, 29/19 | vA♯, ^B♭♭♭ | ^^A, v3B♭ |
| 56 | 746.7 | 20/13, 37/24 | A♯, vvB♭♭ | ^3A, vvB♭ |
| 57 | 760 | 31/20 | ^A♯, vB♭♭ | ^4A, vB♭ |
| 58 | 773.3 | 25/16 | ^^A♯, B♭♭ | ^5A, B♭ |
| 59 | 786.7 | 41/26 | vA𝄪, ^B♭♭ | v5A♯, ^B♭ |
| 60 | 800 | A𝄪, vvB♭ | v4A♯, ^^B♭ | |
| 61 | 813.3 | 8/5 | ^A𝄪, vB♭ | v3A♯, ^3B♭ |
| 62 | 826.7 | ^^A𝄪, B♭ | vvA♯, ^4B♭ | |
| 63 | 840 | 13/8 | vA♯𝄪, ^B♭ | vA♯, ^5B♭ |
| 64 | 853.3 | A♯𝄪, vvB | A♯, v5B | |
| 65 | 866.7 | 28/17, 33/20, 38/23 | ^A♯𝄪, vB | ^A♯, v4B |
| 66 | 880 | B | ^^A♯, v3B | |
| 67 | 893.3 | ^B, vC♭♭ | ^3A♯, vvB | |
| 68 | 906.7 | ^^B, C♭♭ | ^4A♯, vB | |
| 69 | 920 | 17/10 | vB♯, ^C♭♭ | B |
| 70 | 933.3 | 12/7 | B♯, vvC♭ | ^B, v4C |
| 71 | 946.7 | 19/11 | ^B♯, vC♭ | ^^B, v3C |
| 72 | 960 | 40/23 | ^^B♯, C♭ | ^3B, vvC |
| 73 | 973.3 | vB𝄪, ^C♭ | ^4B, vC | |
| 74 | 986.7 | 23/13 | B𝄪, vvC | C |
| 75 | 1000 | 41/23 | ^B𝄪, vC | ^C, v4D♭ |
| 76 | 1013.3 | C | ^^C, v3D♭ | |
| 77 | 1026.7 | ^C, vD♭♭♭ | ^3C, vvD♭ | |
| 78 | 1040 | 31/17 | ^^C, D♭♭♭ | ^4C, vD♭ |
| 79 | 1053.3 | vC♯, ^D♭♭♭ | ^5C, D♭ | |
| 80 | 1066.7 | 37/20 | C♯, vvD♭♭ | v5C♯, ^D♭ |
| 81 | 1080 | 28/15, 41/22 | ^C♯, vD♭♭ | v4C♯, ^^D♭ |
| 82 | 1093.3 | 32/17 | ^^C♯, D♭♭ | v3C♯, ^3D♭ |
| 83 | 1106.7 | vC𝄪, ^D♭♭ | vvC♯, ^4D♭ | |
| 84 | 1120 | C𝄪, vvD♭ | vC♯, ^5D♭ | |
| 85 | 1133.3 | 25/13 | ^C𝄪, vD♭ | C♯, v5D |
| 86 | 1146.7 | 31/16, 33/17 | ^^C𝄪, D♭ | ^C♯, v4D |
| 87 | 1160 | vC♯𝄪, ^D♭ | ^^C♯, v3D | |
| 88 | 1173.3 | C♯𝄪, vvD | ^3C♯, vvD | |
| 89 | 1186.7 | ^C♯𝄪, vD | ^4C♯, vD | |
| 90 | 1200 | 2/1 | D | D |
Scales
- Amulet[idiosyncratic term], (approximated from magic in 25edo): 7 4 7 7 4 7 11 7 7 4 7 11 7
- Decimetra[20]: 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2
- Gutierrez Moonglade scale: 1 6 7 1 7 1 6 8 2 5 7 2 1 5 6 1 7 1 2 4 1 2 5 2