Augmented triad

Revision as of 16:06, 21 August 2024 by FloraC (talk | contribs) (Rework to further explain what's going on in contemporary 12edo music)

The augmented triad is a triad traditionally described as comprising a root, major third, and augmented fifth. In contemporary 12edo music, the augmented fifth is enharmonically equivalent to a minor sixth, approximating 8/5, with the major third approximating 5/4, so it is a stack of two ~5/4's making up ~8/5, tempering out 128/125. In other words, three identical ~5/4's close at the octave, which implies it is a 5-odd-limit essentially tempered chord of the augmented temperament, the temperament named after this chord.

  • (Augmented) 1 – 5/4 – 8/5, with steps 5/4, 5/4, 5/4.
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In meantone

Before the ubiquity of 12edo, an augmented triad did not imply an equal tuning of all three thirds (technically, two major thirds and a diminished fourth). It can be viewed as a 9-odd-limit essentially tempered chord of marvel. See marvel chords. This is still compatible with 12edo and is perhaps as authentic as the 5-odd-limit interpretation above.

In just intonation

In the 5-limit:

  • 16:20:25 is found on the ♭II+ (1615), ♭III+ (65) ♭VI+ (85), and ♭VII+ (95) of the duodene.

In the 3-limit: