6edo: Difference between revisions

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'''[[Aaron Andrew Hunt]]'''
'''[[Aaron Andrew Hunt]]'''
* [https://aaronandrewhunt.bandcamp.com/track/prelude-in-6et "Prelude in 6ET"], from ''[https://aaronandrewhunt.bandcamp.com/album/the-equal-tempered-keyboard The Equal-Tempered Keyboard]'' (1999-2022) ([https://soundcloud.com/uz1kt3k/prelude-in-6et SoundCloud])
* [https://aaronandrewhunt.bandcamp.com/track/prelude-in-6et "Prelude in 6ET"], from [https://aaronandrewhunt.bandcamp.com/album/the-equal-tempered-keyboard ''The Equal-Tempered Keyboard''] (1999-2022) ([https://soundcloud.com/uz1kt3k/prelude-in-6et SoundCloud])
* [https://aaronandrewhunt.bandcamp.com/track/invention-in-6et "Invention in 6ET"], from ''The Equal-Tempered Keyboard'' (1999-2022) ([https://soundcloud.com/uz1kt3k/invention-in-6et SoundCloud])
* [https://aaronandrewhunt.bandcamp.com/track/invention-in-6et "Invention in 6ET"], from ''The Equal-Tempered Keyboard'' (1999-2022) ([https://soundcloud.com/uz1kt3k/invention-in-6et SoundCloud])



Revision as of 03:15, 26 September 2022

English Wikipedia has an article on:

6 equal divisions of the octave (6edo) is the tuning system derived by dividing the octave into 6 equal steps of 200 cents each, or the sixth root of 2. It is also known as the whole tone scale.

Theory

Approximation of odd harmonics in 6edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) +98.0 +13.7 +31.2 -3.9 +48.7 -40.5 -88.3 +95.0 -97.5 -70.8 -28.3
Relative (%) +49.0 +6.8 +15.6 -2.0 +24.3 -20.3 -44.1 +47.5 -48.8 -35.4 -14.1
Steps
(reduced)
10
(4)
14
(2)
17
(5)
19
(1)
21
(3)
22
(4)
23
(5)
25
(1)
25
(1)
26
(2)
27
(3)

As a subset of 12edo, 6edo can be notated on a five-line staff with standard notation. It is the first edo that is not a zeta peak, has lower consistency than the one that precedes it, and the highest edo that has no single period mode of symmetry scales other than using the single step as a generator. This means it is relatively poor for its size at creating traditional tonal music, with 5edo and 7edo both having much better representations of the third harmonic, but has still seen more use than most edos other than 12, since it can be played on any 12 tone instrument.

While 6edo does not well approximate the 3rd harmonic, it does contain a good approximation of the 9th harmonic. Therefore, 6edo can be treated as a 2.5.7.9 subgroup temperament.

Related edos:

Intervals

Steps Cents Interval Approximate JI Ratios*
0 0 unison P1 D 1/1
1 200 major 2nd M2 E 8/7, 9/8, 10/9
2 400 major 3rd M3 F# 5/4, 9/7
3 600 aug 4th, dim 5th A4, d5 G#, Ab 7/5, 10/7
4 800 minor 6th m6 Bb 8/5, 14/9
5 1000 minor 7th m7 C 7/4, 9/5, 16/9
6 1200 perfect 8ve P8 D 2/1

* based on treating 6edo as a 2.5.7.9 subgroup temperament; other approaches are possible.

Commas

6edo tempers out the following commas. This assumes val 6 10 14 17 21 22].

Prime
Limit
Ratio[1] Monzo Cents Color name Name(s)
3 32/27 [5 -3 294.13 Wa Pythagorean minor third
5 25/24 [-3 -1 2 70.67 Yoyo Classic chromatic semitone
5 128/125 [7 0 -3 41.06 Trigu Diesis, augmented comma
5 3125/3072 [-10 -1 5 29.61 Laquinyo Small diesis, magic comma
5 (12 digits) [17 1 -8 11.45 Saquadbigu Würschmidt comma
5 (30 digits) [-44 -3 21 6.72 Trila-septriyo Mutt comma
7 49/48 [-4 -1 0 2 35.70 Zozo Slendro diesis
7 50/49 [1 0 2 -2 34.98 Biruyo Tritonic diesis, jubilisma
7 3136/3125 [6 0 -5 2 6.08 Zozoquingu Hemimean
7 6144/6125 [11 1 -3 -2 5.36 Sarurutrigu Porwell
7 2401/2400 [-5 -1 -2 4 0.72 Bizozogu Breedsma
11 121/120 [-3 -1 -1 0 2 14.37 Lologu Biyatisma
11 176/175 [4 0 -2 -1 1 9.86 Lorugugu Valinorsma
11 385/384 [-7 -1 1 1 1 4.50 Lozoyo Keenanisma
13 13/12 [-2 -1 0 0 0 1 138.57 tho 2nd Tridecimal neutral second
  1. Ratios longer than 10 digits are presented by placeholders with informative hints

Music

Chimeratio

Milan Guštar

Aaron Andrew Hunt

NullPointerException Music

Chris Vaisvil