9edo: Difference between revisions
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[[Indonesian]] pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way as the 5-tone and 7-tone mavila scale (see [[#Rank-2 temperaments|Rank-2 temperaments]]), and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9edo tradition]. | [[Indonesian]] pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way as the 5-tone and 7-tone mavila scale (see [[#Rank-2 temperaments|Rank-2 temperaments]]), and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9edo tradition]. | ||
As a division of the octave into 3<sup>2</sup> parts, i. e. a dominant position of the number 3, also | As a division of the octave into 3<sup>2</sup> parts, i. e. a dominant position of the number 3, 9edo also has some suitability as base tuning for [https://en.wikipedia.org/wiki/Klingon Klingon] music (since the tradtional Klingon number system is also based on 3). See, for this: | ||
[http://%5B%5Bhttps://www.youtube.com/watch?v=1LjcBv-OWtQ%5D%5D Levi McClain, Klingon music theory is weird] | [http://%5B%5Bhttps://www.youtube.com/watch?v=1LjcBv-OWtQ%5D%5D Levi McClain, Klingon music theory is weird] | ||