91edo: Difference between revisions

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-"RTT interpretation" of "concoctic scale" (extracting mapping from scale pattern is ambiguous by nature), relegate to "misc. properties" section. -number symbolism (irrelevant)
Final cleanup
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† derived from scales in the Scales section, official name not decided upon yet.
† derived from scales in the Scales section, official name not decided upon yet.


== Intervals ==
== Notation ==
=== Eliora's notation ===
[[User:Eliora|Eliora]], who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.
[[User:Eliora|Eliora]], who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.


Line 144: Line 145:
! Associated Ratio
! Associated Ratio
|-
|-
|0  
| 0  
|unison <br>perfect prime <br>perfect prota
| unison <br>perfect prime <br>perfect prota
|A <br>Az (А)
| A <br>Az (А)
|[[1/1]]
| [[1/1]]
|-
|-
|1  
| 1  
|major prime <br>major prota
| major prime <br>major prota
|A# <br>Az#
| A# <br>Az#
| [[1728/1715]]
| [[1728/1715]]
|-
|-
|2  
| 2  
|augmented prota
| augmented prota
|Az##
| Az##
|  
|  
|-
|-
|3  
| 3  
|biaugmented prota
| biaugmented prota
|Az###
| Az###
|  
|  
|-
|-
|4  
| 4  
|bidiminished deiteria
| bidiminished deiteria
|Buki♭♭♭
| Buki♭♭♭
| [[33/32]]
| [[33/32]]
|-
|-
|5  
|5  
|diminished deiteria
| diminished deiteria
|Buki♭♭
| Buki♭♭
|  
|  
|-
|-
|6  
| 6  
|minor deiteria
| minor deiteria
|Buki♭
| Buki♭
|  
|  
|-
|-
|7  
| 7  
|neutral deiteria
| neutral deiteria
|Buki (Б)
| Buki (Б)
| [[135/128]]
| [[135/128]]
|-
|-
|8  
| 8  
|major deiteria
| major deiteria
|Buki#
| Buki#
|  
|  
|-
|-
|9  
| 9  
|augmented deiteria
| augmented deiteria
|Buki##
| Buki##
|  
|  
|-
|-
|10  
| 10  
|biaugmented deiteria
| biaugmented deiteria
|Buki###
| Buki###
|  
|  
|-
|-
|11  
| 11  
|bidiminished tritia
| bidiminished tritia
|Vedi♭♭♭
| Vedi♭♭♭
|[[13/12]], [[12/11]]
| [[13/12]], [[12/11]]
|-
|-
|12  
| 12  
|diminished tritia
| diminished tritia
|Vedi♭♭
| Vedi♭♭
|  
|  
|-
|-
|13  
| 13  
|neutral secunde <br>minor tritia
| neutral secunde <br>minor tritia
|B<br>Vedi♭
| B<br>Vedi♭
|[[11/10]]
| [[11/10]]
|-
|-
|14  
| 14  
|neural tritia
| neural tritia
|Vedi (В)
| Vedi (В)
|[[10/9]]
| [[10/9]]
|-
|-
|15  
| 15  
|major tritia
| major tritia
|Vedi#
| Vedi#
|[[9/8]]
| [[9/8]]
|-
|-
|16  
| 16  
|augmented tritia
| augmented tritia
|Vedi##
| Vedi##
|  
|  
|-
|-
|17  
| 17  
|biaugmented tritia
| biaugmented tritia
|Vedi###
| Vedi###
|  
|  
|-
|-
|18  
| 18  
|bidiminished tesseria
| bidiminished tesseria
|Glagol♭♭♭
| Glagol♭♭♭
|[[8/7]]
| [[8/7]]
|-
|-
|19  
| 19  
|diminished tesseria
| diminished tesseria
|Glagol♭♭
| Glagol♭♭
|  
|  
|-
|-
|20  
| 20  
|minor tesseria
| minor tesseria
|Glagol♭
| Glagol♭
|[[7/6]]
| [[7/6]]
|-
|-
|21  
| 21  
|neutral tesseria
| neutral tesseria
|Glagol (Г)
| Glagol (Г)
|  
|  
|-
|-
|22  
| 22  
|major tesseria
| major tesseria
|Glagol#
| Glagol#
|[[13/11]]
| [[13/11]]
|-
|-
|23  
| 23  
|augmented tesseria
| augmented tesseria
|Glagol##
| Glagol##
|  
|  
|-
|-
|24  
| 24  
|biaugmented tesseria
| biaugmented tesseria
|Glagol###
| Glagol###
|[[6/5]]
| [[6/5]]
|-
|-
|25  
| 25  
|bidiminished pemptia
| bidiminished pemptia
|Dobro♭♭♭
| Dobro♭♭♭
|  
|  
|-
|-
|26  
| 26  
|neutral tertie <br>diminished pemptia
| neutral tertie <br>diminished pemptia
|C <br>Dobro♭♭
| C <br>Dobro♭♭
|[[11/9]]
| [[11/9]]
|-
|-
|27  
| 27  
|major tertie <br>minor pemptia
| major tertie <br>minor pemptia
|C# <br>Dobro♭
| C# <br>Dobro♭
|[[16/13]], 27/22
| [[16/13]], 27/22
|-
|-
|28  
| 28  
|neutral pemptia
| neutral pemptia
|Dobro (Д)
| Dobro (Д)
|  
|  
|-
|-
|29  
| 29  
|major pemptia
| major pemptia
|Dobro#
| Dobro#
|[[5/4]]
| [[5/4]]
|-
|-
|30  
| 30  
|augmented pemptia
| augmented pemptia
|Dobro##
| Dobro##
|  
|  
|-
|-
|31  
| 31  
|biaugmented pemptia
| biaugmented pemptia
|Dobro###
| Dobro###
|  
|  
|-
|-
|32  
| 32  
|bidiminished hektia
| bidiminished hektia
|Yest♭♭♭
| Yest♭♭♭
|[[14/11]]
| [[14/11]]
|-
|-
|33  
| 33  
|diminished hektia
| diminished hektia
|Yest♭♭
| Yest♭♭
|[[9/7]]
| [[9/7]]
|-
|-
|34  
| 34  
|minor hektia
| minor hektia
|Yest♭
| Yest♭
|  
|  
|-
|-
|35  
| 35  
|neutral hektia
| neutral hektia
|Yest (Е)
| Yest (Е)
|  
|  
|-
|-
|36  
| 36  
|major hektia
| major hektia
|Yest#
| Yest#
|  
|  
|-
|-
|37  
| 37  
|augmented hektia
| augmented hektia
|Yest##
| Yest##
|  
|  
|-
|-
|38  
| 38  
|biaugmented hektia
| biaugmented hektia
|Yest###
| Yest###
|[[4/3]]
| [[4/3]]
|-
|-
|39  
| 39  
|neutral quarte <br>bidiminished hebdomia
| neutral quarte <br>bidiminished hebdomia
|D<br>Zhivete♭♭♭
| D<br>Zhivete♭♭♭
|  
|  
|-
|-
|40  
| 40  
|diminished hebdomia
| diminished hebdomia
|Zhivete♭♭
| Zhivete♭♭
|  
|  
|-
|-
|41  
| 41  
|minor hebdomia
| minor hebdomia
|Zhivete♭
| Zhivete♭
|  
|  
|-
|-
|42  
| 42  
|neutral hebdomia
| neutral hebdomia
|Zhivete (Ж)
| Zhivete (Ж)
|[[11/8]]
| [[11/8]]
|-
|-
|43  
| 43  
|major hebdomia
| major hebdomia
|Zhivete#
| Zhivete#
|  
|  
|-
|-
|44  
| 44  
|augmented hebdomia
| augmented hebdomia
|Zhivete##
| Zhivete##
|[[7/5]]
| [[7/5]]
|-
|-
|45  
| 45  
|biaugmented hebdomia
| biaugmented hebdomia
|Zhivete###
| Zhivete###
|
|  
|-
|-
|46  
| 46  
|bidiminished ogdonia
| bidiminished ogdonia
|Dzelo♭♭♭
| Dzelo♭♭♭
|  
|  
|-
|-
|47  
| 47  
|diminished ogdonia
| diminished ogdonia
|Dzelo♭♭
| Dzelo♭♭
|[[10/7]]  
| [[10/7]]  
|-
|-
|48  
| 48  
|minor ogdonia
| minor ogdonia
|Dzelo♭
| Dzelo♭
|  
|  
|-
|-
|49
| 49
|neutral ogdonia
| neutral ogdonia
|Dzelo (Ѕ)
| Dzelo (Ѕ)
|
|  
|-
|-
|52
| 52
|neutral quinte
| neutral quinte
|E
| E
|121/81
| 121/81
|-
|-
|53
| 53
|major quinte
| major quinte
|E#
| E#
|[[3/2]]
| [[3/2]]
|-
|-
|54
| 54
|augmented quinte <br>diminished ennatia
| augmented quinte <br>diminished ennatia
|E## <br>Zemle♭♭
| E## <br>Zemle♭♭
|[[256/169]]
| [[256/169]]
|-
|-
|55
| 55
|minor ennatia
| minor ennatia
|Zemle♭
| Zemle♭
|
|  
|-
|-
|56
| 56
|neutral ennatia
| neutral ennatia
|Zemle (З)
| Zemle (З)
|
|  
|-
|-
|63
| 63
|neutral decatia
| neutral decatia
|Izhe (И)
| Izhe (И)
|
|  
|-
|-
|64
| 64
|major decatia <br>minor sexte
| major decatia <br>minor sexte
|Izhe# <br>F♭
| Izhe# <br>F♭
|
|  
|-
|-
|65
| 65
|neutral sexte
| neutral sexte
|F
| F
|
|  
|-
|-
|70
| 70
|neutral hendecatia
| neutral hendecatia
|Jerve (Ђ)
| Jerve (Ђ)
|
|  
|-
|-
|77
| 77
|neutral dodecatia
| neutral dodecatia
|Kako (К)
| Kako (К)
|
|  
|-
|-
|78
| 78
|neutral septime
| neutral septime
|G
| G
|
|  
|-
|-
|84
| 84
|neutral decatotritia
| neutral decatotritia
|Ludi (Л)
| Ludi (Л)
|
|  
|-
|-
|91
| 91
|perfect octave <br>perfect decatotetartia
| perfect octave <br>perfect decatotetartia
|A<br>Az (А)
| A<br>Az (А)
|[[2/1]] exact
| [[2/1]] exact
|}
|}


Line 481: Line 482:


== Music ==
== Music ==
* [http://chrisvaisvil.com/dprk-ison-chase-12-of-91-edo-ambient/ DPRK ISON CHASE] by [[Chris Vaisvil]]
; [[Mercury Amalgam]]
** [https://www.youtube.com/watch?v=StCR6hcm5tM DPRK ISON CHASE - YouTube]
* ''Sadness - Nope'' (2022) – [https://mercuryamalgam.bandcamp.com/track/sadness-nope-the-molecular-agoge-pt-2 Bandcamp] | [https://www.youtube.com/watch?v=_5WS7AGZxm4 YouTube]
* [https://www.youtube.com/watch?v=_5WS7AGZxm4 Sadness - Nope] by [[Mercury Amalgam]]
 
; [[Chris Vaisvil]]
* ''DPRK ISON CHASE'' (2014) – [http://chrisvaisvil.com/dprk-ison-chase-12-of-91-edo-ambient/ blog] | [https://www.youtube.com/watch?v=StCR6hcm5tM YouTube]


[[Category:Animist]]
[[Category:Animist]]
Line 490: Line 493:
[[Category:Septimin]]
[[Category:Septimin]]
[[Category:Tripod]]
[[Category:Tripod]]
{{Todo| cleanup }}

Revision as of 06:37, 8 January 2024

← 90edo 91edo 92edo →
Prime factorization 7 × 13
Step size 13.1868 ¢ 
Fifth 53\91 (698.901 ¢)
Semitones (A1:m2) 7:8 (92.31 ¢ : 105.5 ¢)
Consistency limit 9
Distinct consistency limit 9

Template:EDO intro

Theory

The harmonics 3, 5 and 7 for 91edo are on the flat side, making this a mostly flat system. The equal temperament tempers out 15625/15552 in the 5-limit, 225/224 and 4375/4374 in the 7-limit, 245/242, 385/384 in the 11-limit, and 105/104, 144/143, 196/195 in the 13-limit. It provides the optimal patent val for 11- and 13-limit septimin temperament, and the 13-limit rank-3 tripod temperament, as well as the 11-limit rank-4 temperament tempering out 245/242 and the 13-limit rank-5 temperament tempering out 105/104, or rank-4 tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also.

Using the 91c val, it is audibly indistinguishable from a closed system of 1/7-comma meantone, with a 5th only 0.018 cents sharper. The chromatic semitone in this scale corresponds to 135/128, the eigenmonzo (unchanged-interval) of 1/7-comma meantone. Being 7 steps, what is also remarkable is that in this instance the chromatic semitone is equal to one step of 13edo. Since 135/128 is also equal to 1/13 of the octave, the 91c val tempers out the aluminium comma in the 5-limit.

The equal temperament also tempers out the [-11 26 -13, the tridecatonic comma, which assigns 10/9 to 2/13 of the octave, and it supports trideci in the 7-limit, tempering out 4375/4374 and 83349/81920. It supports a variant of semaphore temperament which tempers out the [-42 23 2 comma in the 2.3.7 subgroup, and is generated by a 19\91 generator. It is the second highest in a series of four consecutive edos that temper out quartisma ([24 -6 0 1 -5), and as a corollary it is a tuning for the quartkeenlig temperament, which can also act as a stretched 23edo. In the 13-limit, it supports vidar and gives a reasonable tuning for its size.

Odd harmonics

Approximation of odd harmonics in 91edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) -3.05 -3.90 -6.19 -6.11 +2.53 +3.43 +6.24 +0.54 +5.78 +3.94 +4.69
Relative (%) -23.2 -29.5 -46.9 -46.3 +19.2 +26.0 +47.3 +4.1 +43.9 +29.9 +35.6
Steps
(reduced)
144
(53)
211
(29)
255
(73)
288
(15)
315
(42)
337
(64)
356
(83)
372
(8)
387
(23)
400
(36)
412
(48)

Miscellaneous properties

91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13.

The concoctic scale for 91edo is 27 steps, where two concoctic neutral thirds make a sharp fifth of 54\91, representing 3/2 in the 91b val.

Regular temperament properties

Subgroup Comma List Mapping Optimal
8ve Stretch (¢)
Tuning Error
Absolute (¢) Relative (%)
2.3 [-144 91 [91 144]] +0.963 0.964 7.31
2.3.5 15625/15552, 43046721/41943040 [], 91 144 211]] +1.202 0.857 6.49
2.3.5.7 225/224, 4375/4374, 50421/50000 [91 144 211 255]] +1.453 0.860 6.51

Rank-2 temperaments

Periods
per 8ve
Generator* Cents* Associated
Ratio*
Temperaments
1 2\91 26.37 49/48 Sfourth
1 4\91 52.75 33/32 Quartkeenlig (91f)
1 11\91 145.05 49/45 Swetneus (91ef)
1 19\91 250.55 1240029/1048576 Semaphore variant (24 & 91) †
1 20\91 263.74 7/6 Septimin (91)
1 24\91 316.48 6/5 Catakleismic (91f)
1 33\91 435.16 9/7 Supermajor
1 34\91 448.35 35/27 Semidimfourth
1 38\91 501.10 4/3 Lalagu (12 & 79) (91)
Meantone (91c)
1 44\91 580.22 7/5 Tritonic
7 38\91
(1\91)
501.10
(13.19)
4/3
(81/80)
Absurdity
13 38\91
(1\91)
501.10
(13.19)
4/3
(265/252)
Trideci (91)
aluminium (91c)

* octave-reduced form, reduced to the first half-octave, and minimal form in parentheses if it is distinct

† derived from scales in the Scales section, official name not decided upon yet.

Notation

Eliora's notation

Eliora, who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.

Table of intervals in 91edo
# Eliora's Naming System Eliora's Notation Associated Ratio
0 unison
perfect prime
perfect prota
A
Az (А)
1/1
1 major prime
major prota
A#
Az#
1728/1715
2 augmented prota Az##
3 biaugmented prota Az###
4 bidiminished deiteria Buki♭♭♭ 33/32
5 diminished deiteria Buki♭♭
6 minor deiteria Buki♭
7 neutral deiteria Buki (Б) 135/128
8 major deiteria Buki#
9 augmented deiteria Buki##
10 biaugmented deiteria Buki###
11 bidiminished tritia Vedi♭♭♭ 13/12, 12/11
12 diminished tritia Vedi♭♭
13 neutral secunde
minor tritia
B
Vedi♭
11/10
14 neural tritia Vedi (В) 10/9
15 major tritia Vedi# 9/8
16 augmented tritia Vedi##
17 biaugmented tritia Vedi###
18 bidiminished tesseria Glagol♭♭♭ 8/7
19 diminished tesseria Glagol♭♭
20 minor tesseria Glagol♭ 7/6
21 neutral tesseria Glagol (Г)
22 major tesseria Glagol# 13/11
23 augmented tesseria Glagol##
24 biaugmented tesseria Glagol### 6/5
25 bidiminished pemptia Dobro♭♭♭
26 neutral tertie
diminished pemptia
C
Dobro♭♭
11/9
27 major tertie
minor pemptia
C#
Dobro♭
16/13, 27/22
28 neutral pemptia Dobro (Д)
29 major pemptia Dobro# 5/4
30 augmented pemptia Dobro##
31 biaugmented pemptia Dobro###
32 bidiminished hektia Yest♭♭♭ 14/11
33 diminished hektia Yest♭♭ 9/7
34 minor hektia Yest♭
35 neutral hektia Yest (Е)
36 major hektia Yest#
37 augmented hektia Yest##
38 biaugmented hektia Yest### 4/3
39 neutral quarte
bidiminished hebdomia
D
Zhivete♭♭♭
40 diminished hebdomia Zhivete♭♭
41 minor hebdomia Zhivete♭
42 neutral hebdomia Zhivete (Ж) 11/8
43 major hebdomia Zhivete#
44 augmented hebdomia Zhivete## 7/5
45 biaugmented hebdomia Zhivete###
46 bidiminished ogdonia Dzelo♭♭♭
47 diminished ogdonia Dzelo♭♭ 10/7
48 minor ogdonia Dzelo♭
49 neutral ogdonia Dzelo (Ѕ)
52 neutral quinte E 121/81
53 major quinte E# 3/2
54 augmented quinte
diminished ennatia
E##
Zemle♭♭
256/169
55 minor ennatia Zemle♭
56 neutral ennatia Zemle (З)
63 neutral decatia Izhe (И)
64 major decatia
minor sexte
Izhe#
F♭
65 neutral sexte F
70 neutral hendecatia Jerve (Ђ)
77 neutral dodecatia Kako (К)
78 neutral septime G
84 neutral decatotritia Ludi (Л)
91 perfect octave
perfect decatotetartia
A
Az (А)
2/1 exact

Scales

  • Semaphore5: 19 15 19 19 19
  • Semaphore9: 15 4 15 4 15 4 15 15 4
  • Semaphore14: 4 11 4 4 11 4 4 11 4 11 4 4 11 4
  • NaiveMajor[7]: 13 16 10 13 16 13 10
  • NaiveMinor[7]: 13 10 16 13 10 13 16
  • Septimin[9]: 11 9 11 9 11 9 11 9 11
  • SeptiminHijaz[9]: 5 15 11 9 11 9 5 15 11
  • Meantone[12]: 878787887878
  • Meantone43 in 91edo
  • Meantone55 in 91edo
  • NaiveOrwell[13]: 5795797597579
  • ArabicNaiveOrwell[13]: 1 11 9 5 1 15 7 5 9 7 1 11 9
  • HungarianNaiveSurorwell[13]: 7 7 8 6 11 5 5 7 10 4 4 13 4
  • Quartkeenlig[23]: 44444444444444444444443
  • ConcocticSubset[7]: 17 10 17 10 17 10 17
  • ConcocticMaqamSikah: 10 17 17 10 10 17 10

Music

Mercury Amalgam
Chris Vaisvil