9edo: Difference between revisions
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| Fifth = 5\9 = 666.667¢ | | Fifth = 5\9 = 666.667¢ | ||
| Major 2nd = 1\9 = 133¢ | | Major 2nd = 1\9 = 133¢ | ||
}} | }} | ||
'''9 EDO''' divides the octave into nine equal parts each of 133+1/3 [[cent]]s precisely. It is also the first odd composite | '''9 EDO''' divides the octave into nine equal parts each of 133+1/3 [[cent]]s precisely. It is also the first odd composite EDO. | ||
== Theory == | == Theory == | ||
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| -23 | | -23 | ||
|- | |- | ||
! colspan="2" | [[nearest | ! colspan="2" | [[Patent val|nearest EDO-mapping]] | ||
| 9 | | 9 | ||
| 5 | | 5 | ||
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| +4 | | +4 | ||
|} | |} | ||
The | The 9EDO scale has the peculiar property of representing certain [[7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes | ||
1: 27/25 133.238 large limma, BP small semitone | 1: 27/25 133.238 large limma, BP small semitone | ||
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Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO. | Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO. | ||
=== Differences between distributionally-even scales and smaller | === Differences between distributionally-even scales and smaller EDOs === | ||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ | ||
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!s-Nedo | !s-Nedo | ||
|- | |- | ||
|2 | | 2 | ||
|66.666¢ | | 66.666¢ | ||
| -66.666¢ | | -66.666¢ | ||
|- | |- | ||
|4 | | 4 | ||
|100¢ | | 100¢ | ||
| -33.333¢ | | -33.333¢ | ||
|- | |- | ||
|5 | | 5 | ||
|26.667¢ | | 26.667¢ | ||
| -106.667¢ | | -106.667¢ | ||
|- | |- | ||
|6 | | 6 | ||
|66.666¢ | | 66.666¢ | ||
| -66.666¢ | | -66.666¢ | ||
|- | |- | ||
|7 | | 7 | ||
|95.238¢ | | 95.238¢ | ||
| -38.095¢ | | -38.095¢ | ||
|- | |- | ||
|8 | | 8 | ||
|116.667¢ | | 116.667¢ | ||
| -16.667¢ | | -16.667¢ | ||
|} | |} | ||
== Notation == | == Notation == | ||
9EDO can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5. | |||
The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12EDO music can be directly translated to 9EDO "on the fly". | |||
The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional | |||
{| class="wikitable center-all right-1 right-2" | {| class="wikitable center-all right-1 right-2" | ||
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== Commas == | == Commas == | ||
9EDO [[tempers out]] the following [[comma]]s. (Note: This assumes [[val]] {{val| 9 14 21 25 31 33 }}.) | |||
{| class="commatable wikitable center-all left-3 right-4 left-6" | {| class="commatable wikitable center-all left-3 right-4 left-6" | ||
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9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9EDO tradition]. | 9EDO contains a pentatonic [[MOSScales|MOS scale]] -- 2L 3s (1 3 1 3 1) -- with a heptatonic extension -- 2L 5s (1 1 2 1 1 2 1, sometimes called "mavila" or "antidiatonic"). Indonesian pelog scales sometimes use five-tone subsets of a seven-tone superset in a similar way, and it has been suggested that Indonesian gamelan music stems from a [http://www.neuroscience-of-music.se/pelog%20historical.htm 9EDO tradition]. | ||
==Pathological Modes== | == Pathological Modes== | ||
2 1 1 1 1 1 1 1 [[1L 7s]] MOS | 2 1 1 1 1 1 1 1 [[1L 7s]] MOS | ||
== Selected Just Intervals == | == Selected Just Intervals == | ||
[[File:9ed2-001.svg|alt=alt : Your browser has no SVG support.]] | [[File:9ed2-001.svg|alt=alt : Your browser has no SVG support.]] | ||
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== Images == | == Images == | ||
[[File:9edo_wheel.png|alt=9edo wheel.png|385x385px|9edo wheel.png]] | [[File:9edo_wheel.png|alt=9edo wheel.png|385x385px|9edo wheel.png]] | ||
== Instruments == | == Instruments == | ||
[[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]] | [[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]] | ||
Ukulele (MicroUke 1.2) set to | Ukulele (MicroUke 1.2) set to 9EDO with 40 lb. test fishing line (by cenobyte) | ||
== Music == | == Music == | ||
* [https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version Tenacious Chorale (only movement I is in 9EDO)] by [[Stephen Weigel]] | |||
* [https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version Tenacious Chorale (only movement I is in | |||
* [https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo Zones of Lasting Novelty] (Un12 2019) by [[Stephen Weigel]]; perf. [[Hans Gunter-Lock]], [[Jacob Barton]], and Stephen Weigel | * [https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo Zones of Lasting Novelty] (Un12 2019) by [[Stephen Weigel]]; perf. [[Hans Gunter-Lock]], [[Jacob Barton]], and Stephen Weigel | ||
* [https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Origin, Creation] by Stephen Weigel ([http://www.beostringquartet.com/ Beo String Quartet], dedicated to [[wikipedia:Lou_Harrison|Lou Harrison]]) | * [https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Origin, Creation] by Stephen Weigel ([http://www.beostringquartet.com/ Beo String Quartet], dedicated to [[wikipedia:Lou_Harrison|Lou Harrison]]) | ||
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* [https://tabytha.bandcamp.com/track/69-pentangled 69 Pentangled] by [https://tabytha.bandcamp.com/album/bad-musick Tabytha] | * [https://tabytha.bandcamp.com/track/69-pentangled 69 Pentangled] by [https://tabytha.bandcamp.com/album/bad-musick Tabytha] | ||
* Nocturne in | * Nocturne in 9EDO by [http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf] | ||
* ''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]'' by [[Aaron Andrew Hunt]] | * ''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]'' by [[Aaron Andrew Hunt]] | ||
* ''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in | * ''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in 9EDO]'' by [[Chris Vaisvil]] | ||
* [http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8] by [[Randy Winchester]] | * [http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8] by [[Randy Winchester]] | ||
* [http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor Darreg]] | * [http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor Darreg]] | ||
* [http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [[Chris Vaisvil]] (in 9 and 18 | * [http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [[Chris Vaisvil]] (in 9 and 18 EDOsimultaneously) | ||
* [http://www.seraph.it/dep/det/NewWorld.mp3 New World] by [[Carlo Serafini]] ([http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html blog entry]) | * [http://www.seraph.it/dep/det/NewWorld.mp3 New World] by [[Carlo Serafini]] ([http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html blog entry]) | ||
* [https://soundcloud.com/santiagocosentino/interdimensional-train-ride Interdimensional Train Ride by Santiago Cosentino] | * [https://soundcloud.com/santiagocosentino/interdimensional-train-ride Interdimensional Train Ride by Santiago Cosentino] | ||
== Ear Training == | == Ear Training == | ||
9EDO ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here]. | |||
[[Category:9-tone]] | [[Category:9-tone]] | ||
[[Category:9edo]] | [[Category:9edo| ]] | ||
[[Category:Equal divisions of the octave]] | [[Category:Equal divisions of the octave]] | ||
[[Category:Listen]] | [[Category:Listen]] | ||
[[Category:Macrotonal]] | [[Category:Macrotonal]] | ||