Superfourth: Difference between revisions

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Line 16: Line 16:
| 6\[[88cET]]<br />or 11\[[25edo|25]]
| 6\[[88cET]]<br />or 11\[[25edo|25]]
| 528.000
| 528.000
| -
| —
|-
|-
| [[19/14]]
| [[19/14]]
Line 32: Line 32:
| 4\[[9edo|9]]
| 4\[[9edo|9]]
| 533.333
| 533.333
| -
| —
|-
|-
| [[49/36]]
| [[49/36]]
Line 48: Line 48:
| 13\[[29edo|29]]
| 13\[[29edo|29]]
| 537.931
| 537.931
| -
| —
|-
|-
| 56/41
| 56/41
Line 56: Line 56:
| 9\[[20edo|20]]
| 9\[[20edo|20]]
| 540.000
| 540.000
| -
| —
|-
|-
| 41/30
| 41/30
Line 68: Line 68:
| 14\[[31edo|31]]
| 14\[[31edo|31]]
| 541.935
| 541.935
| -
| —
|-
|-
| [[26/19]]
| [[26/19]]
Line 76: Line 76:
| 5\[[11edo|11]]
| 5\[[11edo|11]]
| 545.455
| 545.455
| -
| —
|-
|-
| 37/27
| 37/27
Line 88: Line 88:
| 11\[[24edo|24]]
| 11\[[24edo|24]]
| 550.000
| 550.000
| -
| —
|-
|-
| [[11/8]]
| [[11/8]]
Line 96: Line 96:
| 6\[[13edo|13]]
| 6\[[13edo|13]]
| 553.846
| 553.846
| -
| —
|-
|-
| 62/45
| 62/45
Line 108: Line 108:
| 13\[[28edo|28]]
| 13\[[28edo|28]]
| 557.143
| 557.143
| -
| —
|-
|-
| 243/176
| 243/176
Line 124: Line 124:
| 7\[[15edo|15]]
| 7\[[15edo|15]]
| 560.000
| 560.000
| -
| —
|}
|}



Revision as of 13:12, 5 March 2025

A superfourth is an interval too wide to sound like a perfect fourth and too narrow to sound like a tritone. Margo Schulter, in her article Regions of the Interval Spectrum, proposes an approximate range for a superfourth to be from 528 ¢ to 560 ¢. Some of the simplest superfourths in just intonation are 11/8 (about 551.3 ¢) and 15/11 (about 537 ¢), both undecimal (11-based) superfourths; and 48/35 (about 546.8 ¢) and 49/36 (about 533.7 ¢), both septimal (7-based) superfourths.

The inversion of a superfourth is a subfifth.

Of course, this categorization should not be taken for granted. Since music is subjective and culturally influenced, the borders of what is a superfourth are "fuzzy". Other descriptions are possible and legitimate.

Examples

Below is a list of some intervals in the superfourth range, both just and tempered.

Interval Cents Prime limit
(if applicable)
6\88cET
or 11\25
528.000 —
19/14 528.687 19
87/64 531.532 29
34/25 532.328 17
4\9 533.333 —
49/36 533.742 7
64/47 534.493 47
15/11 536.951 11
13\29 537.931 —
56/41 539.764 41
9\20 540.000 —
41/30 540.794 41
175/128 541.453 7
14\31 541.935 —
26/19 543.015 19
5\11 545.455 —
37/27 545.479 37
48/35 546.815 7
11\24 550.000 —
11/8 551.318 11
6\13 553.846 —
62/45 554.812 31
40/29 556.737 29
13\28 557.143 —
243/176 558.457 11
29/21 558.796 29
47/34 560.551 47
7\15 560.000 —

See also


View • Talk • EditInterval classification
Interval regions
Unison and octave Unison • Comma and diesis • Octave
Seconds Minor second • Neutral second • Major second
Thirds Minor third • Neutral third • Major third
Fourths and fifths Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth
Sixths Minor sixth • Neutral sixth • Major sixth
Sevenths Minor seventh • Neutral seventh • Major seventh
Interseptimal intervals Interseptimal 2nd-3rd • Interseptimal 3rd-4th • Interseptimal 5th-6th • Interseptimal 6th-7th
Interval qualities
Diatonic qualities Diminished • Minor • Perfect • Major • Augmented
Tuning ranges Neutral (interval quality) • Submajor and supraminor • Pental major and minor • Novamajor and novaminor • Neogothic major and minor • Supermajor and subminor • Ultramajor and inframinor