4:6:7:9: Difference between revisions
Jump to navigation
Jump to search
Created page with "{{Infobox Chord|ColorName=zo-9 no-3 or z9no3, har-9 no-3 or h9no3, sus-2 zo-7 or 2,z7}} '''4:6:7:9''' can be thought of as either a thirdless ''dom ninth chord'' or a sus-2 ''..." |
m See also |
||
(One intermediate revision by the same user not shown) | |||
Line 1: | Line 1: | ||
{{Infobox Chord|ColorName=zo-9 no-3 or z9no3, har-9 no-3 or h9no3, sus-2 zo-7 or 2,z7}} | {{Infobox Chord|ColorName=zo-9 no-3 or z9no3, har-9 no-3 or h9no3, sus-2 zo-7 or 2,z7}} | ||
'''4:6:7:9''' can be thought of as either a thirdless ''dom ninth chord'' or a sus-2 ''dom seventh chord'', especially if voiced 8:9:12:14. | '''4:6:7:9''' can be thought of as either a thirdless ''dom ninth chord'' or a sus-2 ''dom seventh chord'', especially if voiced 8:9:12:14. | ||
== See also == | |||
* [[4:5:6:9]] | |||
* [[4:5:7:9]] | |||
{{stub}} |
Latest revision as of 05:58, 4 December 2024
Chord information |
har-9 no-3 or h9no3
sus-2 zo-7 or 2,z7
4:6:7:9 can be thought of as either a thirdless dom ninth chord or a sus-2 dom seventh chord, especially if voiced 8:9:12:14.
See also
![]() |
This page is a stub. You can help the Xenharmonic Wiki by expanding it. |