Lumatone mapping for 95edo: Difference between revisions
m Link to dual-fifth |
→Diatonic (sharp fifth): Add Bryan Deister's quasi-diatonic layout |
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The 95 patent val has a moderately sharp fifth. On a hypothetical XL-sized Lumatone having enough keys to avoid skipping notes (475 required in the space of five octaves), the diatonic mapping would be a reasonable mapping for a temperament intermediate between [[Superpyth]] and [[Immunity]] on the [[Syntonic–diatonic equivalence continuum]]. | The 95 patent val has a moderately sharp fifth. On a hypothetical XL-sized Lumatone having enough keys to avoid skipping notes (475 required in the space of five octaves), the diatonic mapping would be a reasonable mapping for a temperament intermediate between [[Superpyth]] and [[Immunity]] on the [[Syntonic–diatonic equivalence continuum]]. | ||
{{Lumatone EDO mapping|n=95|start=14|xstep=17|ystep=-12}} | {{Lumatone EDO mapping|n=95|start=14|xstep=17|ystep=-12}} | ||
=== Quasi-Diatonic === | |||
A quasi-diatonic layout is also possible, which functions similarly to a diatonic mapping, but with the octaves shifting pitch class up by 2\95 with each higher octave. Thus, despite the missed notes, all notes are accessible in some octaves. [[Bryan Deister]] has demonstrated this in [https://www.youtube.com/shorts/aQapbuGFnhk ''Impostor Syndrome - Sidney Gish (microtonal cover in 95edo)''] (2025) with the MIDI mapping set to octave 1 | octave 2 | octave 2 | octave 3 | octave 3 | octave 4, to get the greater portion of the notes within each octave other than the bass (which is missing note 0 among other notes, whilethe last octave only has 3 notes represented), at the cost of less range. | |||
{{Lumatone EDO mapping|n=95|start=75|xstep=15|ystep=-4}} | |||
== Tetracot == | == Tetracot == | ||