128/125: Difference between revisions
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{{Infobox Interval | {{Infobox Interval | ||
| Name = diesis, augmented comma, enharmonic diesis, enharmonic comma | | Name = diesis, augmented comma, enharmonic diesis, enharmonic comma | ||
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The 41.059 cent interval of '''128/125''' is called the '''diesis''' or '''augmented comma'''; it represents the gap between a stack of three [[5/4]] just major thirds and the [[octave]], or in other words 2/(5/4)<sup>3</sup>. | The 41.059-[[cent]] interval of '''128/125''' is called the '''diesis''' or '''augmented comma'''; it represents the gap between a stack of three [[5/4]] just major thirds and the [[octave]], or in other words 2/(5/4)<sup>3</sup>. | ||
== Approximations == | |||
This interval is fairly accurately represented by a single step in [[28edo|28-]], [[31edo|31-]] or [[34edo]], and by two steps of [[53edo|53-]], [[59edo|59-]] or [[65edo]]. In any tuning with pure octaves and just major thirds, such as [[quarter-comma meantone]], it will be exact. Furthermore, in meantone it appears as the difference between sharps and flats, e.g. between D# and Eb. It is also called '''enharmonic diesis''' or '''enharmonic comma''' for this reason. | |||
== As a comma == | == Temperaments == | ||
Tempering out this comma leads to [[augmented]] temperament. See [[augmented family]] for the family where it is tempered out. | === As a comma === | ||
[[Tempering out]] this comma leads to [[augmented]] temperament. See [[augmented family]] for the family where it is tempered out. | |||
== As an interval == | === As an interval === | ||
If the diesis is treated as a musical interval in its own right as opposed to tempering it out, it is approximately a quarter-tone and so can be used to introduce [[7-limit]] and [[11-limit]] harmony into 5-limit scales. | If the diesis is treated as a musical interval in its own right as opposed to tempering it out, it is approximately a quarter-tone and so can be used to introduce [[7-limit]] and [[11-limit]] harmony into 5-limit scales. | ||
== | == Trivia == | ||
This interval represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000. | This interval represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000. | ||
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[[Category:Augmented]] | [[Category:Augmented]] | ||
[[Category:Sonifications]] | [[Category:Sonifications]] | ||
[[Category:Commas named after their interval size]] | |||
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Latest revision as of 07:02, 3 November 2024
| Interval information |
augmented comma,
enharmonic diesis,
enharmonic comma
Trigu comma
reduced subharmonic
The 41.059-cent interval of 128/125 is called the diesis or augmented comma; it represents the gap between a stack of three 5/4 just major thirds and the octave, or in other words 2/(5/4)3.
Approximations
This interval is fairly accurately represented by a single step in 28-, 31- or 34edo, and by two steps of 53-, 59- or 65edo. In any tuning with pure octaves and just major thirds, such as quarter-comma meantone, it will be exact. Furthermore, in meantone it appears as the difference between sharps and flats, e.g. between D# and Eb. It is also called enharmonic diesis or enharmonic comma for this reason.
Temperaments
As a comma
Tempering out this comma leads to augmented temperament. See augmented family for the family where it is tempered out.
As an interval
If the diesis is treated as a musical interval in its own right as opposed to tempering it out, it is approximately a quarter-tone and so can be used to introduce 7-limit and 11-limit harmony into 5-limit scales.
Trivia
This interval represents the amount by which the binary definition of kilobyte, 1024 bytes, exceeds the nominal definition of "kilo" prefix, 1000.
See also
- Diesis (disambiguation page)