128/125: Difference between revisions
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This interval can also be called a kilobyte comma, since it represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000. | This interval can also be called a kilobyte comma, since it represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000. | ||
If the diesis is treated as a musical interval in its own right as opposed to tempering it out, it is approximately a quarter-tone and so can be used to introduce 7-limit and 11-limit harmony into the 5-limit. | |||
== See also == | == See also == |
Revision as of 03:54, 13 March 2023
Interval information |
augmented comma
Trigu comma
reduced subharmonic
The 41.059 cent interval of 128/125 is called the diesis or augmented comma; it represents the gap between three 5/4 just major thirds and the octave, or in other words 2/(5/4)3. It is fairly accurately represented by a single step in 28-, 31- or 34edo, and by two steps of 53-, 59- or 65edo. In any tuning with pure octaves and just major thirds, such as quarter-comma meantone, it will be exact. Furthermore, in quarter-comma meantone it appears as the difference between sharps and flats, e.g. between D# and Eb. It is also called enharmonic diesis or enharmonic comma for this reason. Tempering it out leads to augmented temperament.
This interval can also be called a kilobyte comma, since it represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000.
If the diesis is treated as a musical interval in its own right as opposed to tempering it out, it is approximately a quarter-tone and so can be used to introduce 7-limit and 11-limit harmony into the 5-limit.
See also
- Diesis (disambiguation page)