User:Eliora/Concoctic scale: Difference between revisions
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=== Temperaments === | === Temperaments === | ||
Since maximal evenness scales can be used to generate a temperament by merging the note count in the period and the period cardinality, in this case being 1 octave, an array of concoctic temperaments can be defined through such mergers. For example, temperament taken this way from 12edo, 7 & 12, is meantone, and is predominantly in use in the world's music today. | Since maximal evenness scales can be used to generate a temperament by merging the note count in the period and the period cardinality, in this case being 1 octave, an array of concoctic temperaments can be defined through such mergers. For example, temperament taken this way from 12edo, 7 & 12, is meantone, and is predominantly in use in the world's music today. | ||
In addition, this also means that every concoctic scale has a 5-limit comma attached to it, and also an infinite array of 3-number subgroup commas. | |||
== List == | == List == | ||
The sequence of EDOs which have concoctic scales of any kind appears to be [[oeis:A172019|A172019]]. This implies that in order for an EDO to have a concoctic scale, it's number of coprime distinct generators must be divisible by 4. The reason for this is yet to be investigated. | The sequence of EDOs which have concoctic scales of any kind appears to be [[oeis:A172019|A172019]]. This implies that in order for an EDO to have a concoctic scale, it's number of coprime distinct generators must be divisible by 4. The reason for this is yet to be investigated. | ||
The sequence has the asymptotic density 1, meaning that as EDOs grow increasingly large, they are significantly more likely to have a concoctic scale than not to. As a result, it may be better to refer to A097987, a set of numbers which lack a concoctic scale. | The sequence has the asymptotic density 1, meaning that as EDOs grow increasingly large, they are significantly more likely to have a concoctic scale than not to. As a result, it may be better to refer to [[oeis:A097987|A097987]], a set of numbers which lack a concoctic scale. | ||
=== Concoctic scales in EDOs === | === Concoctic scales in EDOs === | ||
Notation: c.II means contorted order 2, etc for other Roman numerals. | |||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ | ||
| Line 58: | Line 61: | ||
! colspan="2" |MOS | ! colspan="2" |MOS | ||
! colspan="2" |Generator Size (cents) | ! colspan="2" |Generator Size (cents) | ||
! rowspan="2" |Associated | ! rowspan="2" |Associated | ||
5-limit comma | |||
!Notes | !Notes | ||
|- | |- | ||
| Line 73: | Line 77: | ||
|480 | |480 | ||
|720 | |720 | ||
|[[ | |[[16/15]] | ||
| | | | ||
|- | |- | ||
| Line 82: | Line 86: | ||
|450 | |450 | ||
|750 | |750 | ||
| | |16/15 | ||
| | |Forms the Father. | ||
|- | |- | ||
|10 | |10 | ||
| Line 91: | Line 95: | ||
|360 | |360 | ||
|840 | |840 | ||
|[[ | |[[25/24]] | ||
| | |Forms the Dicot. | ||
|- | |- | ||
|12 | |12 | ||
| Line 100: | Line 104: | ||
|500 | |500 | ||
|700 | |700 | ||
|[[ | |[[81/80]] | ||
|The scale predominantly in use in the world today. | |The scale predominantly in use in the world today. | ||
|- | |- | ||
| Line 109: | Line 113: | ||
| | | | ||
|738.461538 | |738.461538 | ||
| | |[[2560/2187]] | ||
|Forms the [[Oneirotonic]] scale. | |Forms the [[Oneirotonic]] scale. | ||
|- | |- | ||
| Line 118: | Line 122: | ||
| | | | ||
|880 | |880 | ||
|[[ | |[[15625/15552]]* | ||
|Forms the [[Hanson]]. | |Forms the [[Hanson]]. | ||
|- | |- | ||
| Line 127: | Line 131: | ||
| | | | ||
|675 | |675 | ||
| | |[[135/128]] | ||
|Forms the [[Mavila]]. | |Forms the [[Mavila]]. | ||
|- | |- | ||
| Line 136: | Line 140: | ||
| | | | ||
|917.647059 | |917.647059 | ||
|[[ | |[[25/24]] c.II | ||
|Forms Huxley and Lovecraft, but with a fair error. | |Forms Huxley and Lovecraft, but with a fair error. | ||
|- | |- | ||
| Line 145: | Line 149: | ||
| | | | ||
|660 | |660 | ||
| | |[[34171875/33554432|[-25, 7, 6⟩]] c.II | ||
| | | | ||
|- | |- | ||
| Line 154: | Line 158: | ||
| | | | ||
|742.857143 | |742.857143 | ||
| | |[39, -7, -12⟩ | ||
| | | | ||
|- | |- | ||
| Line 163: | Line 167: | ||
| | | | ||
|650, 850, 950 | |650, 850, 950 | ||
| | |262144/253125 c.II, | ||
| | 32805/32768 c.II, | ||
[[Godzilla|81/80 c.II]] | |||
|Contorted Passion, contorted Helmholtz and Godzilla. | |||
|- | |- | ||
|25 | |25 | ||
| Line 172: | Line 179: | ||
| | | | ||
|864 | |864 | ||
| | |3125/2916 | ||
|Forms the [[Sixix]]. | |Forms the [[Sixix]]. | ||
|- | |- | ||
| Line 181: | Line 188: | ||
| | | | ||
| | | | ||
|[[ | |[<nowiki/>[[597871125/536870912|-29, 14, 3]]⟩ | ||
|The 5-note scale itself is the [[slendric pentad]]. | |The 5-note scale itself is the [[slendric pentad]]. | ||
|- | |- | ||
| Line 190: | Line 197: | ||
| | | | ||
| | | | ||
| | |[20, 5, -12⟩ | ||
| | | | ||
|- | |- | ||
| Line 199: | Line 206: | ||
| | | | ||
| | | | ||
| | |[[32805/32768]] | ||
| | |Forms the Helmholtz. | ||
|- | |- | ||
|30 | |30 | ||
| Line 208: | Line 215: | ||
| | | | ||
| | | | ||
| | |15625/15552 c.II | ||
| | | | ||
|- | |- | ||
| Line 217: | Line 224: | ||
| | | | ||
| | | | ||
| | |64000/59049 | ||
| | |Forms the Satriyo. | ||
|- | |- | ||
|33 | |33 | ||
| Line 226: | Line 233: | ||
| | | | ||
| | | | ||
| | |177147/160000 c.II | ||
| | | | ||
|- | |- | ||
| Line 235: | Line 242: | ||
| | | | ||
| | | | ||
| | |[39, -7, -12⟩ | ||
| | | | ||
|- | |- | ||
| Line 244: | Line 251: | ||
| | | | ||
| | | | ||
| | |[-41, 4, 15⟩ | ||
| | | | ||
|- | |- | ||
| Line 253: | Line 260: | ||
| | | | ||
| | | | ||
| | |81/80 c.III | ||
| | | | ||
|- | |- | ||
| Line 262: | Line 269: | ||
| | | | ||
| | | | ||
| | |393216/390625 c.II | ||
| | | | ||
|- | |- | ||
| Line 271: | Line 278: | ||
| | | | ||
| | | | ||
| | |[44, -13, -10⟩ | ||
| | | | ||
|- | |- | ||
| Line 280: | Line 287: | ||
| | | | ||
| | | | ||
| | |273375/262144, | ||
| | |||
[-57, 17, 13⟩, | |||
[[Orson|[-21, 3, 7⟩]] | |||
|31\40 forms the [[Orwell]] or Orson. | |||
|- | |- | ||
|41 | |41 | ||
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| | | | ||
| | | | ||
| | |[-35, 6, 11⟩ | ||
| | | | ||
|- | |- | ||
| Line 298: | Line 309: | ||
| | | | ||
| | | | ||
| | |15625/15552 c.IV | ||
|One step short of 53edo's perfect fifth. | |One step short of 53edo's perfect fifth. | ||
|- | |- | ||
| Line 307: | Line 318: | ||
| | | | ||
| | | | ||
|[ | |[-41, 1, 17⟩ | ||
| | | | ||
|- | |- | ||
| Line 316: | Line 327: | ||
| | | | ||
| | | | ||
| | | | ||
|53\72 forms the [[Catakleismic]]. | |53\72 forms the [[Catakleismic]]. | ||
|- | |- | ||
| Line 325: | Line 336: | ||
| | | | ||
|735 | |735 | ||
| | | | ||
|49\80 forms the [[Semisept]]. | |49\80 forms the [[Semisept]]. | ||
|- | |- | ||
| Line 343: | Line 354: | ||
| | | | ||
|843.956043 | |843.956043 | ||
| | | | ||
| | | | ||
|- | |- | ||