40edo: Difference between revisions
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{{Infobox ET}} | |||
{{ED intro}} | |||
== Theory == | |||
Up to this point, all the multiples of 5 have had the 720{{c}} [[blackwood]] fifth as their best approximation of [[3/2]]. 35edo combined the small circles of blackwood and whitewood fifths, almost equally far from just, requiring the use of both to reach all keys. 40edo adds a diatonic fifth that's closer to just. However, it is still the second flattest diatonic fifth, only exceeded by 47edo in error, which results in it being inconsistent in the [[5-limit]] - combining the best 5/4 (390{{c}}) and the best 6/5 (330{{c}}) will result in the blackwood fifth instead. So some may not consider it a valid perfect fifth. | |||
40edo is more accurate on the 2.9.5.21.33.13.51.19 [[k*N_subgroups| 2*40 subgroup]], where it offers the same tuning as [[80edo|80edo]], and tempers out the same commas. It is also the first equal temperament to approximate both the 23rd and 19th harmonic, by tempering out the 9 cent comma to 4-edo, with 10 divisions therein. | Despite all keys being reachable by stacking this fifth, it does not qualify as meantone either. Instead, it supports [[deeptone]], which tempers out [[177147/163840]] and [[1053/1024]] in the patent val instead of [[81/80]], meaning that four fifths make a near perfect [[16/13|tridecimal neutral third (16/13)]] and it takes a full 11 fifths (i.e. at the augmented third) to reach the 5th harmonic. | ||
40edo tempers out [[648/625]] in the 5-limit; [[225/224]] and [[16807/16384]] in the [[7-limit]]; [[99/98]], [[121/120]] and [[176/175]] in the [[11-limit]] - tuning [[orwell]] though highly suboptimally; and [[66/65]] in the 13-limit. | |||
81/80 is only tempered out in the 40c alternative [[val]] where the aforementioned high neutral third is equated with 5/4 instead of the much more accurate 390-cent interval. The resulting [[5L 2s]] scale has large steps of 6 intervals and small ones of 5, putting sharps and flats right next to letters without any ups or downs in between and requiring a lot of them to notate more distant keys. | |||
=== Odd harmonics === | |||
40edo is most accurate on the 2.9.5.21.33.13.51.19.23 [[k*N_subgroups| 2*40 subgroup]], where it offers the same tuning as [[80edo|80edo]], and tempers out the same commas. It is also the first equal temperament to approximate both the 23rd and 19th harmonic, by tempering out the 9 cent comma to 4-edo, with 10 divisions therein. | |||
40edo can be treated as a [[dual-fifth system]] in the 2.3+.3-.5.7.11 subgroup, or the 2.3+.3-.5.7.11.13.19.23 subgroup for those who aren’t intimidated by lots of [[basis element]]s. Both of its fifths can sound [[consonant]] to many listeners. | |||
{{harmonics in equal|40}} | |||
== Intervals == | |||
{{Todo|cleanup|inline=1}} | |||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
|- | |- | ||
! # | |||
! style="text-align: center;" | Cents | |||
! colspan="3" | Notation | |||
! colspan="2" | Approximate ratios | |||
! Difference | |||
|- | |- | ||
! 0 | |||
| | ! 0¢ | ||
| | | perfect unison | ||
| | | P1 | ||
| | | D | ||
| | | 1:1 | ||
| | | <small>''0''</small> | ||
| 0 | |||
|- | |- | ||
! 1 | |||
! 30 | |||
| | | augmented 1sn | ||
| | | A1 | ||
| | | D# | ||
| | | 59:58 | ||
| | | <small>''29.5944''</small> | ||
| | | 0.40553 | ||
|- | |- | ||
| | ! 2 | ||
| | ! 60 | ||
| | | double-aug 1sn | ||
| | | AA1 | ||
|0. | | Dx | ||
| 29:28 | |||
| <small>''60.7512''</small> | |||
| -0.75128 | |||
|- | |- | ||
! 3 | |||
! 90 | |||
| | | double-dim 2nd | ||
| | | dd2 | ||
| | | D#x, Ebbb | ||
| | | 20:19 | ||
| | | <small>''88.8006''</small> | ||
| | | 1.19930 | ||
|- | |- | ||
! 4 | |||
! 120 | |||
| | | diminished 2nd | ||
| | | d2 | ||
| | | Ebb | ||
| | | 15:14 | ||
| | | <small>''119.4428''</small> | ||
| | | 0.55719 | ||
|- | |- | ||
| | ! 5 | ||
| | ! 150 | ||
| | | minor 2nd | ||
| | | m2 | ||
|0. | | Eb | ||
| 12:11 | |||
| <small>''150.6370''</small> | |||
| -0.63705 | |||
|- | |- | ||
| | ! 6 | ||
| | ! 180 | ||
| | | major 2nd | ||
| | | M2 | ||
| - | | E | ||
| 10:9 | |||
| <small>''182.4037''</small> | |||
| -2.40371 | |||
|- | |- | ||
! 7 | |||
! 210 | |||
| | | augmented 2nd | ||
| | | A2 | ||
| | | E# | ||
| | | 9:8 | ||
| | | <small>''203.9100''</small> | ||
| | | 6.08999 | ||
|- | |- | ||
! 8 | |||
! 240 | |||
| | | double-aug 2nd | ||
| | | AA2 | ||
| | | Ex | ||
| | | 8:7 | ||
| | | <small>''231.1741''</small> | ||
| | | 8.82590 | ||
|- | |- | ||
! 9 | |||
! 270 | |||
| | | double-dim 3rd | ||
| | | dd3 | ||
| | | Fbb | ||
| | | 7:6 | ||
| | | <small>''266.8709''</small> | ||
| | | 3.12909 | ||
|- | |- | ||
! 10 | |||
! 300 | |||
| | | diminished 3rd | ||
| | | d3 | ||
| | | Fb | ||
| | | 19:16 | ||
| | | <small>''297.5130''</small> | ||
| | | 2.48698 | ||
|- | |- | ||
! 11 | |||
! 330 | |||
| | | minor 3rd | ||
| | | m3 | ||
| | | F | ||
| | | 6:5 | ||
| | | <small>''315.6412''</small> | ||
| | | 14.3587 | ||
|- | |- | ||
! 12 | |||
! 360 | |||
| | | major 3rd | ||
| | | M3 | ||
| | | F# | ||
| | | 16:13 | ||
| | | <small>''359.4723''</small> | ||
| | | 0.52766 | ||
|- | |- | ||
! 13 | |||
! 390 | |||
| | | augmented 3rd | ||
| | | A3 | ||
| | | Fx | ||
| | | 5:4 | ||
| | | <small>''386.3137''</small> | ||
| | | 3.68628 | ||
|- | |- | ||
! 14 | |||
! 420 | |||
| | | double-aug 3rd | ||
| | | AA3 | ||
| | | F#x, Gbbb | ||
| | | 14:11 | ||
| | | <small>''417.5079''</small> | ||
| | | 2.49203 | ||
|- | |- | ||
! 15 | |||
! 450 | |||
| | | double-dim 4th | ||
| | | dd4 | ||
| | | Gbb | ||
| | | 22:17 | ||
| | | <small>''446.3625''</small> | ||
| | | 3.63746 | ||
|- | |- | ||
! 16 | |||
! 480 | |||
| | | diminished 4th | ||
| | | d4 | ||
| | | Gb | ||
| | | 21:16 | ||
| | | <small>''470.781''</small> | ||
| | | 9.219 | ||
|- | |- | ||
! 17 | |||
! 510 | |||
| | | perfect 4th | ||
| | | P4 | ||
| | | G | ||
| | | 4:3 | ||
| | | <small>''498.0449''</small> | ||
| | | 11.9550 | ||
|- | |- | ||
| | ! 18 | ||
| | ! 540 | ||
| | | augmented 4th | ||
| | | A4 | ||
|11. | | G# | ||
| 11:8 | |||
| <small>''551.3179''</small> | |||
| -11.3179 | |||
|- | |- | ||
! 19 | |||
! 570 | |||
| | | double-aug 4th | ||
| | | AA4 | ||
| | | G## | ||
| | | 25:18 | ||
| | | <small>''568.7174''</small> | ||
| | | 1.2825 | ||
|- | |- | ||
| | ! 20 | ||
! 600 | |||
| | | triple-aug 4th, | ||
triple-dim 5th | |||
| | | AAA4, | ||
| | ddd5 | ||
| | | Gx#, Abbb | ||
| | | 7:5 | ||
| <small>''582.5121''</small> | |||
| 17.4878 | |||
|- | |- | ||
! 21 | |||
! 630 | |||
| | | double-dim 5th | ||
| | | dd5 | ||
| | | Abb | ||
| | | 23:16 | ||
| | | <small>''628.2743''</small> | ||
| | | 1.72565 | ||
|- | |- | ||
! 22 | |||
! 660 | |||
| | | diminished 5th | ||
| | | d5 | ||
| | | Ab | ||
| | | 16:11 | ||
| | | <small>''648.6820''</small> | ||
| | | 11.3179 | ||
|- | |- | ||
| | ! 23 | ||
| | ! 690 | ||
| | | perfect 5th | ||
| | | P5 | ||
|11. | | A | ||
| 3:2 | |||
| <small>''701.9550''</small> | |||
| -11.9550 | |||
|- | |- | ||
| | ! 24 | ||
| | ! 720 | ||
| | | augmented 5th | ||
| | | A5 | ||
| - | | A# | ||
| 32:21 | |||
| <small>''729.2191''</small> | |||
| -9.219 | |||
|- | |- | ||
| | ! 25 | ||
| | ! 750 | ||
| | | double-aug 5th | ||
| | | AA5 | ||
| - | | Ax | ||
| 17:11 | |||
| <small>''753.6374''</small> | |||
| -3.63746 | |||
|- | |- | ||
| | ! 26 | ||
| | ! 780 | ||
| | | double-dim 6th | ||
| | | dd6 | ||
| - | | A#x, Bbbb | ||
| 11:7 | |||
| <small>''782.4920''</small> | |||
| -2.49203 | |||
|- | |- | ||
! 27 | |||
| | ! 810 | ||
| | | diminished 6th | ||
| | | d6 | ||
| - | | Bbb | ||
| | | style="text-align: center;" | 8:5 | ||
| | | <small>''813.6862''</small> | ||
| | | -3.68628 | ||
|- | |- | ||
| | ! 28 | ||
| | ! 840 | ||
| | | minor 6th | ||
| | | m6 | ||
| - | | Bb | ||
| 13:8 | |||
| <small>''840.5276''</small> | |||
| -0.52766 | |||
|- | |- | ||
! 29 | |||
| | ! 870 | ||
| | | major 6th | ||
| | | M6 | ||
| - | | B | ||
| | | style="text-align: center;" | 5:3 | ||
| | | <small>''884.3587''</small> | ||
| | | -14.3587 | ||
|- | |- | ||
| | ! 30 | ||
| | ! 900 | ||
| style="text-align:center;" | | | augmented 6th | ||
| | | A6 | ||
| - | | B# | ||
| style="text-align: center;" | 32:19 | |||
| <small>''902.4869''</small> | |||
| -2.48698 | |||
|- | |- | ||
| | ! 31 | ||
| | ! 930 | ||
| style="text-align:center;" | | | double-aug 6th | ||
| | | AA6 | ||
| - | | Bx | ||
| style="text-align: center;" | 12:7 | |||
| <small>''933.1291''</small> | |||
| -3.12909 | |||
|- | |- | ||
| | ! 32 | ||
| | ! 960 | ||
| style="text-align:center;" | | | double-dim 7th | ||
| | | dd7 | ||
| - | | Cbb | ||
| style="text-align: center;" | 7:4 | |||
| <small>''968.8259''</small> | |||
| -8.82590 | |||
|- | |- | ||
| | ! 33 | ||
| | ! 990 | ||
| style="text-align:center;" | | | diminished 7th | ||
| | | d7 | ||
| - | | Cb | ||
| style="text-align: center;" | 16:9 | |||
| <small>''996.0899''</small> | |||
| -6.08999 | |||
|- | |- | ||
| | ! 34 | ||
| | ! 1020 | ||
| style="text-align:center;" | | | minor 7th | ||
| | | m7 | ||
| | | C | ||
| style="text-align: center;" | 9:5 | |||
| <small>''1017.5962''</small> | |||
| 2.40371 | |||
|- | |- | ||
| | ! 35 | ||
| | ! 1050 | ||
| style="text-align:center;" | | | major 7th | ||
| | | M7 | ||
| | | C# | ||
| style="text-align: center;" | 11:6 | |||
| <small>''1049.3629''</small> | |||
| 0.63705 | |||
|- | |- | ||
| | ! 36 | ||
| | ! 1080 | ||
| style="text-align:center;" | | | augmented 7th | ||
| | | A7 | ||
|0. | | Cx | ||
| style="text-align: center;" | 28:15 | |||
| <small>''1080.5571''</small> | |||
| -0.55719 | |||
|- | |- | ||
| | ! 37 | ||
| | ! 1110 | ||
| style="text-align:center;" | | | double-aug 7th | ||
| | | AA7 | ||
| - | | C#x, Dbbb | ||
| style="text-align: center;" | 19:10 | |||
| <small>''1111.1993''</small> | |||
| -1.19930 | |||
|- | |- | ||
| | ! 38 | ||
| | ! 1140 | ||
| style="text-align:center;" | | | double-dim 8ve | ||
| | | dd8 | ||
| | | Dbb | ||
| style="text-align: center;" | 56:29 | |||
| <small>''1139.2487''</small> | |||
| 0.75128 | |||
|- | |- | ||
| | ! 39 | ||
| | ! 1170 | ||
| style="text-align:center;" | | | diminished 8ve | ||
| | | d8 | ||
|0. | | Db | ||
| style="text-align: center;" | 116:59 | |||
| <small>''1170.4055''</small> | |||
| -0.40553 | |||
|- | |- | ||
| | ! 40 | ||
| | ! 1200 | ||
| style="text-align:center;" | | | perfect octave | ||
| | | P8 | ||
| D | |||
| | | style="text-align: center;" | 2:1 | ||
| | | <small>''1200''</small> | ||
| | | 0 | ||
| | |} | ||
|40 | |||
| | == Notation == | ||
| | === Sagittal notation === | ||
This notation uses the same sagittal sequence as EDOs [[30edo#Second-best fifth notation|30b]] and [[35edo#Sagittal notation|35]]. | |||
<imagemap> | |||
File:40-EDO_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 300 0 647 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 300 106 [[Fractional_3-limit_notation#Bad-fifths_limma-fraction_notation | limma-fraction notation]] | |||
default [[File:40-EDO_Sagittal.svg]] | |||
</imagemap> | |||
== Octave stretch or compression == | |||
'''127ed9''' optimises 40edo for [[dual-fifth]] usage by distributing error evenly between its two fifths. 127ed9 is just 40edo with [[octave shrinking|octaves compressed]] by 1.9{{c}}. | |||
{{harmonics in equal|127|9|1|intervals=integer|collapsed=yes}} | |||
{{harmonics in equal|40|2|1|intervals=integer|collapsed=yes}} | |||
== Scales == | |||
* Amulet{{idiosyncratic}}, (approximated from [[magic]] in [[25edo]]): 3 2 3 3 2 3 5 3 3 2 3 5 3 | |||
* [[Equipentatonic]]: 8 8 8 8 8 | |||
* Evacuated planet{{idiosyncratic}} (approximated from [[66afdo|66]][[afdo]]): 4 13 6 12 5 | |||
* Approximations of [[gamelan]] scales: | |||
** 5-tone pelog: 4 5 14 3 14 | |||
** 7-tone pelog: 4 5 8 6 3 10 4 | |||
** 5-tone slendro: 8 8 8 8 8 | |||
* 12-tone 4&10edo scale: 4 4 2 2 4 4 4 4 2 2 4 4 | |||
* 12-tone 5&8edo scale: 5 3 2 5 1 4 4 1 5 2 3 5 | |||
{| class="wikitable mw-collapsible mw-collapsed" | |||
|+Approximated from [[96edo]] | |||
|''Contains [[Template:Idiosyncratic|idiosyncratic terms]].'' | |||
* Flattened major: 7 6 4 6 7 7 3 | |||
* Sharpened minor: 7 3 7 6 4 7 6 | |||
* Sharpened harmonic minor: 7 3 7 7 3 11 2 | |||
* Flattened major pentatonic: 6 7 10 7 10 | |||
* Sharpened minor pentatonic: 10 7 6 11 6 | |||
* Evened minor hexatonic: 6 4 7 6 10 7 | |||
* Roughened augmented: 11 3 10 3 10 3 | |||
* Evened dominant pentatonic: 7 7 9 10 7 | |||
* Sharpened Dorian: 7 3 7 7 7 3 6 | |||
* Flattened Ionian pentatonic: 13 3 7 13 4 | |||
* Sharpened Dorian harmonic: 7 3 10 4 7 3 6 | |||
* Evened Mixolydian pentatonic: 13 4 6 10 7 | |||
* Evened Phrygian dominant: 4 9 4 6 4 6 7 | |||
* Evened Phrygian dominant hexatonic: 3 10 4 6 10 7 | |||
* Sharpened Phrygian pentatonic: 4 7 13 3 13 | |||
* Sharpened minor harmonic pentatonic I: 7 3 14 13 3 | |||
* Evened hirajoshi: 7 4 12 4 13 | |||
* Sharpened hirajoshi: 7 4 13 4 12 | |||
* Extra-sharp hirajoshi: 8 3 13 4 12 | |||
* Evened akebono I: 6 5 12 6 11 | |||
* Sharpened akebono I: 7 3 14 6 10 | |||
* Extra-sharp akebono I: 7 4 13 7 9 | |||
* Evened Javanese pentachordal: 4 7 9 4 16 | |||
* Moonbeam: 7 4 12 14 3 | |||
* Palace (type of [[equiheptatonic]]): 5 6 6 6 6 6 5 | |||
* Underpass: 11 12 8 3 6 | |||
|} | |} | ||
[[ | |||
[[Category: | == Instruments == | ||
[[Category: | * [[Lumatone mapping for 40edo]] | ||
== Music == | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/x5cnT4Bw1ZQ ''Balance Beam''] (2026) | |||
; [[Claudi Meneghin]] | |||
* [https://www.youtube.com/watch?v=EMZu6ZE6A3g ''Happy Birthday Canon'', 6-in-1 Canon in 40edo] | |||
* [https://www.youtube.com/watch?v=eu854Ld_uLE ''Canon on Twinkle Twinkle Little Star'', for Baroque Oboe & Viola] (2023) – ([https://www.youtube.com/watch?v=l7vDHwsboLE for Organ]) | |||
; [[Stephen Weigel]] | |||
* [https://www.youtube.com/watch?v=tLmaQK10aYM ''Ĥ̶̩̠̐Ä̶̝͙́̓Ȑ̸̢͒K̷̥̩͌͑!̵̙͆̄ THE BIBLICALLY ACCURATE ANGELS SING!''] (2025; mostly in 42edo, but also some in 40edo) | |||
** [https://www.youtube.com/watch?v=NE77rwCsGHw live performance of the above in Munich, Germany] (2026) | |||
[[Category:Listen]] | |||
[[Category:Todo:add rank 2 temperaments table]] | |||