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:''Note to editors: this page generally follows the Chicago Manual of Style, but links can be placed directly on publication titles.''
== Periodicals ==
== Periodicals ==
* Xenharmonikon
* ''[http://www.justintonation.net/one-one.html 1/1: The Journal of the Just Intonation Network]''. 1985-2007.
** [http://xh.xentonic.org/tables-of-contents.html Listing of print editions, 1974-1998.]
** All volumes (1-12) are available for purchase on [http://www.frogpeak.org/fpartists/fpjin.html Frog Peak Music].
** [https://www.xenharmonikon.org/ Current online-only publication].
* ''[https://interval.xentonic.org/ Interval, Journal of Music Research and Development]''. 1978-1987.
** Related history available in the [https://intervalarchive.com Interval Archive].
* ''[https://xh.xentonic.org/ Xenharmonikôn, An Informal Journal of Experimental Music]'' [print publication]. 1974-1998.
** All volumes (1-18) are available for purchase on [http://frogpeak.org/fpartists/fpchalmers.html Frog Peak Music].
* ''[https://www.xenharmonikon.org/ Xenharmonikon]'' [online publication]. 2018-present.
* [https://barthopkin.com/experimental-musical-instruments-back-issues/ Experimental Musical Instruments], 1985-1999.
** Available in the [https://archive.org/details/emi_archive/ Internet Archive].


== Papers ==
== Papers ==
* [[:File:Kuttner_-_Prince_Chu_Tsai-Yü's_Life_and_Work-_A_Re-Evaluation_of_His_Contribution_to_Equal_Temperament_Theory.pdf|Kuttner - Prince Chu Tsai-Yü's Life and Work- A Re-Evaluation of His Contribution to Equal Temperament Theory.pdf]]
* Bosanquet, R. H. M. "[[:File:Bosanquet_-_Temperament;_Or,_the_Division_of_the_Octave_Part_I.pdf|Temperament; Or, the Division of the Octave [Part I]]]". ''Proceedings of the Musical Association'', 1874-1875.
* [[:File:Gruber_-_Mersenne_and_Evolving_Tonal_Theory.pdf|Gruber - Mersenne and Evolving Tonal Theory.pdf]]
* Bosanquet, R. H. M. "[[:File:Bosanquet_-_Temperament;_Or,_the_Division_of_the_Octave_Part_II.pdf|Temperament; Or, the Division of the Octave [Part II]]]". ''Proceedings of the Musical Association'', 1874-1875.
* [[:File:Bosanquet_-_Temperament;_Or,_the_Division_of_the_Octave_Part_I.pdf|Bosanquet - Temperament; Or, the Division of the Octave Part I.pdf]]
* Christensen, Thomas and Jean-Philippe Rameau. "[[:File:Christensen_-_Eighteenth-Century_Science_and_the_Corps_Sonore.pdf|Eighteenth-Century Science and the ''Corps Sonore'': The Scientific Background to Rameau's Principle of Harmony]]". ''Journal of Music Theory", Spring 1987.
* [[:File:Bosanquet_-_Temperament;_Or,_the_Division_of_the_Octave_Part_II.pdf|Bosanquet - Temperament; Or, the Division of the Octave Part II.pdf]]
* [[Erlich, Paul]]. [[:File:MiddlePath2015.pdf|A Middle Path: Between Just Intonation and the Equal Temperaments]]. ''Xenharmonikôn, An Informal Journal of Experimental Music'', Summer 2006.
* [[:File:Christensen_-_Eighteenth-Century_Science_and_the_Corps_Sonore.pdf|Christensen - Eighteenth-Century Science and the Corps Sonore.pdf]]
* Gruber, Albion. "[[:File:Gruber_-_Mersenne_and_Evolving_Tonal_Theory.pdf|Mersenne and Evolving Tonal Theory]]". ''Journal of Music Theory", Spring 1970.
* [[:File:Werntz_-_Adding_New_Pitches.pdf|Werntz - Adding New Pitches.pdf]]
* Kuttner, Fritz A. "[[:File:Kuttner_-_Prince_Chu_Tsai-Yü's_Life_and_Work-_A_Re-Evaluation_of_His_Contribution_to_Equal_Temperament_Theory.pdf|Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory]]". ''Ethnomusicology'', May 1975.
* [[:File:MiddlePath2015.pdf|Paul Erlich - A Middle Path (Between Just Intonation and the Equal Temperaments)]]
* [[Milne, Andrew]], [[William Sethares]] & James Plamondon. "[https://sethares.engr.wisc.edu/paperspdf/tuningcontinua.pdf Tuning continua and keyboard layouts]". ''Journal of Mathematics and Music'', August 29, 2008.
* [[Reinhard, Johnny]]. ''[[8th Octave Overtone Tuning]]''. New York: Stereo Society, 2001.
* [[Werntz, Julia]]. "[[:File:Werntz_-_Adding_New_Pitches.pdf|Adding Pitches: Some New Thoughts, Ten Years after ''Perspectives of New Music'''s 'Forum: Microtonality Today']]". ''Perspectives of New Music'', Summer 2001.


== Dissertations ==
== Dissertations ==
* Smith, Charles Samuel, ''[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]'' . Indiana University, Ph.D., 1960.
* Adkins, Cecil Dale. ''[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF The Theory and Practice of the Monochord]''. State University of Iowa, Ph.D., 1963.
* Mandelbaum, Joel, ''[http://www.anaphoria.com/mandelbaum.html Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]'', Indiana University, Ph.D., 1961.
* Ayers, Lydia. ''[https://www.researchgate.net/publication/34958258_Exploring_microtonal_tunings_a_kaleidoscope_of_extended_just_tunings_and_their_compositional_applications Exploring microtonal tunings : a kaleidoscope of extended just tunings and their compositional applications]''. University of Illinois at Urbana-Champaign, D.M.A thesis, 1994.
* Adkins, Cecil Dale, ''[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF The Theory and Practice of the Monochord] .'' State University of Iowa, Ph.D., 1963.
* Baker, Gene V. ''[https://www.researchgate.net/publication/35951304_The_name_of_Zeus_notions_of_trance_and_the_17-note_microtonal_Chancey?_sg=5zT2E0Kg9plvizwlhc4wdx_8gjpxSIqq8vOS5AAHANkleXHctHfkMRCmHRoT5mMlm1KCpQ6Rt57WIa0 The name of Zeus : notions of trance and the 17-note microtonal "Chancey"]''. Mills College, M.F.A thesis, 2004.
* Farhat, Hormoz, ''The Dastgah Concept in Persian Music''. University of California, Los Angeles,, Ph.D., 1965.
* Battan, Suzette Mary. ''[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1 Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]''. University of Rochester, Ph.D., 1980.
* Green, Burdette Lamar, ''[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]'' . The Ohio State University, Ph.D., 1969.
* Burle, Jan. ''[https://www.researchgate.net/publication/275654070_An_Application_of_Calculated_Consonance_in_Computer-Assisted_Microtonal_Music An Application for the Calculated Consonance in Computer-Assisted Microtonal Music]''. Ph.D., 2013.
* Signell, Karl L, ''The Turkish "makam" system in contemporary theory and practice''. XXX, Ph.D., 1973.
* Burt, Warren. ''[https://ro.uow.edu.au/articles/thesis/Algorithms_microtonality_performance_eleven_musical_compositions/27829998 Algorithms, microtonality, performance: eleven musical compositions]'', Ph.D., 2007.
* Carey, Norman A. ''[https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales Distribution Modulo 1 and Musical Scales]''. University of Rochester, Ph.D., 1998.
* Clampitt, David. ''Pairwise Well-formed Scales: Structural and Transformational Properties''. SUNY at Buffalo, Ph.D., 1997.
* Djordjevic, Michael, L. ''Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum''. Radio Belgrade, Ph.D., 1995.
* Douthett, Jack. ''[https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales]''. University of New Mexico, Ph.D., 1999.
* Ederer, Eric. ''[http://www.ericederer.com/diss/diss.html The Theory and Praxis of Makam in Classical Turkish Music 1910-2010]''. University of California Santa Barbara, Ph.D., 2011.
* Farhat, Hormoz. ''The Dastgah Concept in Persian Music''. University of California, Los Angeles, Ph.D., 1965.
* Ferrer, Rafael. ''[https://www.researchgate.net/publication/215646531_The_role_of_timbre_in_the_memorization_of_microtonal_intervals The Role of Timbre in the Memorization of Microtonal Intervals]''. Tecnológico de Monterrey, Ph. D., 2007.
* Green, Burdette Lamar. ''[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]''. The Ohio State University, Ph.D., 1969.
* [[Hearne, Lillian M.]] ''[https://www.academia.edu/16496675/Towards_a_new_model_for_microtonal_music_The_regular_temperaments_of_22TET Towards a new model of microtonal music: The regular temperaments of 22TET]''. UWA School of Music, honors thesis dissertation, 2014.
* Heraty, Johanne Paula. ''[http://www.ams-net.org/ddm/fullResult.php?id=15022 The Microtonal Music of Ezra Sims]''. University College Dublin, Ph.D., 2011.
* Kassel, Richard M. ''The Evolution of Harry Partch's Monophony''. CUNY, Ph.D., 1996.
* Maltz, Richard Steven. [https://www.researchgate.net/publication/35073444_Microtonal_techniques_in_Charles_Ives%27s_%27Three_quarter-tone_pieces_for_two_pianos_%27_Harry_Patch%27s_%27And_the_seventh_day_petals_fell_in_Petaluma%27_and_Ben_Johnston%27s_%27Fourth_string_quartet%27 Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos', Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet']. University of South Carolina, Ph.D., 1991.
* [[Mandelbaum, Joel]]. ''[http://www.anaphoria.com/mandelbaum.html Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]''. Indiana University, Ph.D., 1961.
* [[Milne, Andrew J.]], ''[https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality A Computational Model for the Cognition of Tonality]''. Western Sydney University, Ph.D., 2013.''
* [[Pohlit, Stefan]]. ''[http://stefanpohlit.com/dissertation.engl..htm Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]''. Istanbul Technical University, Ph.D., 2011.
* Quinn, Ian. ''[http://canonsrythmiques.free.fr/gueststars/diss.pdf A Unified Theory of Chord Quality in Equal Temperaments]''. Eastman School of Music, Ph.D., 2004.
* Signell, Karl L. ''The Turkish "makam" system in contemporary theory and practice''. XXX, Ph.D., 1973.
* Skinner. Myles. ''[http://www.tierceron.com/diss/index.php Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]''. Buffalo University, Ph.D., 2006.
* Smith, Charles Samuel. ''[http://dav.ols16.com/nagarjuna/harmonic/Smith%20-%20Eulers%20Tentamen.PDF Leonhard Euler's Tentamen Novae Theoriae Musicae: A Translation and Commentary]''. Indiana University, Ph.D., 1960.
* Telese, Marciano. [https://www.researchgate.net/publication/317101330_Spectral_tuning_and_its_application_to_instrumental_and_vocal_composition Spectral tuning and its application to instrumental and vocal composition]. Thesis, 2005.
* [[Werntz, Julia Catherine]]. ''Toward an understanding of expanded equal temperament (Joseph Maneri)''. Brandeis University, Ph.D., 2000.
* Whaley, David Robert. [https://www.researchgate.net/publication/36375527_The_microtonal_capability_of_the_horn_microform?_sg=b3UJaF_eSdScr3IkY4lvc8Cl7ZJPVluJjXXlbCIoDCsVaGsZUoEJ6VHHIY-mi1DTam52oWhky5cqZC8 The Microtonal Capability of the Horn]. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
* Whaley, David Robert. [https://www.researchgate.net/publication/36375527_The_microtonal_capability_of_the_horn_microform?_sg=b3UJaF_eSdScr3IkY4lvc8Cl7ZJPVluJjXXlbCIoDCsVaGsZUoEJ6VHHIY-mi1DTam52oWhky5cqZC8 The Microtonal Capability of the Horn]. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
* Battan, Suzette Mary, ''[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1 Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]'', University of Rochester, Ph.D., 1980.
* [[Yarman, Ozan]]. ''[http://www.ozanyarman.com/files/doctorate_thesis.pdf 79-Tone Tuning & Theory for Turkish Maqam Music]''. Istanbul Technical University, Ph.D., 2008.
* Maltz, Richard Steven, [https://www.researchgate.net/publication/35073444_Microtonal_techniques_in_Charles_Ives%27s_%27Three_quarter-tone_pieces_for_two_pianos_%27_Harry_Patch%27s_%27And_the_seventh_day_petals_fell_in_Petaluma%27_and_Ben_Johnston%27s_%27Fourth_string_quartet%27 Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet'], University of South Carolina, Ph.D., 1991.
* Ayers, Lydia, [https://www.researchgate.net/publication/34958258_Exploring_microtonal_tunings_a_kaleidoscope_of_extended_just_tunings_and_their_compositional_applications Exploring microtonal tunings : a kaleidoscope of extended just tunings and their compositional applications], University of Illinois at Urbana-Champaign, D.M.A thesis, 1994,
* Djordjevic, Michael, L., ''Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum''. Radio Belgrade, Ph.D., 1995.
* Kassel, Richard M., ''The Evolution of Harry Partch's Monophony''. CUNY, Ph.D., 1996.
* Clampitt, David, ''Pairwise Well-formed Scales: Structural and Transformational Properties''. SUNY at Buffalo, Ph.D., 1997.
* Carey, Norman A., ''[https://www.researchgate.net/publication/235712212_Distribution_modulo_1_and_musical_scales Distribution Modulo 1 and Musical Scales]''. University of Rochester, Ph.D., 1998.
* Douthett, Jack, ''[https://www.researchgate.net/publication/234262980_The_theory_of_maximally_and_minimally_even_sets_the_one-_dimensional_antiferromagnetic_Ising_model_and_the_continued_fraction_compromise_of_musical_scales The Theory of Maximally and Minimally Even Sets, the One-Dimensional Antiferromagnetic Ising Model, and the Continued Fraction Compromise of Musical Scales]''. University of New Mexico, Ph.D., 1999.
* Werntz, Julia Catherine, ''Toward an understanding of expanded equal temperament (Joseph Maneri)''. Brandeis University, Ph.D., 2000.
* Quinn, Ian, ''[http://canonsrythmiques.free.fr/gueststars/diss.pdf A Unified Theory of Chord Quality in Equal Temperaments]'', Eastman School of Music, Ph.D., 2004.
* Baker, Gene V. , [https://www.researchgate.net/publication/35951304_The_name_of_Zeus_notions_of_trance_and_the_17-note_microtonal_Chancey?_sg=5zT2E0Kg9plvizwlhc4wdx_8gjpxSIqq8vOS5AAHANkleXHctHfkMRCmHRoT5mMlm1KCpQ6Rt57WIa0 The name of Zeus : notions of trance and the 17-note microtonal "Chancey"], Mills College, M.F.A thesis, 2004.
* Telese, Marciano, [https://www.researchgate.net/publication/317101330_Spectral_tuning_and_its_application_to_instrumental_and_vocal_composition Spectral tuning and its application to instrumental and vocal composition], thesis, 2005.
* Skinner. Myles, ''[http://www.tierceron.com/diss/index.php Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]'', Buffalo University, Ph.D., 2006.
* Ferrer, Rafael,''[https://www.researchgate.net/publication/215646531_The_role_of_timbre_in_the_memorization_of_microtonal_intervals The Role of Timbre in the Memorization of Microtonal Intervals], Tecnológico de Monterrey, Ph. D., 2007.''
* ''Yarman, Ozan,'' [http://www.ozanyarman.com/files/doctorate_thesis.pdf 79-Tone Tuning & Theory for Turkish Maqam Music]''. Istanbul Technical University, Ph.D., 2008.''
* ''Pohlit, Stefan,'' [http://stefanpohlit.com/dissertation.engl..htm Julien Jalâl Ed-Dine Weiss: A Novel Tuning System for the Middle-Eastern Qanun]'', Istanbul Technical University, Ph.D., 2011.''
* ''Ederer, Eric,'' [http://www.ericederer.com/diss/diss.html The Theory and Praxis of Makam in Classical Turkish Music 1910-2010]'', University of California Santa Barbara, Ph.D., 2011.''
* ''Heraty, Johanne Paula,'' [http://www.ams-net.org/ddm/fullResult.php?id=15022 The Microtonal Music of Ezra Sims]'', University College Dublin, Ph.D., 2011.''
* ''Milne, Andrew J.,'' [https://www.researchgate.net/publication/258121094_A_computational_model_of_the_cognition_of_tonality A Computational Model for the Cognition of Tonality]'', Western Sydney University, Ph.D., 2013.''
* ''Burle, Jan,'' [https://www.researchgate.net/publication/275654070_An_Application_of_Calculated_Consonance_in_Computer-Assisted_Microtonal_Music An Application for the Calculated Consonance in Computer-Assisted Microtonal Music], Ph.D., 2013.
* Hearne, Gareth, ''[https://www.academia.edu/16496675/Towards_a_new_model_for_microtonal_music_The_regular_temperaments_of_22TET Towards a new model of microtonal music: The regular temperaments of 22TET]'', UWA School of Music, honors thesis dissertation, 2014.


== Books ==
== Books ==
* Helmholtz, Hermann von. ''[http://www.archive.org/details/onsensationsofto00helmrich On the Sensations of Tone]''. 1862.
* Barbieri, Patrizio. ''[https://www.researchgate.net/publication/370161543_PATRIZIO_BARBIERI_TUNING_AND_TEMPERAMENT_PRACTICE_VS_SCIENCE_1450-2020 Tuning and temperament: practice vs science – 1450-2020]''. 2023
* Barbour, James Murray. ''[https://archive.org/details/tuningtemperamen00barb/page/n7/mode/2up Tuning and Temperament: A Historical Survey]''. 1951.
* Barker, Andrew. ''[[:File:Barker_2001_-_Scientific_Method_in_Ptolemy's_Harmonics.pdf|Scientific Method in Ptolemy's Harmonics]]''. 2001.
* Barker, Andrew. ''[[:File:Barker_2007_-_The_Science_of_Harmonics_in_Classical_Greece.pdf|The Science of Harmonics in Classical Greece]]''. 2007.
* Benson, Dave. ''[https://homepages.abdn.ac.uk/d.j.benson/pages/html/maths-music.html Music: a Mathematical Offering]''. Cambridge University Press, Nov 2006
* [[Blackwood, Easley]]. ''[https://www.worldcat.org/title/structure-of-recognizable-diatonic-tunings/oclc/1175639107 The Structure of Recognizable Diatonic Tunings]''. Princeton : Princeton University Press Jackson. 1985.
* Bosanquet, R. H. M. ''[[:File:Bosanquet_-_An_elementary_treatise_on_musical_intervals.pdf|An elementary treatise on musical intervals]]''. 1876.
* Bosanquet, R. H. M. ''[[:File:Bosanquet_-_An_elementary_treatise_on_musical_intervals.pdf|An elementary treatise on musical intervals]]''. 1876.
* [[Catler, Jon]]. ''[https://freenotemusic.com/product/the-nature-of-music/ The Nature of Music]''. New York: FreeNote Music, 2003.
* [[Chalmers, John H.]] ''[http://eamusic.dartmouth.edu/%7Elarry/published_articles/divisions_of_the_tetrachord/index.html Divisions of the Tetrachord]''. 1993.
* Duffin, Ross. ''[https://www.worldcat.org/fr/title/227016333 How Equal Temperament Ruined Harmony (and Why You Should Care)]''. 2007
* Forster, Cris. ''[https://www.chrysalis-foundation.org/musical-mathematics-pages/ Musical Mathematics: On the Art and Science of Acoustic Instruments]''. San Francisco: Chronicle Books, 2010.
* [[Gann, Kyle]]. ''[https://www.worldcat.org/title/arithmetic-of-listening-tuning-theory-and-history-for-the-impractical-musician/oclc/1080248582 The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician]''. Urbana: University of Illinois Press, [2019].
* [[Giedraitis, Kite]]. ''[http://www.tallkite.com/AlternativeTunings.html Alternative Tunings: Theory, Notation and Practice]''. (work in progress).
* Hába, Alois. [https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=2625&itemFileId=75826 New Theory of Harmony (translated by Suzette Mary Battan)]. 1927.
* Hába, Alois. [https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=2625&itemFileId=75826 New Theory of Harmony (translated by Suzette Mary Battan)]. 1927.
* Partch, Harry. ''Genesis of a Music''. 1949.
* [[Helmholtz, Hermann von]]. ''[http://www.archive.org/details/onsensationsofto00helmrich On the Sensations of Tone]''. 1862.
* Chalmers, John H. ''[http://eamusic.dartmouth.edu/%7Elarry/published_articles/divisions_of_the_tetrachord/index.html Divisions of the Tetrachord]''. 1993.
* Isacoff, Stuart. ''[https://stuartisacoff.net/books/temperament.html Temperament: How Music Became a Battleground for the Great Minds of Western Civilization].'' 2003
* Sethares, William. ''Tuning, Timbre, Spectrum, Scale''. 1998.
* [[Johnston, Ben]] and Bob Gilmore, ed. ''[https://www.worldcat.org/title/maximum-clarity-and-other-writings-on-music/oclc/470986317 Maximum clarity and other writings on music]''. Urbana; Chicago: University of Illinois Press, 2006.
* Barker, Andrew. ''[[:File:Barker_2001_-_Scientific_Method_in_Ptolemy's_Harmonics.pdf|Scientific Method in Ptolemy's Harmonics]]''. 2001.
* Jedrzejewski, Franck. ''[https://www.editions-delatour.com/fr/sciences-de-la-musique/1031-mathematical-theory-of-music-9782752100238.html Mathematical Theory of Music]''. 2006.
* Barker, Andrew. ''[[:File:Barker_2007_-_The_Science_of_Harmonics_in_Classical_Greece.pdf|The Science of Harmonics in Classical Greece]]''. 2007.
* [[Mathieu, W. A.]] ''[https://www.worldcat.org/title/harmonic-experience-tonal-harmony-from-its-natural-origins-to-its-modern-expression/oclc/891651333 Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern Expression.]''. Rochester: Inner Traditions, 2014.
* Müller, Nora-Louise. ''[https://www.worldcat.org/title/bohlen-pierce-clarinet-theoretical-aspects-and-contemporary-applications/oclc/1201385013 The Bohlen-Pierce Clarinet: Theoretical Aspects and Contemporary Applications]''. Norderstedt: Books on Demand, 2020.
* Narushima, Terumi. ''[https://www.routledge.com/Microtonality-and-the-Tuning-Systems-of-Erv-Wilson/Narushima/p/book/9781138857568 Microtonality and the Tuning Systems of Erv Wilson]''. 2018.
* Narushima, Terumi. ''[https://www.routledge.com/Microtonality-and-the-Tuning-Systems-of-Erv-Wilson/Narushima/p/book/9781138857568 Microtonality and the Tuning Systems of Erv Wilson]''. 2018.
* Giedraitis, Kite. ''[http://www.tallkite.com/AlternativeTunings.html Alternative Tunings: Theory, Notation and Practice]''. (work in progress).
* [[Partch, Harry]]. ''[https://pearl-hifi.com/06_Lit_Archive/02_PEARL_Arch/Vol_16/Sec_51/4555_Genesis_of_a_Music_2nd_Edn.pdf Genesis of a Music]''. 1949.
* Pierce, John R. ''[https://www.worldcat.org/title/science-of-musical-sound/oclc/8929315 The Science of Musical Sound]''. New York: Scientific American Library, 1983.
* [[Reinhard, Johnny]]. ''[https://www.worldcat.org/title/8th-octave-overtone-tuning-and-bassoon-fingerings-in-128/oclc/961274471 8th Octave Overtone Tuning and Bassoon Fingerings in 128]''. New York: American Festival of Microtonal Music, [2016].
* [[Sethares, William]]. ''[https://sethares.engr.wisc.edu/ttss.html Tuning, Timbre, Spectrum, Scale]''. 1998.
* [[Taylor, Cam]]. ''[https://cametaylor.wixsite.com/home/post/microtonality-in-55-keys-the-first-book Microtonality in 55 Keys]''. Self-published, 2020.


== See also ==
== See also ==
* [[Music Cognition Literature]]
* [[Music Cognition Literature]]
* [[WebCite citPractice -- '''''Mike's note - what was this supposed to be?'''''
* [[Practice]]
* [[WebCite citations]]
* [[Historical archive]]
* [[Gallery of Personal Viewpoints]]
* [[Microtonal blogs]]


[[Category:Books]]
== External links ==
[[Category:Reading]]
* [http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen
[[Category:Theory]]
* [https://www.huygens-fokker.org/docs/bibliography.html Tuning & temperament bibliography] on the [[Huygens-Fokker Foundation]] website
* [https://www.reddit.com/r/GlobalMusicTheory/wiki/index/ ''The r/GlobalMusicTheory Wiki''], a resource about [[world musical traditions]]


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Latest revision as of 18:51, 13 June 2026

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Periodicals

Papers

Dissertations

Books

See also

External links

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