User:MisterShafXen/26edo notation: Difference between revisions
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Created page with "26edo can be notated as a superset of 13edo as follows: A At A#/Bb Bd B Bt B#/Cb Cd C Ct C#/Db Dd D Dt D#/Eb Ed E Et E#/Fb Fd F Ft F#/Gb Gd G Gt/Ad (A) An A major chor..." Tags: Visual edit Mobile edit Mobile web edit |
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[[26edo]] can be notated as a superset of [[13edo]] as follows: | [[26edo]] can be notated as a superset of [[13edo]] as follows: | ||
A At A#/Bb Bd B Bt B#/Cb Cd C Ct C#/Db Dd D Dt D#/Eb Ed E Et E#/Fb Fd F Ft F#/Gb Gd G Gt/Ad (A) | A At A#/Bb Bd B Bt B#/Cb Cd C Ct C#/Db Dd D Dt D#/Eb Ed E Et E#/Fb Fd F Ft F#/Gb Gd G Gt/Ad (A) | ||
An A major chord would be spelled A C Ed and would be called A perfect (m5). This is because Cd is the m3 and Ct is the M3, E natural is P5 from A natural. | An A major chord would be spelled A C Ed and would be called A perfect (m5). This is because Cd is the m3 and Ct is the M3, E natural is P5 from A natural. | ||
A B major chord would be spelled B D Fd. | A B major chord would be spelled B D Fd. | ||
A C major chord would be spelled C E Gd. | A C major chord would be spelled C E Gd. | ||
A D major chord would be spelled D F At, which would look like a D perfect (M5). The reason for this quirk is that G-A is 1\13 and not 2\13. | A D major chord would be spelled D F At, which would look like a D perfect (M5). The reason for this quirk is that G-A is 1\13 and not 2\13. | ||
An A major scale would be spelled A B C Dd Ed Fd Gd, with the following key signature: Dd Fd Ed Gd. | An A major scale would be spelled A B C Dd Ed Fd Gd, with the following key signature: Dd Fd Ed Gd. | ||
== See also == | |||
* [[User:MisterShafXen/Notation hub]] | |||
{{Navbox notation}} | |||
[[Category:Notation]] | |||
[[Category:26edo]] | |||
Latest revision as of 08:33, 2 February 2025
26edo can be notated as a superset of 13edo as follows:
A At A#/Bb Bd B Bt B#/Cb Cd C Ct C#/Db Dd D Dt D#/Eb Ed E Et E#/Fb Fd F Ft F#/Gb Gd G Gt/Ad (A)
An A major chord would be spelled A C Ed and would be called A perfect (m5). This is because Cd is the m3 and Ct is the M3, E natural is P5 from A natural.
A B major chord would be spelled B D Fd.
A C major chord would be spelled C E Gd.
A D major chord would be spelled D F At, which would look like a D perfect (M5). The reason for this quirk is that G-A is 1\13 and not 2\13.
An A major scale would be spelled A B C Dd Ed Fd Gd, with the following key signature: Dd Fd Ed Gd.
See also
| View • Talk • EditMusical notation | |
|---|---|
| Universal | Sagittal notation |
| Just intonation | Functional Just System • Ben Johnston's notation (Johnston–Copper notation) • Helmholtz–Ellis notation • Color notation |
| MOS scales | Diamond-mos notation • KISS notation (Quasi-diatonic MOS notation) |
| Temperaments | Circle-of-fifths notation • Ups and downs notation (alternative symbols) • Syntonic–rastmic subchroma notation • Extended meantone notation • Fractional sharp notation |
See musical notation for a longer list of systems by category. See Category:Notation for the most complete, comprehensive list, but not sorted by category. | |